Ruth Rendell - Portobello

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Portobello: краткое содержание, описание и аннотация

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The Portobello area of West London has a rich personality – vibrant, brilliant in colour, noisy, with graffiti that approach art, bizarre and splendid. An indefinable edge to it adds a spice of danger. There is nothing safe about Portobello…
Eugene Wren inherited an art gallery from his father near an arcade that now sells cashmere, handmade soaps and children's clothes. But he decided to move to a more upmarket site in Kensington Church Street. Eugene was fifty, with prematurely white hair. He was, perhaps, too secretive for his own good. He also had an addictive personality. But he had cut back radically on his alcohol consumption and had given up cigarettes. Which was just as well, considering he was going out with a doctor. For all his good intentions, though, there was something he didn't want her to know about…
On a shopping trip one day, Eugene, quite by chance, came across an envelope containing money. He picked it up. For some reason, rather than report the matter to the police, he wrote a note and stuck it up on lamppost near his house:
'Found in Chepstow Villas, a sum of money between eighty and a hundred and sixty pounds. Anyone who has lost such a sum should apply to the phone number below.'
This note would link the lives of a number of very different people – each with their obsessions, problems, dreams and despairs. And through it all the hectic life of Portobello would bustle on.

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The last one, the last of all, he conveyed slowly to his mouth, then took the remaining two to the kitchen and dropped them, not directly into the bin, but into a plastic bag containing the outside leaves of a lettuce, several tea bags and some pâté past its sell-by date. Disposing of them like this among damp, unsavoury rubbish would be a sure way of stopping him retrieving them later. He tied the handles of the plastic bag together and dropped it into the bin.

Buy no more. It would be hard but he knew that already. Out of nowhere came a memory of running down supplies once before, of being alone here after all the shops were shut. A frantic search had begun, looking in all the unlikely places until – wonderful discovery, better than the first drink of the evening, almost better than sex – he had found an unopened packet in the bottom of the plastic bag he kept by him for taking to the shops. It was untouched, still sheathed in that ridiculous cellophane stuff which took such efforts, such tearing and biting, to rip off.

He heard Ella's key in the lock and made himself swallow the last sliver of Chocorange. The very last he would ever taste. In a few weeks' time it would be no more than a memory and, he hoped, a source of wonder that he had ever approached being hooked on a sweet. Ella was looking very pretty in a pink suit with a sort of frill round the neck, which seemed to be the fashion. Pink suited her. She put her arms round his neck and kissed him.

'You've been eating chocolate again, Gene.'

'My weakness,' he said.

'Yes, well, I'm as bad. And I had far too much lunch. How did you get on with your caller?'

He told her.

'You haven't sent that cheque to Mr Roseman yet, have you? Because if not I've got to go over to the Welbeck Nightingale in Shepherd's Bush some time tomorrow. A patient of mine is in there. Would you like me to take the cheque and give it to him? The post is so unreliable.'

Lance wasted no time. Having racked his brains for hours the previous evening, he could think of no one he knew who would lend him a car or van, so he began his campaign by going back to Chepstow Villas on foot. It was a bright sunny morning. The house opposite was clearly empty, no curtains or blinds at the windows, the front lawn uncut and a sold notice planted just inside the gate. Lance looked all round to check there was no one about. He slipped through the gateway of the empty house and squatted down behind a wall of solid stucco up to a height of about two feet with a row of small pillars and a coping on top of it. Squatting is very uncomfortable after about five minutes. So Lance sat on the ground which, fortunately, was bone dry, after an April of lower rainfall than any since records began. It was just after 8.30.

He was soon cursing the kind of people who don't need to leave for work until 9.30 or ten. What did that rich guy do for a living? Never having worked himself, Lance knew very little about other people's jobs. In a bank, he thought vaguely, or was he something called a stockbroker? He had no idea what this might be. Maybe the man didn't work at all. Maybe he stayed in all day. He was deciding this must be true, that the guy stopped in to guard all that stuff he'd got in the house, when the front door opened and the white-haired man emerged. He was dressed today in a dark suit, white shirt and a grey tie with some sort of pattern on it in purple. Lance thought the bag he was carrying was called a briefcase. And now he was in a dilemma. Should he follow him to find out where he went or take advantage of his absence to get round the back of the house? The latter option. White Hair wouldn't be carrying that case thing if he was just going down to the shops.

First, though, he tried ringing the doorbell. There might be a woman in there. Just because he hadn't seen a woman the evening before didn't mean the guy hadn't a wife or a girlfriend on the premises. He rang again, waited, listened at the letter box for a movement from inside. There was nothing. At the side of the house, the detached side, was a small barred window. He hoisted himself up, peered between the bars. He could see the hallway he had passed through on his extremely short visit. No one there, no movement. He tried the side gate. It had no latch but a handle that turned and it was a solid gate, made from some sort of hardwood. Of course it was locked or bolted on the other side. There was no way he could get over it without a pair of steps.

Lance walked down Chepstow Villas into Pembridge Villas where he soon turned right from where he calculated which garden of these houses backed on to the guy's place. A woman was staring at him out of a ground-floor window. He carried on walking until he came to the next cross-street. A house about halfway down was being renovated. Scaffolding covered the front of it and a sign in the front garden said, 'Williams and Dhaliwal, Specialists in Elegant Restoration'. However, Williams and Dhaliwal weren't working today, though they had left a good deal of their equipment about, including a pair of aluminium steps resting against the lowest bar of the scaffold.

People who see a man carrying a pair of steps don't assume he has stolen them. They suppose he is on his way to a building job. Without more thought, Lance picked up the steps, which were very light, rested them on his shoulders and set off back to old White Hair's. He put the steps up against the side gate, climbed up them, pulled them up after him and dropped down on the other side. Silence. No shocked yells. No cries of, 'What do you think you are doing?'

As he had thought, the windows at the rear weren't barred. No doubt White Hair thought that no one could get into that garden from the back and maybe he was right. The high walls surrounding it were covered in creepers, which looked to Lance like the prickly kind you couldn't climb up. Only a cat could climb them and one had, the stripy devil that had raked its claws across his fingers. From among the thorny leaves it stared malevolently at Lance, unblinking and perfectly still. Never mind. He wasn't going to climb any walls. Some awareness of danger kept him from going boldly up to the french windows. It was as well for him it did, for as he crept up to a small sash window to take a look inside, a roar, a crescendo of sound, held him frozen there on the paving. A vacuum cleaner. It was a Hoover starting up. Without going any closer, he could see a woman plying this machine up and down a carpet, like someone mowing a lawn.

This woman must have arrived while he was walking round the block looking for a way in. She had her back to him now but was about to turn round. He ducked down and went back on all fours the way he had come. How long would she be in there? Hours? There were no ground-floor windows on this side of the house so no possibility of her seeing him unless she came out into the garden. He undid the bolts on the side gate and turned the key, listening all the time to the rise and fall of the Hoover's bray. What to do with the steps? If he took them with him, where could he dump them? By this time he had moved them out into the front garden and locked the gate behind him. He was scared to take them back to where he had found them. In the end he slipped the key into his pocket and left the steps behind, leaning up against the house wall.

He'd go back again next day. After 8.45 when the old guy went out and before 9.30 when that woman came in. The chances were no one would notice the gate was unbolted or that the key was missing.

CHAPTER SEVEN

The private wing was newly built but that part of the hospital Ella had come from had changed very little from the old workhouse it had once been. Her patient had been in a mixed ward, shared by old men and old women, and hated by both. That at any rate would not have been allowed in Victorian England when this place was built. She went up to the streamlined green glass desk to ask for Joel Roseman, fulminating inwardly against the government (or maybe the Primary Care Trust) and its promises to put an end to this state of affairs, and was told he was in Room Five. She found him not in bed but asleep in an armchair. Ella saw a man in his thirties, dark-haired, rather good-looking, dressed in jeans and a T-shirt with a blanket over his knees. The room was very warm and the windows were shut.

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