Ruth Rendell - Not in the Flesh

“What does he do for a living?”

“Something in the building trade. He's put up a few houses around the place and made a lot of money. If you see a jerry-built eyesore, it'll be Grimble's. He's retired now, though he's only in his fifties.”

“We'll go and see him.”

“Why not? If it turns out he's murdered one of the district planners, our task is going to be easy.”

John and Kathleen Grimble belonged to that category of people who, after about forty, decide consciously or unconsciously to become old. While the cult of youth prevails in society, while to be young is to be beautiful, bright, and lovable, they sink rapidly into middle age and even seem to cultivate the disabilities of the aged. Wexford's theory was that they do this out of laziness and because of the benefits incident to being elderly. The old are not expected to take exercise, lift heavy weights, or do much for themselves. They are pitied but they are also ignored. No one asks them to do anything or, come to that, to stop doing anything they choose to do. Burden had told him John Grimble was just fifty years old, his wife two or three years younger. They looked, each of them, at least ten years older than that, anchored to orthopedic armchairs, the kind that have back supports and adjustable footrests, placed in the best position for perpetual television watching.

He nodded to Burden, his neighbor. In response to Wexford's “Good afternoon, Mr. Grimble,” he merely stared. His wife said she was pleased to meet them in the tones of an old woman waking from her after-lunch siesta. On the way there Burden had explained something of the obsession that contributed to Grimble's reputation, so Wexford wasn't surprised at his first words.

“I mean to say,” Grimble began, “if I tell you something that may put you on the right road to catching a criminal, will you use your influence to get my permission?”

“Oh, John,” said Kathleen Grimble.

“Oh, John, oh, John, you're a parrot, you are. Now, Mr. Burden-it is Mr. Burden, isn't it? You hear what I say-will you?”

“What permission would that be?” Wexford asked.

“Didn't he tell you?” Grimble said in his surly, grudging voice. He cocked a thumb in Burden's direction. “It's not as if everybody don't know. It's common knowledge. All I want is to be told I can build houses on what's my own, my own land that my dear old dad left me in his last will and testament-well, my stepdad he was, but as good as a father to me. So what I'm saying is, if I scratch your back will you scratch mine?”

“We have no influence at all with the planning authority, Mr. Grimble. None at all. But I must tell you that this is a murder case and you are obliged to tell us what you know. Withholding information is a criminal offense.”

A tall thin man, one of a race who is classified as white and would be horrified if otherwise designated, Grimble had skin discolored to a dark brownish-gray, suffused about his nose and chin with crimson. A perpetual frown had creased up his forehead and dug deep furrows across his cheeks. He stuck out his lower lip like a mutinous child and said, “It's a funny thing how everybody's against me getting permission to build on my own land. Everybody. All my old dad's neighbors. All of them objected. Never mind how I know, I do know, that's all. Now it's the police. You wouldn't think the police would care, would you? If they're for law and order, like they're supposed to be, they ought to want four nice houses put up on that land, four houses with nice gardens and people as can afford them living there. Not asylum seekers, mind, not the so-called homeless, not Somalis, but decent people with a bit of money.”

“Oh, John,” said Kathleen.

Wexford got to his feet. He said sternly, “Mr. Grimble, either tell us what you have to tell us now or I shall ask you to accompany us to the police station and tell us there. In an interview room. Do you understand me?”

No apology was forthcoming. Wexford thought Grimble could take a prize for surliness, but it seemed the man hadn't even begun. His features gathered themselves into a bunch composed of the deepest frown a human being could contrive, a wrinkling of his potatolike nose and a baring of the teeth, the result of curling back his top lip. His wife shook her head.

“Your blood pressure will go sky high, John. You know what the doctor said.”

Whatever the doctor had said, reminding Grimble of it caused a very slight reduction in frown and teeth-baring. He spoke suddenly and rapidly. “Me and my pal, we reckoned we'd put in the main drainage. Get started on it. Get rid of the old septic tank. Link the new houses up to the main drain in the road. You get me? We got down to digging a trench-”

“Just a minute,” said Wexford, loath to remind him of his grievance but seeing no way to avoid it. “What new houses? You hadn't got planning permission for any new houses.”

“D'you think I don't know that? I'm talking about eleven years ago. I didn't know then, did I? My pal knew a chap in the planning and he said I was bound to get permission, bound to. He said, you go ahead, do what you want. Your pal-meaning me-he may not get it for four houses but there's no way they'd say no to two, right?”

“Exactly when was this? You said eleven years ago. When did your stepfather die?”

Unexpectedly, Kathleen intervened. “Now, John, you just let me tell them.” Sulkily, Grimble nodded, contemplated the television on which the sound had been turned down fully but the picture remained. “John's dad-his name was Arthur-he died in the January. January '95, that is. He left this will, straightforward it was, no problems. I don't know the ins and outs of it but the up-shot was that it was John's in the May.”

“That piece of land, Mrs. Grimble, and the house on it?”

“That's right. He wanted to pull down the old place and get building, but his pal Bill Runge-that's the pal he's talking about-he said, you can't do that, John, you have to get permission, so John got me to write to the council and ask to put up four houses. You got all that?”

“Yes, I think so, thank you.” Wexford turned back to John Grimble, who was leaning forward, his head on one side, in an attempt to hear the soundless television program. “So without getting the permission,” he said, “you and Mr. Runge started digging a trench for the main drainage? When would that have been?… Mr. Grimble, I'm speaking to you.”

“All right. I hear you. Them busybody neighbors, it was them as put a spoke in my wheel, that fellow Tredown and those Pickfords. Them McNeils what used to live at Flagford Hall. I know what I know. That's why I never pulled down my dad's old house. Leave it there, I thought to myself, leave it there to be an eyesore to that lot. They won't like that and they don't. Leave the weeds there and the bloody nettles. Let the damn trees take over.”

Wexford sighed silently. “I'm right, aren't I, in thinking that you and your friend started digging a trench between where you expected the houses would be sited and the road itself?” A surly nod from Grimble. “But your application for planning permission was refused. You could build one house but no more. So you filled in the trench. And all this was eleven years ago.”

“If you know,” said Grimble, “I don't know why you bother to ask, wasting my time.”

“Oh, John, don't,” said Kathleen Grimble, slightly varying her admonition.

“We dug a trench like I said, and left it open for a day or two and then those bastards at the planning turned me down so we filled the bugger in.”

“I'd like you to think carefully, Mr. Grimble.” Wexford doubted if this was possible, but he tried. “Between the time you dug the trench and the time you filled it in, was it”-he paused-“in any way interfered with?”