Ruth Rendell - Not in the Flesh

“Get an accusation of institutional racism in the police going more like,” said Wexford. “You can only do that sort of thing if you examine every girl, not just the African ones, and the NHS hasn't the resources. Oh, I hear what you say. I hate the practice as much as you do, but I've got a more realistic attitude to what can and can't be done.”

“I'll tell you something,” said Sheila, huffy now. “I bet you if these were little white girls there'd be a national outcry.”

He called Dora and left Sheila to her mother. By association, the role of a goddess of love and beauty reminded him of the girl in the restaurant called A Passage to India-Matea. Could she be Somali? And if she was…? The idea of some old woman using a sharpened stone and no anaesthetic to shear away her delicate flesh was so abhorrent that he made the effort to banish it from his mind and once more picked up The Son of Nun.

It was, he saw, a reissue. The novel had first been published in the mid-eighties and was one of a number Tredown had written on Old Testament themes. There were others based on the story of Samuel, the triumphs of David, and the iniquities of Ahab and Jezebel. The sad story of Jephtha's daughter Tredown had retold under the title of The First Living Thing He Saw, and he remembered how Jephtha had foolishly promised God that, in gratitude for victory in war, he would sacrifice the first creature he encountered when he returned and was in sight of home. The idiot might have calculated it would be his daughter, Wexford thought with contempt. Suggesting to Dora when she came off the phone that this hardly seemed to him likely to be a recipe for literary success, on the grounds that potential readers would assume they were being preached at, he added, “But what do I know?”

“As much as any other reader, I suppose,” she said. “They weren't very successful. That's why he-well, he changed tack and wrote The First Heaven. It's not like anything else he'd ever done. No Bible stories, more a sort of amalgam of Greek myths and Norse tales and prehistoric animals. That's what Sheila says. I haven't read it. It made him very popular.”

“And now,” said Wexford, unconvinced, “it's going to bore thousands more for four hours on the screen. I can't bear to think of it.”

“You'll have to do more than think of it. With your daughter in the lead, you'll have to see it-at least once.”

The next day, among the documents that landed on his desk, one was that rarity, an old-fashioned handwritten letter sent through the post, the others the postmortem report, compiled by Mavrikian and Laxton, and the report on a lab examination of the purple sheet which had wrapped the body of the man in Grimble's Field. Man begins to decay once life is gone but the man-made may endure for centuries. The eleven years this sheet had lasted-though now threadbare in parts-was like a minute gone in the life history of a sheet, Wexford said with some exaggeration. This one had come from Marks & Spencer. According to that company's records, purple had been a fashionable shade and the color of one of their ranges in the early seventies. It therefore seemed likely that it was more than twenty years old before it was used as a shroud. Possibly it had been used for this purpose because it had a hole or slit at one end about a foot from the hem. The slit was ragged around the edges and stained with a brownish substance that, on analysis, proved to be blood of the same group as that of the dead man.

The postmortem report told him little he didn't know already. He was already aware that one of the ribs was cracked. Neither of the pathologists offered this as the cause of death, as they couldn't tell the cause of death. What they had had in front of them was a skeleton with a simple break in a rib, but it afforded enough DNA to establish whether the corpse was that of Peter Darracott. He would have Christine Darracott in here to see if she could identify the sheet, but that wouldn't be much help either. None of those neighbors seemed the sort of people who would use purple bed linen. They were mostly elderly. They were middle class, the men professionals of some sort or another, the women stay-at-home housewives, the kind who would make up their beds in white linen, or daringly, in pale blue or pink. One of them was the writer of the letter he turned to next.

He saw at a glance that its purpose was to provide him with a possible identification. There had been many of these, but all the rest had come by e-mail.

Long ago he had made up his mind that in many respects the Internet was more trouble than it was worth. Half the country, it seemed, sat in front of screens all day, telling the other half their thoughts, hopes, aspirations, giving advice, requesting help, offering things for sale, inviting fraud by demanding and receiving credit card numbers, misleading the frightened and the lonely, and wasting the time of people like himself who had their jobs to do. Of course, it had its uses, like supplying information about every citizen and bringing up registers at the touch of a key. But the time-wasting factor really made itself felt in the screen-fillers that had come to him: those who told him of female relatives who had gone missing in 1981 or 2002, those telling him how interested they were in the investigation and had he a job for them, and others madly requesting meetings, including one from a woman who gave her vital statistics, hair and eye color, age and education and job history, and suggested he and she have their first date next Tuesday.

The letter seemed to belong to a different era from the e-mails. It was addressed “Dear Sir” and signed “Yours truly, Irene McNeil,” a usage he had thought utterly gone. She told him she had “remembered something since the visit of the colored boy,” was sure he should know about it, and, having no idea how otherwise to communicate with him, was writing. She didn't trust the phone and never had done since childhood when her parents had “the telephone installed” in 1933. The “something” she recalled concerned “old Mr. Grimble's lodger.” This was the first Wexford had heard of Arthur Grimble having a lodger, but whether this had any connection with the case seemed unlikely. He read on.

“I could see everything which went on from my front windows,” Mrs. McNeil ended unashamedly.

Burden and Damon Coleman had a warrant to search Sunnybank. Grimble had been asked permission for them to enter and had refused, saying he hadn't been in the place himself for eleven years so he didn't see why the police should. This delayed things but not for long. Not usually given to flights of fancy, Burden said afterward to Wexford that going in there made him think of explorers penetrating a jungle to discover some ancient tomb in the depths of a forest.

“I just hope the spirit of the place hasn't put a curse on you,” said Wexford.

Damon removed the screws that held in place the sheet of plywood over the front doorway. Underneath they expected to find the front door but there was only a cavity. Inside was semidarkness and a strong smell of dry rot and wet rot, mildew, mold, lichen, putrefaction, and general decay. Not all the windows were boarded up-there seemed no logic as to why some were and some were not-and in the first room they went into, it was light enough to see that the place was still furnished but in the grimmest and most eerie way, the table and chairs coated with gray dust, cobwebs linking lampshade to mantelpiece to pictures, like some primitive electrical system of loosely strung cables. The windowpanes were cracked, and the curtains that hung from a broken rail, ragged and stained. Damp had marked the ceiling with curious patterns, some shaped like parts of the human body, a leg here in a high-heeled shoe, a disembodied head, and others like maps of islands in an archipelago or close-ups of the surface of the moon.