Yrsa Sigurdardottir - Someone to Watch Over Me

‘This doesn’t look much like a haunted house.’ Thóra leaned forward to get a better view of the outside. The rectangular house was made of concrete and had two storeys, but it was unimposing. Even a quick lick of paint on the roof and window frames would have improved its appearance enormously. The front door was cheap plywood and looked almost temporary, and unlike the other gardens on the street the front garden was overgrown. But although the house appeared to have been built more cheaply and maintained less well than its neighbours, it was only superficially different to the others on the street. In fact it looked as if improvements were imminent, and it would only be a short time before the cracks in the concrete were repaired, the outside painted, and a new front door put on. A string of unlit Christmas lights lay along the edge of the roof, a reminder of the recent holiday.

‘How do you imagine a haunted house looks?’ asked Matthew, as he tried to decide where to park the car. Both spaces on the driveway were free but he didn’t want to use either of them, since the husband was probably due home any moment and the chances were they would choose his place. Matthew was very concerned about these things. ‘Were you expecting an American wooden house with high gables and broken windows? Maybe a bat hanging upside down from the guttering?’ Matthew parked the car next to the kerb in front of the house.

‘Maybe not that exactly, but this is still different from what I expected.’ Thóra stepped out onto the pavement and the new-fallen snow crunched beneath her feet. ‘Damn, it’s cold.’ She waited while Matthew locked the car. She took a deep breath of the still winter air and noticed a faint but revolting odour that she couldn’t place. ‘Oh, yuck.’ The metallic tang lingered in her mouth and nostrils and grew stronger with every breath. Immediately she felt a chill; she looked again at the house and suddenly it didn’t seem as harmless as it had at first. The dark garden running alongside it seemed sinister somehow, and the building appeared to cast longer and darker shadows than the other houses on the block. She shook off the unpleasant feeling and headed towards the shabby-looking door. Lights were on in most of the windows; upstairs there was a flicker as if a bulb were about to go out, or was it just a television? It wasn’t easy to tell, since all the curtains were drawn. Behind the ones drawn in the kitchen she caught a hazy glimpse of the outline of a person. Thóra couldn’t see whether the person’s face was turned towards them, but she was fairly certain that they were watching her and Matthew walk up the path. The silhouette disappeared just as they reached the house. If it was Berglind, then she’d gone straight to the door, because it opened as soon as Matthew rang the doorbell. The noise of the bell didn’t carry outside, making it seem as if the house had swallowed the sound.

‘Come in. The doorbell’s broken. I was afraid of missing you so I was keeping an eye out.’ The woman was young, probably early thirties, perhaps slightly younger. Her straight, blonde shoulder-length hair looked dirty, and it fell across her face. Her worn jeans were obviously supposed to be skinny-fit, but they were baggy on her and her fleece hung loosely on her thin frame. Her eyes were large and expressive, and would have been beautiful but for the dull rings underneath. All of this fitted with Thóra’s mental image of a woman who was being haunted.

‘Hi, I’m Thóra and this is Matthew, who I mentioned earlier.’ The woman’s grip was slack and her palm cold and clammy. ‘Thank you very much for agreeing to meet with us; we won’t bother you for long. I realize it’s getting late and tomorrow’s a work day.’

‘I’m on sick leave, so I don’t have to get up. My husband is still at work; they’re doing an inventory and he’ll be there well into the night, so you aren’t disturbing us.’ She seemed to feel the need to go into this in detail, as if to excuse her husband’s heavy workload in the midst of the recession: ‘The company just changed owners, which means lots of changes and extra work – which is unpaid, but he’s been promised additional leave in return.’ Berglind showed them into the house. The hall was very tidy but devoid of all luxury. It could have done with a coat cupboard, but instead there was a coat rack on wheels. Shoes were arranged neatly against the wall in order of size, except for some fiery red boots in the middle that were decorated like mini fire engines. Thóra could see that Matthew was having trouble deciding where he should put his shoes; by the front door, in their correct place among the household’s own pairs? Berglind also appeared to notice and announced, ‘Don’t worry about your shoes; there’s not much to do here during the day so I try to keep the house ship-shape. There are only three of us so I’ve had to come up with various things to help fill the day.’ She looked at the shoes, side by side as if in a shop. ‘It’s ridiculous, I know, but I hardly ever leave the house, so there’s nothing to do but occupy myself somehow – no matter how strange it might seem.’

Thóra smiled. ‘Well, I have to say I envy you your tidy hallway; you should see mine.’ The hall in her house was always filled with shoes, left there by Sóley, Gylfi, Sigga, and now Orri as well, generally in a pile in the middle of the floor. Thóra was sure that they must fling them off on their way in, but without breaking their stride: they loosened the laces as they approached the door and then stepped out of them on the way in. The little space that was left on the floor was then heaped with the kids’ coats; for some reason they never hung them on the hooks. When she and Matthew emerged from the hallway it always felt as if they’d just hopped from stone to stone over a river.

Berglind didn’t smile back. ‘Have a seat in the living room. I’m just going to check on Pési.’ She pointed up at the Artex ceiling. ‘He’s upstairs watching a film. He doesn’t have to get up tomorrow morning either because he’s on a break from preschool. Actually a kind of mini-version of my circumstances.’ The rings under her eyes seemed to darken and spread, probably because they’d left the brightly lit hall.

Matthew and Thóra sat down on a brown sectional sofa of the kind that had taken over the furniture market a few years earlier. It was as if the sofa wanted to show solidarity with the house and had decided to show signs of wear; the attached chaise longue had sunk in the middle and its colour had faded, making it look as though it belonged to an entirely different set. Like the hallway, the living room was excessively tidy, and Thóra thought she caught a whiff of cleaning fluid. She desperately wanted to stand up and have a look at the framed photographs on the wall to her right, but she was uncomfortable with the idea that Berglind might find her doing it. So she sat completely still and tried to examine them from a distance.

‘Sorry – I had to find him some paper and crayons; he didn’t want to stop watching the film.’ Berglind sat down opposite Thóra. She smiled at them awkwardly and seemed to hope that they would do all the talking. ‘Would you like some coffee or something?’

Thóra and Matthew both politely declined. ‘We absolutely don’t want to trouble you. You’ve got enough on your plate.’ Thóra looked towards the stairs leading to the upper floor. ‘Has your son been aware of this… spirit at all?’ She didn’t know how much she could trust the blogger’s story; she would rather get her answers straight from the woman.

‘Yes, very aware. He and I seem to be the most sensitive to it; my husband finds it easy to shut it out and act as though nothing’s wrong.’ She frowned. ‘I can see that you don’t believe a word of it. I’ve become an expert at recognizing that expression.’