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Laura Lippman: I'd Know You Anywhere

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Laura Lippman I'd Know You Anywhere

I'd Know You Anywhere: краткое содержание, описание и аннотация

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The acclaimed New York Times bestselling author returns with a new stand-alone novel—a powerful and utterly riveting tale that skillfully moves between past and present to explore the lasting effects of crime on a victim’s life…. Eliza Benedict cherishes her peaceful, ordinary suburban life with her successful husband and children, thirteen-year-old Iso and eight-year-old Albie. But her tranquillity is shattered when she receives a letter from the last person she ever expects—or wants—to hear from: Walter Bowman. “There was your photo, in a magazine. Of course, you are older now. Still, I’d know you anywhere.” In the summer of 1985, when she was fifteen, Eliza was kidnapped by Walter and held hostage for almost six weeks. He had killed at least one girl and Eliza always suspected he had other victims as well. Now on death row in Virginia for the rape and murder of his final victim, Walter seems to be making a heartfelt act of contrition as his execution nears. Though Eliza wants nothing to do with him, she’s never forgotten that Walter was most unpredictable when ignored. Desperate to shelter her children from this undisclosed trauma in her past, she cautiously makes contact with Walter. She’s always wondered why Walter let her live, and perhaps now he’ll tell her—and share the truth about his other victims. Yet as Walter presses her for more and deeper contact, it becomes clear that he is after something greater than forgiveness. He wants Eliza to remember what really happened that long-ago summer. He wants her to save his life. And Eliza, who has worked hard for her comfortable, cocooned life, will do anything to protect it—even if it means finally facing the events of that horrifying summer and the terrible truth she’s kept buried inside. An edgy, utterly gripping tale of psychological manipulation that will leave readers racing to the final page, is a virtuoso performance from acclaimed, award-winning author Laura Lippman that is sure to be her biggest hit yet.

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Mail clattered through the slot, a jolt of excitement on this long, stifling afternoon. “I’ll get it!” Albie screamed, not that he had any competition. A mere six months ago, his sister had scrapped with him over an endless list of privileges, invoking primogeniture. Fetching the mail, having first choice of muffin at breakfast, answering the phone, pushing elevator buttons. She was beyond all that now.

Albie sorted the mail on the kitchen counter. “Daddy, bill, junk, catalog. Daddy, junk. Junk. Junk. Daddy. Mommy! A real letter.”

A real letter? Who would write her a real letter? Who wrote anyone real letters? Her sister, Vonnie, was given to revisiting old grudges, but those missives usually went to their parents via e-mail. Eliza studied the plain white envelope, from a PO box in Baltimore. Did she even know anyone in Baltimore anymore? The handwriting, in purple ink, was meticulous enough to be machine-created. Probably junk mail masquerading as a real letter, a sleazy trick.

But, no, this one was quite authentic, a sheaf of loose-leaf paper and a cutting from a glossy magazine, a photo of Peter and Elizabeth at a party for Peter’s work earlier this summer. The handwriting was fussy and feminine, unknown to her, yet the tone was immediately, insistently intimate.

Dear Elizabeth,

I’m sure this is a shock, although that’s not my intention, to shock you. Up until a few weeks ago, I never thought I would have any communication with you at all and accepted that as fair. That’s how it’s been for more than twenty years now. But it’s hard to ignore signs when they are right there in front of your face, and there was your photo, in Washingtonian magazine, not the usual thing I read, but you’d be surprised by my choice of reading material these days. Of course, you are older, a woman now. You’ve been a woman for a while, obviously. Still, I’d know you anywhere.

“Who’s it from, Mommy?” Albie asked, and even Iso seemed mildly interested in this oddity, a letter to her mother, a person whose name appeared mostly on catalogs and reminders from the dentist. Could they see her hands shaking, notice the cold sweat on her brow? Eliza wanted to crumple the letter in her fist, heave it away from her, but that would only excite their curiosity.

“Someone I knew when I was growing up.”

It looks as if they’ll finally get around to completing my sentence soon. I’m not trying to avoid saying the big words—death, execution, what have you—just being very specific. It is my sentence, after all. I was sentenced to die and I am at peace with that.I thought I was at peace across the board, but then I saw your photo. And, odd as it might seem to some, I feel it’s you that I owe the greatest apology, that you’re the person I never made amends to, the crime I was never called into account for. I’m sure others feel differently, but they’ll see me dead soon enough and then they will be happy, or so they think. I also accept that you might not be that interested in hearing from me and, in fact, I have engaged in a little subterfuge to get this letter to you, via a sympathetic third party, a person I absolutely trust. This is her handwriting, not mine, in case you care, and by sending it via her, I have avoided the problem of prying eyes, as much for your protection as for mine. But I can’t help being curious about your life, which must be pretty nice, if your husband has the kind of job that leads to being photographed at the kind of parties that end up in Washingtonian, with him in a tux and you in an evening dress. You look very different, yet the same, if that makes any sense. I’m proud of you, Elizabeth, and would love to hear from you. Sooner rather than later, ha-ha!

Yours, Walter

And then—just in case she didn’t remember the full name of the man who had kidnapped her the summer she was fifteen and held her hostage for almost six weeks, just in case she might have another acquaintance on death row, just in case she had forgotten the man who had killed at least two other girls and was suspected of killing many others, yet let her live, just in case all of this might have slipped her mind—he added helpfully:

(Walter Bowman)

2

1984

WALTER BOWMAN WAS GOOD—LOOKING.Anyone who said otherwise was contrary, or not to be trusted. He had dark hair and green eyes and skin that took a tan well, although it was a farmer’s tan. He wasn’t a farmer, actually, but a mechanic, working in his father’s garage. Still, the result was the same, as far as his tan went. He would have liked to work with his shirt off on warm days, but his father wouldn’t hear of it.

He was good-looking enough that his family teased him about it, as if to make sure he wouldn’t get conceited. Yes, he was a little on the short side, but so were most movie stars. Claude, at the barbershop, had explained this to him. Not that Claude compared Walter to a movie star—Claude, like his family, like everyone else in town, seemed intent on keeping Walter in his place. But Claude mentioned one day that he had seen Chuck Norris at a casino in Las Vegas.

“He’s an itty-bitty fella. But, then, all movie stars are little,” Claude said, finishing up. Walter loved the feel of the brush on the back of his neck. “They have big heads, but small bodies.”

“How little?” Walter had asked.

“The size of my thumb,” Claude said.

“No, seriously.”

“Five seven, five eight. ’Bout your size.”

That was what Walter wanted to hear. If Chuck Norris was about his size, well, that was almost the same as Walter being like Chuck Norris. Still, he needed to make one small clarification for the record.

“I’m five nine. That’s average height for a man, did you know that? Five nine for a man, five four for a woman.”

“Is that the average,” Claude asked, “or the median? There’s a difference, you know.”

Walter didn’t know the difference. He might have asked, but he suspected Claude didn’t really know either, and all he would get was Claude making fun of his ignorance.

“Average,” he said.

“Well someone has to be average,” said Claude, who was tall, but skinny and kind of pink all over—splotchy skin, pale, pale red hair, watery eyes that were permanently narrowed from years of staring at the hair that lay across his barber scissors. Everyone was always trying to put Walter in his place, keep him down, stop him from being what he might be. Even women, girls, seemed to be part of the conspiracy. Because, despite Walter’s good looks, he could not find a woman who wanted to go with him, not even on a single date. He couldn’t figure it out. Things would start out okay, he could get a conversation going. He read things, he knew things, he kept an interesting store of facts at his disposal. Claude’s Chuck Norris story, for example, became one of his anecdotes, although he added his own flourish, holding his thumb and forefinger out to show just how itty-bitty Chuck Norris was. That usually got a laugh, or at least a smile.

But then something would happen, he could never put his finger on what, and the girl’s face would close to him. It was a small town, and it soon seemed there wasn’t a girl in it who would consider going out with Walter Bowman. And on the rare occasion when a new family moved in, one with daughters, someone must have told them something, because they didn’t want to go with him either.

Then, one day, on an errand for his father, he saw a girl walking down the road just outside Martinsburg. It was hot, and she wore shorts over a lavender bathing suit, a one-piece. He liked that she wore a one-piece. Modest. He offered her a ride.

She hesitated.

“Wherever you’re going,” Walter added. “Door-to-door service. Truck’s air-conditioning is so cold, you’ll need a sweater.”

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