Ben Winters - The Last Policeman

And no, Sophia wouldn’t have called the police if she had found out, but she would have taken him, taken the boy and gone away, or at least that’s what Erik Littlejohn was afraid of—that the mother would not have understood what the father was doing, how important it was, how it had to be done , and she would have snatched him away. And then what would have become of him—and her—in the aftermath?

And tears are welling up and falling from the boy’s eyes, and tears are falling from Littlejohn’s eyes, and I wish I could say, being a professional detective in the middle of an extraordinarily difficult arrest, that I maintain my composure and focus, but they are, they are, tears are rolling down my face like the flood.

“Give me the gun, young man,” I say. “You should give the gun to me. I’m a policeman.”

He does. He walks over, and he puts it in my hand.

The little chapel in the basement is stacked with boxes.

They are labeled as containing medical supplies, and, in fact, some of them do: three boxes of syringes, six score to a box, two boxes of protective face masks, a small box of iodine pills and saline solution. IV bags, drip chambers. Tourniquets. Thermometers.

There are pills, too, the same variety I found at the doghouse. Stored here till he had enough to be worth smuggling them out of the hospital and to Toussaint’s.

There is food. Five boxes of canned goods: chipped beef and baked beans and chunky soup. Cans like this disappeared many months ago from the supermarket, and you can find them on the black market if you’ve got the money, but no one has the money. Not even cops. I lift a can of Del Monte pineapple chunks and feel its familiar weight in my hand, comforting and nostalgic.

Most of the boxes, however, are full of guns.

Three Mossberg 817 Bolt Action hunting rifles with twenty-one-inch barrels.

A single Thompson M1 submachine gun, with ten boxes of .45 caliber bullets, fifty bullets in a box.

A Marlin .30-06 with a scope on the top.

Eleven Ruger LCP .380s, little ten-ounce conceal-carry automatic handguns, plenty of ammunition for these, too.

Thousands and thousands and thousands of dollars’ worth of guns.

He was just getting ready. Getting ready for afterward. Although, when you look at it from inside this cramped room with the cross on the door, full of boxes of guns and canned foods and pills and syringes, you start to think: well, afterward has started already.

In one long box, of the kind that might have been used to package and ship a vanity mirror or a large picture frame, lies an oversized cross-bow, with ten aluminum bolts tied in a neat bundle at the bottom of the box.

We’re in the unit, the suspect is in the backseat, we’re on the way back to headquarters. It’s a ten-minute drive, but that’s time enough. Time enough to know whether I’ve got the rest of the story straight, or don’t I.

Instead of waiting for him to tell me, I tell him, my gaze flicking back and forth to the rear-view mirror, watching Erik Littlejohn’s eyes to see if I’m right.

But I am—I know I’m right.

May I please speak to Ms. Naomi Eddes?

That’s what he said, that gentle and mellifluous voice, a voice she didn’t recognize. It must have been strange, much like the time I called her from Peter Zell’s phone. Now here was a strange voice calling from J. T. Toussaint’s phone. A number she knew by heart, the number she’d been calling for a few months now, every time she needed to get high, to get lost.

And now the strange voice on the other end began to give her instructions.

Call that cop, said the voice—call your new friend, the detective. Gently remind him of what he’s overlooked. Suggest to him that this sordid drug-murder case is about something else entirely.

And boy, did it work. Holy moly. My face burns at the thought of it. My lips curl back in self-disgust.

Insurable interest. False claims. It sounded like just the sort of thing that someone gets killed for, and I dove right in. I was a kid playing a game, overheated, ready to jump for the brightly colored ring dangled in front of me. The dumb detective pacing in excited circles around his house, a fool, a puppy. Insurance fraud! A-ha! That must be it. I need to see what he’s working on!

Littlejohn isn’t saying anything. He’s done. He’s living in the future. Surrounded by death. But I know that I’m right.

Kyle has remained at the hospital, sitting in the lobby with Dr. Fenton, of all people, awaiting Sophia Littlejohn, who is now hearing the news, who is about to begin the hardest months of her life. Like everybody else, but worse.

I don’t need to ask anymore, I’ve really got the whole picture, but I can’t help it, it can’t be helped. “The next day, you came to Merrimack Life and Fire, and you waited, right?”

I linger at a red light at Warren Street. I could blow the light, of course, I have a dangerous suspect in custody, a murderer, but I wait, my hands at ten and two.

“Answer me, please, sir. The next day, you came to her office, and you waited?”

“Yes.” A whisper.

“Louder, please.”

“Yes.”

“You waited in the hallway, outside her cubicle.”

“In a closet.”

My hands tighten on the wheel, my knuckles white, practically glowing white. McConnell looking at me from the shotgun seat, looking uneasy.

“In a closet. And then when she was alone, Gompers drunk in his office, the rest of them at the Barley House, you showed her the gun, you marched her into the storeroom. Made it look like she was digging for files, too, just to—to what? Turn the screw one more time, for me, make sure I thought what you wanted me to think?”

“Yes, and…”

“Yes?”

McConnell, I notice, has placed one of her hands over mine, on the wheel, to make sure I don’t run off the road.

“She would have told you. Eventually.”

Palace , she said, sat on the bed. Something .

“I had to,” moans Littlejohn, fresh tears in his eye. “I had to kill her.”

“No one has to kill anyone.”

“Well, soon,” he says, looking out the window, staring out. “Soon, they will.”

“I told you something was fucked.”

McGully, in Adult Crimes, sitting on the floor with his back against the wall. Culverson sits on the opposite side of the room, somehow radiating dignity and poise though he is cross-legged, pant legs hitched up slightly.

“Where is everything?” I say.

The desks are gone. The computers are gone, the phones, the trash cans. Our tall bank of filing cabinets is gone from its space beside the window and has left behind an irregular pattern of rectangular indentations in the floor. Cigarette butts litter the ancient pale blue carpeting like dead bugs.

“I told you,” says McGully again, his voice a chilling echo in the hollowed-out room.

Littlejohn is outside, still cuffed in the backseat of the Impala, being babysat by Officer McConnell with a reluctant assist from Ritchie Michelson, until we do the official booking. I came into the station alone, ran upstairs to get Culverson. I want us to process the perp together—his murder, my murder. Teammates.

McGully finishes the cigarette he’s working on, twists it out between his fingers, and flicks the dead butt into the center of the room to join the others.

“They know,” says Culverson quietly. “Somebody knows something.”

“What?” asks McGully.

But Culverson doesn’t answer, and then Chief Ordler comes in.

“Hey, guys,” he says. The chief is in street clothes, and he looks tired. McGully and Culverson look up at him warily from their respective squats; I straighten up, bring my heels together and stand there expectantly, I am conscious of the fact that I have a suspected double-murderer downstairs in a parked unit, but strangely, after all this, it feels like it doesn’t matter anymore.