Brett Halliday: Mike Shayne's Torrid Twelve

Could it be that the nightmare was over? He wondered. Though the riddle might never be solved — and Brown realized all too well that an official solution would be most inconvenient — the devastation, at least, might have ended. A simple armistice, in fact, with no more casualties, might be the best, the most congenial finish possible, all around.

Brown’s eyes were caught by an array of pamphlets, magazines, circulars, brochures, he had never seen before, certainly not on the table of his own living room. But their titles told him with ghastly clarity what they were — Harmonious Hearts, Why Wait for a Mate? Cupid’s Catalogue, The Widow’s Guide. Literature from a host of Lonely Hearts Clubs, that blight of amateurism upon a lofty profession. What were they doing here? Who put them there, in the first place?

He took a deep breath to bellow an enraged question, but changed his mind. He looked at Marion, who smiled brightly in return, as composed as ever. Tonight, however, she seemed even more composed. Suddenly, Richard did not want to hear the answer to his unspoken question. At least, he did not want to hear the right answer, and he was almost certain this was the answer she would give.

Let the little woman have her secret foibles, Brown decided. Silence was truly golden.

“Are you tired, Richard?” she asked. “Shall I mix us some cocktails?”

Us? Brown sagged into the nearest chair, missing the firm, encouraging support of Lieutenant Something-or-other, in Newark. But he managed a nod, even ventured a cautious query.

“Thanks, honey. Only I thought you don’t drink?”

Marion’s reply was forthright and cheery. “Oh, I do now. It came over me, maybe I’ve been missing something. So I forced myself to experiment with a cocktail here and there, just now and then, these last few days. And I found I enjoyed them. A little drink never hurt anyone, at least, not me. What would you like, an old-fashioned? A side-car?”

Brown was not aware that he had any preference, but Marion had already moved to perform the mixing. While the sound of ice-cubes, glasses and a serving tray clattered pleasantly from the kitchen, he thought hard about some of the phrases she had used. They were poorly chosen, no doubt about it.

Unless, of course, they were well-chosen, and intended to be. Had she meant, actually meant, a certain nerve-wracking interpretation that could be placed upon her words? An old-fashioned — or a side-car. These suggestions all too closely resembled bull’s-eyes.

He looked at the table, again read a couple of obscene titles. The Widow’s Guide. What widow? Why Wait for a Mate? This had a horribly impatient ring.

Brown remembered something suddenly and stood up. Marion emerged from the kitchen, bearing the tray with glasses and shaker as he entered it, like a sleep-walker, and crossed to the basement door. He went down the wooden steps, and looked.

Sure enough, the hole for the fuel tank was still there, unfilled. So was the bag of cement. But the new tank was gone. There was the door to Marion’s small but well-stocked darkroom. Didn’t photographers often use certain potent chemicals?

From upstairs, through the floor of the living room, he heard the muffled, steady rattle of ice in a shaker. After a full minute of thought, he turned around and went back up.

The drinks were poured and waiting, and the scene, to the eye alone, was a study in domestic peace. Marion sat in the center of the lounge, before a low stand holding their drinks. Opposite her was the large chair he favored, when at home in Camden.

“I made old-fashioneds,” said Marion, superfluously. “Try yours, Richard. Tell me if it’s just right.”

Just right for what? Still standing, Richard glanced once at the glass placed next to his chair, then at his packed suitcase, resting where he had left it beside the door.

“Tell me all about your trip,” Marion coaxed. “Don’t look so upset. After all, nothing terrible happened, did it? To you, I mean?”

The question sounded both leading, and commanding. He answered it. “No.”

“Then do sit down and stop worrying. You look positively haunted, like some fugitive from justice. As if the police might link you with a lot of old crimes, any minute, and then they’d be looking for you everywhere, year after year, no matter where you went, or how you were disguised. Relax, Richard. Sit down.”

He sat down, but he didn’t relax. The horrible picture she had painted was — or could be — far too logical.

“It’s that job of yours,” Marion declared, maternally. “Traveling, I mean. The Speedie Sandwich Company asks too much, expecting you to cover such a wide territory. I think you ought to tell them that, hereafter, you’ll confine yourself to just this area — our area. Don’t you think you should — Richard?”

Richard guessed, from the tone of her voice, that a nod was expected. He delivered it. But what he was actually thinking about was the tap of a cop’s hand on his shoulder, in Florida maybe, or even Alaska, arresting Raymond-Reynold-Robert Brown for the murder of three wives.

“And I’ll keep all your books and accounts for you,” Marion informed him, with relentless kindliness. “Those petty details can be a burden. Hereafter, you can let me do all the worrying about them.”

For a moment, Brown wondered whom she was quoting, but then he envisioned the vast scope of her co-operation and the disaster it spelled. He would not only have to sell those confounded gadgets, but close scrutiny of his accounts would disclose, and foredoom, any further operations of the whole Brown speculative system.

Now she was off on some other subject altogether. It was strange, Marion never used to be much of a talker.

“… so that’s what I told the men from the company. They should take back the fuel tank until you finally decided, and, in the meantime, leave things the way they are. Have you tasted your drink, Richard? Come on, try it.” She lifted her own glass, and exclaimed, with spirit, “Bottoms up.”

Did he really have that dismal choice, between hopeless flight and his own basement?

“No, thanks,” he said, desperately, making the choice.

“Oh, don’t be silly! Here, try a sip of mine.” She leaned forward, as though to proffer a taste, and the next moment he found she had pressed her glass into his hand. “You keep it. I’ll take yours.”

It was a most understanding gesture, a most reassuring gesture — temporarily. Marion drank with zest. Richard took a sip. Nothing happened to either of them.

Minutes later, Marion was demanding his attention again.

“… so, if you decide differently, Richard, any time you want, you can change your mind,” said Marion.

“Decide?”

“About that hole downstairs.”

“Oh, yes.”

“Whatever you want. It’s up to you.”

There was a large knothole in one of the boards near the roof of Henry Ferris’s barn. It was in the north wall, just beneath the eaves, and it gave Henry an unobstructed view of his orchard, and of the oblong knoll just beyond. The knoll was not on Henry’s property — it was part of the Kimberly place — and it was where Colleen Kimberly came, every Sunday afternoon, to set up her easel and her canvas chair, and paint the things she saw around her.

Colleen was old Sam Kimberly’s only daughter, and she was the prettiest girl Henry had ever seen. He had begun noticing her about a year ago, when she just turned seventeen, and he hadn’t really been able to think about much else ever since. Colleen had blond hair like rain-washed wheat, and blue eyes that looked almost black until you got close to her, and, lately, her figure had filled out until it made Henry hurt just to look at her.