Pete Hamill - Brooklyn Noir

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New York's punchiest borough asserts its criminal legacy with all new stories from a magnificent set of today's best writers.
moves from Coney Island to Bedford-Stuyvesant to Bay Ridge to Red Hook to Bushwick to Sheepshead Bay to Park Slope and far deeper, into the heart of Brooklyn's historical and criminal largesse, with all of its dark splendor. Each contributor presents a brand new story set in a distinct neighborhood.
Brooklyn Noir Contributors include Pete Hamill, Nelson George, Sidney Offit, Arthur Nersesian, Pearl Abraham, Ellen Miller, Maggie Estep, Adam Mansbach, C. J. Sullivan, Chris Niles, Norman Kelley, and many others.

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“No wonder they call it the Log Cabin Society,” quipped Dominique.

“I heard that even a few Saudi princes are taking a bid on him,” commented Francesca. “Non?”

“Oui,” affirmed Tanya. “Raw niggaz are the rage; hip hop has advertised that.”

The women assembled at Tanya’s Prospect Heights brownstone, the crème of nouveau black womanhood, were wealthy. Businesswomen, achievers, well-known role models, church-going hot moms — they had all acquired a taste for supine men, especially hard-co’ raw niggaz. Over the years, certain people had tried to eradicate the scourge of what some called gangsta rap , but had been less than successful. While others had managed to assassinate some well-known acts and perpetuate the myth that their deaths had been the result of incessant male-ego feuding, Tanya had been developing the art of “slutting,” turning street niggaz into cunt-lapping dawgz.

There was no better example of her handiwork than “Juliette,” a corseted, black-fishnet-wearing, muscular servant whose pecs had been tagged with the emblems of his gang-banging days. Jam-Bone Jones had been lured to Tanya’s basement months ago. She could always pick the sluts by their inordinate fear of “faggots.” These young ghetto bucks were obsessed with homosexuals and treacherous black women — people who had to be either exterminated or kept down. She could always tell which ones could be flipped. In her mind, Code was no different. Soon after showing him that her ass-muscles could squeeze him into a climax, she knew she had him hooked. She had even encouraged him to include the piece he had written about their toilet tryst, “Slutz and Dawgz,” on The Code That way, she thought, his mind would always be on her and what she could do for him — and him.

After a long day at the studio, where she had castigated him for lame delivery, she had him stay behind for some vocal-relaxation exercises: She blew him. But she wouldn’t allow him to speak or come near her without a withering comment or a comparison to 50 or Nas or Jay-Z, or the ultimate insult, Eminem. (“That cracker makes niggaz like you look counterfeit!” she told him after a flaccid flow.)

Jam-Bone Jones had been the same. He excoriated faggots but wasn’t beyond sucking off a vivacious she-male like Dominique, and he was definitely surprised that T-Sound had a little something extra.

“What’s the plan?” asked Darlene, while testing Juliette’s serving etiquette. As the newly minted slut poured tea, Darlene grabbed “her” dangling meat and Juliette didn’t even flinch. How could she with her exacting cycloptric mistress watching her every move, ready to punish her with the severe sting of a silver-tipped riding crop. Tanya looked every bit the bitch goddess; she wore a white linen shirt, jodhpur breeches, and knee-high riding boots.

“Well,” said Tanya measuredly, “I thought I would appeal to his masculine nature and tell him that a bunch of hot bitches — you all — wanted to meet him. This will be the night of the CD release party at Club Prospect. He’ll be high and ready… and hot. Muy caliente!”

You got it! You got it!
You know you got it
When you see me
Gunnin’ for yo’ ass!
Blocks of motherfuckahs be running my way
Niggaz be gone when they see my 47/AK
Taking my time, drinking my wine
Shot another nigga couldn’t tell time
Back at da crib, laying back,
Had a bitch suck my dick
She drown when I didn’t hold back
You got it! You got it!
You know you got it
When you see me
Gunnin’ for yo’ ass!
—“Gunnin’ for Yo’ Ass”

The Source, Vibe, XXL, Murder Dawg Review, Rolling Stone, SPIN and even one commentator on National Public Radio proclaimed the era of The Code “The most vicious piece of misogynistic and anti-gay pornography ever produced by the team of Dr. Rhyme and T-Sound ,” wrote a reviewer — and she liked it.

“What’s not to like/I’m a powerful motherfuckah when I’m on the mike,” rapped Code as he walked the length of the bar at Club Prospect. The joint was jammed and nigga deep; the ’hood had turned out to see one of their own, who had gone platinum before the CD was even released.

“King Kong with a powerful ding-dong!!!” he roared, thumping his chest, grabbing his meat. “Give me cash! I’m a ho’ too! You got it! You got it! I want it!” And they gave it to him — small green piles of dollar bills formed at his feet. Code tore off his shirt, used it to mop his face and chest, and thew it to his fans. Half-naked, his ripped musculature was coated in a thin sweat; he had the aura of a champion boxer, a new jack Muhammad Ali. As a matter of fact, he was thinking about calling himself that, toying with naming his next album Jihad Real Niggaz Die. He took in the adulation and the sullen stares of the wanna-be players, confident that he could whack any one of them as he jumped off the bar with his hands on his heater. A real nigga, he thought, was always ready to die. That’s why the likes of Eminem and the legion of other pallid wanna-bes were counterfeit; they weren’t going to die like real niggaz.

Rhyme sat in a special VIP section of Club Prospect, a cushioned alcove that rose above the floor and allowed him to peer down at an elevated angle at the masses. Code was making his way through the crowd, toward the club’s door. Code’s executive producer made a phone call: All was ready. The place was stinkin’ on a midsummer night and management hadn’t fixed the air conditioner. Everything was set. Tanya had left and waited outside. It was 9 p.m. and a crowd was still waiting to get in to see “King” Code.

With a phone to her ear, Tanya leaned against a car and took in a sultry summer breeze, an amazing relief after experiencing the sweatbox that passed for a club.

“T-Sound!”

Tanya, flipping down the cover of her c-phone, turned and saw him. He looked magnificent; the moonlight made his dark skin glisten. He was manly beautiful, gorgeous, and she was going to break him.

“The party is in there,” he said, pointing back to the club.

“Nigga, are you high?” she asked.

“I’m always high when I’m with yo’ fine ass.”

Before he could say another word, she embraced him and burned his lips with an infinite kiss, brushing a thumb against an exposed nipple on his chest.

“Goddamn…” he said, catching his breath. “You can bring a nigga down with that.”

“I want you to meet some people, Code,” she said softly. “I’m having a special celebration at my place…”

“Naw, I got my peeps, my crew back there, and…”

“… and then you can fuck me, really fuck me…”

Code looked at her. “We’re talkin’ pussy, right?”

“All that you can eat, nigga…”

“I’m way down for that.”

“What about your peeps?”

“Fuck ’em!”

They wouldn’t even have to take a car. Her place was only a few blocks away and they walked over hand-in-hand, crossing Washington Avenue, passing the stores he had once robbed, the owners he had brutalized because they didn’t move fast enough or didn’t have enough cash on hand. Code was excited. Things were finally coming together, coming his way. He could now get off the streets and do new things, like take the time to think about what was going on. No nigga had the time to think in the ’hood; it was all about survivin’. He had crawled, inched, shot, knifed, and fucked his way to this moment with this incredible woman.

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