Thomas Adcock - New Orleans Noir

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New Orleans Noir: краткое содержание, описание и аннотация

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Brand-new stories by: Ace Atkins, Laura Lippman, Patty Friedmann, Barbara Hambly, Tim McLoughlin, Olympia Vernon, David Fulmer, Jervey Tervalon, James Nolan, Kalamu ya Salaam, Maureen Tan, Thomas Adcock, Jeri Cain Rossi, Christine Wiltz, Greg Herren, Julie Smith, Eric Overmyer, and Ted O’Brien.
[A portion of the profits from
will be donated to Katrina KARES, a hurricane relief program sponsored by the New Orleans Institute that awards grants to writers affected by the hurricane.]
New Orleans is a third world country in itself, a Latin, African, European (and often amoral) culture trapped in a Puritan nation. It’s everyone’s seamy underside, the city where respectable citizens go to get drunk, puke in the gutter, dance on tabletops, and go home with strangers, all without guilt. It’s the metropolitan equivalent of eating standing up — if it happened in New Orleans, it doesn’t count.
The city was always the home of the lovable rogue, the poison magnolia, the bent politico, the sociopathic street thug, and, especially, the heartless con artist — but in post-Katrina times it struggles against... well, the same old problems, just writ large and with a new breed of carpetbagger thrown in. Combine all that with a brilliant literary tradition and you have
, a sparkling collection of tales exploring the city’s wasted, gutted neighborhoods, its outwardly gleaming “sliver by the river,” its still-raunchy French Quarter, and other hoods so far from the Quarter they might as well be on another continent. It also looks back into the past, from that recent innocent time known in contemporary New Orleans as “pre-K,” to the mid-nineteenth century, the other time the city was mostly swampland.

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I step outside for the fresh air. Two buses from Florida, Escambia County plates, parked in the left lane of Banks, next to the neutral ground. Florida?

More Turks are pouring out of the buses, singing.

It’s enough for me. Across the street there’s a birthday party. Some guy’s kids. They’ve got one of those giant inflatable jungle gyms — moonwalks is what they call them — out front, the kids, six of them, all of four or five years old, catapulting themselves to the top, back down, over and over, happy as hell. Man out front, drinking a High Life, I recognize from nights at the pub.

“Hey, man,” I holler, crossing the neutral ground, crossing Banks.

He calls back: “The hell’s going on over there?”

I reach his fence. “Turks. Fucking Turks.”

“Turks? Ragheads?”

“Well, you’d think. They all drink, though.”

“Oh,” he says, then “oh” again, as if, well, in that case, they must be all right. “Hey, it’s Sharonda’s birthday! She’s five. She’s right there, see her? Jumping up, there!”

Sharonda, on the descent, waves to her daddy.

I approach the giant plastic gym. “Sharonda! Your daddy says it’s your birthday! How old are you?”

“I... am...” She holds up her hand, giggles, counts fingers. “I’m FIVE!!”

The girls resume their jumping, higher now, to entertain the new guest. “Hey, man,” the daddy says, never can remember his name, “have a drink, huh?”

We go up the stairs to the front porch. Cooler in front, High Lifes. His lady’s sitting on a wooden rocker, glass of iced tea in hand. “How you doin’, baby?” she says to me.

“Pretty good. Congratulations on your daughter’s birthday.”

“Ohhh... I can’t believe she’s five. You got kids?”

“No. No wife either.”

She laughs. “’S wrong with you? You got cooties?”

“Lots of angry ex-girlfriends.”

We sit and watch the kids, quietly. The music coming out of the house, it’s kid music, something like Raffi. My man digs out two more High Lifes, pops the tops off, hands me one. He makes eye contact with his wife, says “Baby?” real quiet, but she shakes her head.

Across the street, the jerseys are gathered outside the front door in shock. Most of them have palms attached to ears, phones cradled between, shaking their heads, you won’t fucking believe what’s going on here.

A kid rides through the crowd, and I watch him lazily drift toward downtown; he fades out of sight. Kids are everywhere — street, neutral ground, sidewalk. Some are oblivious to the excitement at the pub, a few point and laugh. Makeshift hoops hang off second-floor porches, a few games of horse. The soccer jerseys stand out. Everyone’s got torn clothes, matches the paint peeling off crumbling houses.

I slap my friend on the back and rise. “You’re a lucky man,” I say.

He laughs. “Sometimes, man.” I catch the funny look he gives me before he turns his head.

I wish his wife a good day, and run downstairs to the kids in their jungle gym. “Hey, Sharonda, y’all want to make some noise?”

“YEAHHHHHH!!” The kids have been hitting the caffeine.

“Okay, look across the street. There, see the guy in the green shirt? That’s Billy. Everybody, on the count of three, yell Hi, Billy! Okay? One, two, THREE.”

It’s a hell of an uproar. Billy peers across the street, shakes his head and waves. As I cross the street, the kids take turns yelling at Billy again.

“Hey, Billy, so what’s the story?”

“Ah, mate, there’s too many fucking people in there.”

“And?”

He shakes his head, smiles. “What are ya gonna do? Drink faster!”

England-Turkey kicks off. The Turks shred their vocal cords, singing. I stand in the corner by the front door. Any trouble breaks out, quick exit.

Fifteen minutes into the game, the door swings open next to me. A bunch of the brothers who had run out after the Turkish invasion peer in. The one in front chews a plastic straw. “Shee-it,” he mutters, slams the door shut.

Drink faster. Billy tosses me another Abita, another, crowd just as packed but becoming less relevant. Halftime approaches. Penalty awarded to England. The Turks roar indignantly, deafeningly.

Paul moves next to me. “Christ,” he says, “all fucking hell.”

We tense up, awaiting the kick, the goal, the angry Turks to turn as one toward us. David Beckham takes the kick, sends it high into the stands above the posts. The Turks roar again, a gift from the heavens, and they sing aloud to them.

Paul sighs. “Thank God.”

Halftime. We move out onto the sidewalk. There’s rain. It’s light but getting heavier. Clouds darkening. My friend across the street is slowly gathering the kids, ushering them up the steps, into the house. He looks our way, waves. I raise my bottle.

I’ve lost interest in the game. I wander off to Telemachus Street, to my car. The brothers are out on their porch, safe from the rain, falling harder. They wave me up.

It’s not uncommon. Most evenings I come to the pub, I park at their house, hang out for a bit, bring up some forties. Good security. Nobody’s going to fuck with my car.

“I was just wondering who that ugly white motherfucker was.”

“Yeah? I was wondering who the blind black motherfucker was.”

They’ve got Juvenile pumping out of the house. He’s rapping about sets going up, the Third Ward, the UTP. The hell’s the UTP?

Rainfall hits the roof, a clatter of buckshot. The brothers offer me a Colt 45. Shit’s strong, goes down smooth. I’m lit. One of them’s up out of his chair, rapping over the sound of the rain, smacking an invisible ass in front of him, baby, let me see you do the rodeo.

The brothers whisper shit about their girlfriends, look over their shoulders, make sure they can’t hear. I offer up an ex-girlfriend, several months vintage. I say mine had a bigger ass.

Nah, man, white bitches don’t have no big asses!

Shit, this white bitch had an ass so big an astronaut could see it.

The rain lets up, enough. I’m on the sidewalk in the drizzle, back at the pub. Paul’s outside, cigarette in hand.

“What’s the score?” I ask.

“Nil-nil, mate. Almost over. Hope it stays a draw. Don’t want to have to fight the Turkish bastards.”

“Or English bastards.”

“Right. Not sure which ones smell worse.”

It’s the anticlimax we all craved. Fulltime, the Turks drift out of the bar onto their Florida buses. Some sing halfheartedly, most trudge by quickly, making rapid eye contact, then breaking it.

Naturally, the English stick around. They’re happier. They only need a draw to go on to the next round.

Soon, it’s just twenty of us. Shitfaced. Billy pours himself a draft Harp, leans on the bar. “Without a hitch. What a relief.”

Quiet hangs over the establishment. The building sighs, and settles. Zombielike, we sit at the counter watching our drinks, unable to make the effort to lift them. I’ve developed a dark ring around my line of sight; tunnel vision. Too shit-faced to care.

The front door opens slowly, then four figures pour into the room, slamming it shut behind them.

The first thing that registers is the straw in his mouth. I notice it before I hear him. Everything appears at the end of the tunnel. He says, next to me, wet with rain, “Motherfucker, open the register!”

Hands grab me from behind, throw me to the floor. My palm hits the ground first, my head next. Distantly aware of impact. My wallet’s ripped out of the sucker pocket.

There’s yelling. I don’t move. I make careful observations of the grime on the bottom of Billy’s barstools. Mental note.

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