Thomas Adcock - New Orleans Noir

Back to the girl. Everybody’s eyes kept going back to that girl. She was long and slinky, in a champagne-colored body stocking. And if it had been just the body stocking, if she had decided to be Eve to some boy’s Adam, glued a few leaves to the right parts, she wouldn’t have been so... disrupting. Funny how that goes, how pretending to be naked can be less inflaming than dressing up like something that’s not supposed to be sexy at all. No, this one, she had a pair of pointy ears high in her blond hair, which was pulled back in a ponytail. She had pale white-and-beige cowboy boots, the daintiest things you ever seen, and — this was what made me fear for her — a real tail of horsehair pinned to the end of her spine, swishing back and forth as she danced. Swish. Swish. Swish. And although she was skinny by my standards, she managed the trick of being skinny with curves, so that tail jutted out just so. Swish. Swish. Swish. I watched her, and I watched all the other men watching her, and I did not see how anyone could keep her safe if she stayed there, dancing into the night.

Back in school, when they lectured us on the straight-and-narrow, they told us that rape is a crime of violence. They told us that a woman isn’t looking for something just because she goes out in high heels and a bustier and a skirt that barely covers her. Or in a champagne-colored body stocking with a tail affixed. They told us that rape has nothing to do with sex. But sitting in Ernie K. Doe’s, drinking a Heineken, I couldn’t help but wonder if rape started as sex and then moved to violence when sex was denied. Look at me, look at me, look at me, the tail seemed to sing as it twitched back and forth. Yet Pony Girl’s downcast eyes, refusing to make eye contact even with her dancing partner, a plump cowgirl in a big red hat, sent a different message. Don’t touch me, don’t touch me, don’t touch me. You do that to a dog with a steak, he bites you, and nobody says it’s the dog’s fault.

Yeah, I wanted her as much as anyone there. But I feared for her even more than I wanted her, saw where the night was going and wished I could protect her. Where she was from, she was probably used to getting away with such behavior. Maybe she would get away with it here, too, if only because she was such an obvious outsider. Not a capital-T tourist, not some college girl from Tallahassee or Birmingham who had gotten tired of showing her titties on Bourbon Street and needed a new thrill. But a tourist of sorts, the kind of girl who was so full of herself that she thought she always controlled things. She was counting on folks to be rational, which was a pretty big count on Mardi Gras day. People do odd things, especially when they’s masked.

I saw a man I knew only as Big Roy cross the threshold. Like most of us, he hadn’t bothered with a costume, but he could have come as a frog without much trouble. He had the face for it — pop eyes, broad, flat mouth. Big Roy was almost as wide as he was tall, but he wasn’t fat. I saw him looking at Pony Girl long and hard, and I decided I had to make my move. At worst, I was out for myself, trying to get close to her. But I was being a gentleman, too, looking out for her. You can be both. I know what was in my heart that day and, while it wasn’t all over pure, it was something better than most men would have offered her.

“Who you s’posed to be?” I asked after dancing awhile with her and her friend. I made a point of making it a threesome, of joining them, as opposed to trying to separate them from one another. That put them at ease, made them like me.

“A horse,” she said. “Duh.”

“Just any horse? Or a certain one?”

She smiled. “In fact, I am a particular horse. I’m Misty of Chincoteague.”

“Misty of where?”

“It’s an island off Virginia.” She was shouting in my ear, her breath warm and moist. “There are wild ponies, and every summer the volunteer firemen herd them together and cross them over to the mainland, where they’re auctioned off.”

“That where you from?”

“Chincoteague?”

“Virginia.”

“My family is from the Eastern Shore of Maryland. But I’m from here. I go to Tulane.”

The reference to college should have made me feel a little out of my league, or was supposed to, but somehow it made me feel bolder. “Going to college don’t you make you from somewhere, any more than a cat born in an oven can call itself a biscuit.”

“I love it here,” she said, throwing open her arms. Her breasts were small, but they were there, round little handfuls. “I’m never going to leave.”

“Ernie K. Doe’s?” I asked, as if I didn’t know what she meant.

“Yes,” she said, playing along. “I’m going to live here forever. I’m going to dance until I drop dead, like the girl in the red shoes.”

“Red shoes? You wearing cowboy boots.”

She and her friend laughed, and I knew it was at my expense, but it wasn’t a mean laughter. Not yet. They danced and they danced, and I began to think that she had been telling a literal truth, that she planned to dance until she expired. I offered her cool drinks, beers and sodas, but she shook her head; I asked if she wanted to go for a walk, but she just twirled away from me. To be truthful, she was wearing me out. But I was scared to leave her side because whenever I glanced in the corner, there was Big Roy, his pop eyes fixed on her, almost yellow in the dying light. I may have been a skinny nineteen-year-old in blue jeans and a Sean John T-shirt — this was back when Sean John was at its height — but I was her self-appointed knight. And even though she acted as if she didn’t need me, I knew she did.

Eventually she started to tire, fanning her face with her hands, overheated from the dancing and, I think, all those eyes trained on her. That Mardi Gras was cool and overcast, and even with the crush of bodies in Ernie K. Doe’s, it wasn’t particularly warm. But her cheeks were bright red, rosy, and there were patches of sweat forming on her leotard — two little stripes beneath her barely-there breasts, a dot below her tail and who knows where else.

Was she stupid and innocent, or stupid and knowing? That is, did she realize the effect she was having and think she could control it, or did she honestly not know? In my heart of hearts, I knew she was not an innocent girl, but I wanted to see her that way because that can be excused.

Seeing her steps slow, anticipating that she would need a drink now, Big Roy pressed up, dancing in a way that only a feared man could get away with, a sad little hopping affair. Not all black men can dance, but the ones who can’t usually know better than to try. Yet no one in this crowd would dare make fun of Big Roy, no matter how silly he looked.

Except her. She spun away, made a face at her cowgirl, pressing her lips together as if it was all she could do to keep from laughing. Big Roy’s face was stormy. He moved again, placing himself in her path, and she laughed out loud this time. Grabbing her cowgirl’s hand, she trotted to the bar and bought her own Heineken.

“Dyke,” Big Roy said, his eyes fixed on her tail.

“Yeah,” I said, hoping that agreement would calm him, that he would shake off the encounter. Myself, I didn’t get that vibe from her at all. She and Cowgirl were tight, but they weren’t like that, I didn’t think.

When Pony Girl and Cowgirl exited the bar, doing a little skipping step, Big Roy wasn’t too far behind. So I left, followed Big Roy as he followed those girls, wandering under the freeway, as if the whole thing were just a party put on for them. These girls were so full of themselves that they didn’t even stop and pay respect to the Big Chiefs they passed, just breezed by as if they saw such men every day. The farther they walked, the more I worried. Big Roy was all but stalking them, but they never looked back, never seemed to have noticed. And Big Roy was so fixed on them that I didn’t have to worry about him turning around and spotting me. Even so, I darted from strut to strut, keeping them in my sights. Night was falling.