Lawrence Block - Enough Rope

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Enough Rope: краткое содержание, описание и аннотация

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Lawrence Block's novels win awards, grace bestseller lists, and get made into films. His short fiction is every bit as outstanding, and this complete collection of his short stories establishes the extraordinary skill, power, and versatility of this contemporary Grand Master.
Block's beloved series characters are on hand, including ex-cop Matt Scudder, bookselling burglar Bernie Rhodenbarr, and the disarming duo of Chip Harrison and Leo Haig. Here, too, are Keller, the wistful hit man, and the natty attorney Martin Ehrengraf, who takes criminal cases on a contingency basis and whose clients always turn out to be innocent.
Keeping them company are dozens of other refugees from Block's dazzling imagination — all caught up in more ingenious plots than you can shake a blunt instrument at.
Half a dozen of Block's stories have been shortlisted for the Edgar Award, and three have won it outright. Other stories have been read aloud on BBC Radio, dramatized on American and British television, and adapted for the stage and screen. All the tales in Block's three previous collections are here, along with two dozen new stories. Some will keep you on the edge of the chair. Others will make you roll on the floor laughing. And more than a few of them will give you something to think about.
is an essential volume for Lawrence Block fans, and a dazzling introduction for others to the wonderful world of... Block magic!

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Jukes took a pipe apart and began running a pipe cleaner through the stem. Trevathan started talking about his own costs — his rent, the price of food. When he paused for breath Warren Jukes said, “Supply and demand, Jim.”

“What’s that?”

“Supply and demand. Do you think it’s hard for me to fill the magazine at a nickel a word? See that pile of scripts over there? That’s what this morning’s mail brought. Nine out of ten of those stories are from new writers who’d write for nothing if it got them into print. The other ten percent is from pros who are damned glad when they see that nickel-a-word check instead of getting their stories mailed back to them. You know, I buy just about everything you write for us, Jim. One reason is I like your work, but that’s not the only reason. You’ve been with us for twenty years and we like to do business with our old friends. But you evidently want me to raise your word rate, and we don’t pay more than five cents a word to anybody, because in the first place we haven’t got any surplus in the budget and in the second place we damn well don’t have to pay more than that. So before I raise your rate, old friend, I’ll give your stories back to you. Because I don’t have any choice.”

Trevathan sat and digested this for a few moments. He thought of some things to say but left them unsaid. He might have asked Jukes how the editor’s own salary had fluctuated over the years, but what was the point of that? He could write for a nickel a word or he could not write for them at all. That was the final word on the subject.

“Jim? Shall I put through a voucher or do you want ‘A Stitch in Crime’ back?”

“What would I do with it? No, I’ll take the nickel a word, Warren.”

“If there was a way I could make it more—”

“I understand.”

“You guys should have got yourselves a union years ago. Give you a little collective muscle. Or you could try writing something else. We’re in a squeeze, you know, and if we were forced to pay more for material we’d probably have to fold the magazine altogether. But there are other fields where the pay is better.”

“I’ve been doing this for twenty years, Warren. It’s all I know. My God, I’ve got a reputation in the field, I’ve got an established name—”

“Sure. That’s why I’m always happy to have you in the magazine. As long as I do the editing, Jimbo, and as long as you grind out the copy, I’ll be glad to buy your yarns.”

“At a nickel a word.”

“Well—”

“Nothing personal, Warren. I’m just a little bitter. That’s all.”

“Hey, think nothing of it.” Jukes got to his feet, came around from behind his desk. “So you got something off your chest, and we cleared the air a little. Now you know where you stand. Now you can go on home and knock off something sensational and get it to me, and if it’s up to your usual professional standard you’ll have another check coming your way. That’s the way to double the old income, you know. Just double the old production.”

“Good idea,” Trevathan said.

“Of course it is. And maybe you can try something for another market while you’re at it. It’s not too late to branch out, Jim. God knows I don’t want to lose you, but if you’re having trouble getting by on what we can pay you, well—”

“It’s a thought,” Trevathan said.

Five cents a word.

Trevathan sat at his battered Underwood and stared at a blank sheet of paper. The paper had gone up a dollar a ream in the past year, and he could swear they’d cheapened the quality in the process. Everything cost more, he thought, except his own well-chosen words. They were still trading steadily at a nickel apiece.

Not too late to branch out, Jukes had told him. But that was a sight easier to say than to do. He’d tried writing for other kinds of markets, but detective stories were the only kind he’d ever had any luck with. His mind didn’t seem to produce viable fictional ideas in other areas. When he’d tried writing longer works, novels, he’d always gotten hopelessly bogged down. He was a short-story writer, recognized and frequently anthologized, and he was prolific enough to keep himself alive that way, but—

But he was sick of living marginally, sick of grinding out story after story. And heartily sick of going through life on a nickel a word.

What would a decent word rate be?

Well, if they paid him twenty-five cents a word, then he’d at least be keeping pace with the price of a candy bar. Of course after twenty years you wanted to do a little better than stay even. Say they paid him a dollar a word. There were writers who earned that much. Hell, there were writers who earned a good deal more than that, writers whose books wound up on best-seller lists, writers who got six-figure prices for screenplays, writers who wrote themselves rich.

One thousand dollars a word.

The phrase popped into his mind, stunning in its simplicity, and before he was aware of it his fingers had typed the words on the page before him. He sat and looked at it, then worked the carriage return lever and typed the phrase again.

One thousand dollars a word.

He studied what he had typed, his mind racing on ahead, playing with ideas, shaking itself loose from its usual stereotyped thought patterns. Well, why not? Why shouldn’t he earn a thousand dollars a word? Why not branch out into a new field?

Why not?

He took the sheet from the typewriter, crumpled it into a ball, pegged it in the general direction of the wastebasket. He rolled a new sheet in its place and sat looking at its blankness, waiting, thinking. Finally, word by halting word, he began to type.

Trevathan rarely rewrotehis short stories. At a nickel a word he could not afford to. Furthermore, he had acquired a facility over the years which enabled him to turn out acceptable copy in first draft. Now, however, he was trying something altogether new and different, and so he felt the need to take his time getting it precisely right. Time and again he yanked false starts from the typewriter, crumpled them, hurled them at the wastebasket.

Until finally he had something he liked.

He read it through for the fourth or fifth time, then took it from the typewriter and read it again. It did the job, he decided. It was concise and clear and very much to the point.

He reached for the phone. When he’d gotten through to Jukes he said, “Warren? I’ve decided to take your advice.”

“Wrote another story for us? Glad to hear it.”

“No,” he said, “another piece of advice you gave me. I’m branching out in a new direction.”

“Well, I think that’s terrific,” Jukes said. “I really mean it. Getting to work on something big? A novel?”

“No, a short piece.”

“But in a more remunerative area?”

“Definitely. I’m expecting to net a thousand dollars a word for what I’m doing this afternoon.”

“A thousand—” Warren Jukes let out a laugh, making a sound similar to the yelp of a startled terrier. “Well, I don’t know what you’re up to, Jim, but let me wish you the best of luck with it. I’ll tell you one thing. I’m damned glad you haven’t lost your sense of humor.”

Trevathan looked again at what he’d written. “I’ve got a gun. Please fill this paper sack with thirty thousand dollars in used tens and twenties and fifties or I’ll be forced to blow your stupid head off.”

“Oh, I’ve still got my sense of humor,” he said. “Know what I’m going to do, Warren? I’m going to laugh all the way to the bank.”

Passport in Order

Marcia stood up,yawned, and crushed out a cigarette in the round glass ashtray. “It’s late,” she said. “I should be getting home. How I hate to leave you!”

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