Lawrence Block - Enough Rope

“They must havethought you were a genius,” Elaine said.

“Or an idiot savant,” I said. “Here I was, telling them to fake exactly what had in fact happened. At the beginning I think they may have thought I was blundering into an unwitting reconstruction of the incident, but by the end they probably figured out that I knew where I was going.”

“But you never spelled it out.”

“No, we maintained the fiction that some intruder stuck the knife in Ryman, and we were tampering with the evidence.”

“When actually you were restoring it. What tipped you off?”

“The body blocking the door. The lividity pattern was wrong, but I was suspicious even before I confirmed that. It’s just too cute, a body positioned where it’ll keep a door from opening. And the table was in the wrong place, and the little rug had to be covering something, or why else would it be where it was? So I pictured the room the right way, and then everything sort of filled in. But it didn’t take a genius. Any cop would have seen some wrong things, and he’d have asked a few hard questions, and the four of them would have caved in.”

“And then what? Murder indictments?”

“Most likely, but they’re respectable businessmen and the deceased was a scumbag, so they’d have been up on manslaughter charges and probably would have pleaded to a lesser charge. Still, a verdict of accidental death saves them a lot of aggravation.”

“And that’s what really happened?”

“I can’t see any of those men packing a switch knife, or pulling it at a card table. Nor does it seem likely they could have taken it away from Ryman and killed him with it. I think he went ass over teakettle with the table coming down on top of him and maybe one or two of the guys falling on top of the table. And he was still holding the knife, and he stuck it in his own chest.”

“And the cops who responded—”

“Well, I called it in for them, so I more or less selected the responding officers. I picked guys you can work with.”

“And worked with them.”

“Everybody came out okay,” I said. “I collected a few dollars from the four players, and I laid off some of it where it would do the most good.”

“Just to smooth things out.”

“That’s right.”

“But you didn’t lay off all of it.”

“No,” I said, “not quite all of it. Give me your hand. Here.”

“What’s this?”

“A finder’s fee.”

“Three hundred dollars?”

“Ten percent,” I said.

“Gee,” she said. “I didn’t expect anything.”

“What do you do when somebody gives you money?”

“I say thank you,” she said, “and I put it someplace safe. This is great. You get them to tell the truth, and everybody gets paid. Do you have to go back to Syosset right away? Because Chet Baker’s at Mikell’s tonight.”

“We could go hear him,” I said, “and then we could come back here. I told Anita I’d probably have to stay over.”

“Oh, goodie,” she said. “Do you suppose he’ll sing ‘Let’s Get Lost’?”

“I wouldn’t be surprised,” I said. “Not if you ask him nice.”

I don’t rememberif he sang it or not, but I heard it again just the other day on the radio. He’d ended abruptly, that aging boy with the sweet voice and sweeter horn. He went out a hotel room window somewhere in Europe, and most people figured he’d had help. He’d crossed up a lot of people along the way and always got away with it, but then that’s usually the way it works. You dodge all the bullets but the last one.

“Let’s Get Lost.” I heard the song, and not twenty-four hours later I picked up the Times and read an obit for a commodities trader named P. Gordon Fawcett, who’d succumbed to prostate cancer. The name rang a bell, but it took me hours to place it. He was the guy in the blazer, the man in whose apartment Phil Ryman stabbed himself.

Funny how things work out. It wasn’t too long after that poker game that another incident precipitated my departure from the NYPD, and from my marriage. Elaine and I lost track of each other, and caught up with each other some years down the line, by which time I’d found a way to live without drinking. So we got lost and found — and now we’re married. Who’d have guessed?

My life’s vastly different these days, but I can imagine being called in on just that sort of emergency — a man dead on the carpet, a knife in his chest, in the company of four poker players who only wish he’d disappear. As I said, my life’s different, and I suppose I’m different myself. So I’d almost certainly handle it differently now, and what I’d probably do is call it in immediately and let the cops deal with it.

Still, I always liked the way that one worked out. I walked in on a cover-up, and what I did was cover up the cover-up. And in the process I wound up with the truth. Or an approximation of it, at least, and isn’t that as much as you can expect to get? Isn’t that enough?

Monica said, “Whatkind of a gun? A man shoots himself in his living room, surrounded by his nearest and dearest, and you want to know what kind of a gun he used?”

“I just wondered,” I said.

Monica rolled her eyes. She’s one of Elaine’s oldest friends. They were in high school together, in Rego Park, and they never lost touch over the years. Elaine spent a lot of years as a call girl, and Monica, who was never in the life herself, seemed to have no difficulty accepting that. Elaine, for her part, had no judgment on Monica’s predilection for dating married men.

She was with the current one that evening. The four of us had gone to a revival of Allegro, the Rodgers and Hammerstein show that hadn’t been a big hit the first time around. From there we went to Paris Green for a late supper. We talked about the show and speculated on reasons for its limited success. The songs were good, we agreed, and I was old enough to remember hearing “A Fellow Needs a Girl” on the radio. Elaine said she had a Lisa Kirk LP, and one of the cuts was “The Gentleman Is a Dope.” That number, she said, had stopped the show during its initial run, and launched Lisa Kirk.

Monica said she’d love to hear it sometime. Elaine said all she had to do was find the record and then find something to play it on. Monica said she still had a turntable for LPs.

Monica’s guy didn’t say anything, and I had the feeling he didn’t know who Lisa Kirk was, or why he had to go through all this just to get laid. His name was Doug Halley — like the comet, he’d said — and he did something in Wall Street. Whatever it was, he did well enough at it to keep his second wife and their kids in a house in Pound Ridge, in Westchester County, while he was putting the kids from his first marriage through college. He had a boy at Bowdoin, we’d learned, and a girl who’d just started at Colgate.

We got as much conversational mileage as we could out of Lisa Kirk, and the drinks came — Perrier for me, cranberry juice for Elaine and Monica, and a Stolichnaya martini for Halley. He’d hesitated for a beat before ordering it — Monica would surely have told him I was a sober alcoholic, and even if she hadn’t he’d have noted that he was the only one drinking — and I could almost hear him think it through and decide the hell with it. I was just as glad he’d ordered the drink. He looked as though he needed it, and when it came he drank deep.

It was about then that Monica mentioned the fellow who’d shot himself. It had happened the night before, too late to make the morning papers, and Monica had seen the coverage that afternoon on New York One. A man in Inwood, in the course of a social evening at his own home, with friends and family members present, had drawn a gun, ranted about his financial situation and everything that was wrong with the world, and then stuck the gun in his mouth and blown his brains out.