Lawrence Block - Enough Rope

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Enough Rope: краткое содержание, описание и аннотация

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Lawrence Block's novels win awards, grace bestseller lists, and get made into films. His short fiction is every bit as outstanding, and this complete collection of his short stories establishes the extraordinary skill, power, and versatility of this contemporary Grand Master.
Block's beloved series characters are on hand, including ex-cop Matt Scudder, bookselling burglar Bernie Rhodenbarr, and the disarming duo of Chip Harrison and Leo Haig. Here, too, are Keller, the wistful hit man, and the natty attorney Martin Ehrengraf, who takes criminal cases on a contingency basis and whose clients always turn out to be innocent.
Keeping them company are dozens of other refugees from Block's dazzling imagination — all caught up in more ingenious plots than you can shake a blunt instrument at.
Half a dozen of Block's stories have been shortlisted for the Edgar Award, and three have won it outright. Other stories have been read aloud on BBC Radio, dramatized on American and British television, and adapted for the stage and screen. All the tales in Block's three previous collections are here, along with two dozen new stories. Some will keep you on the edge of the chair. Others will make you roll on the floor laughing. And more than a few of them will give you something to think about.
is an essential volume for Lawrence Block fans, and a dazzling introduction for others to the wonderful world of... Block magic!

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“That makes it easier.”

“It does,” he agreed. “It didn’t make the years inside any easier, I have to say that, but if I hadn’t had money I might have spent them someplace even worse. Not that the place they put me was a pleasure dome.”

“I suppose you were at a mental hospital.”

“A facility for the criminally insane,” he said, pronouncing the words precisely. “The phrase has a ring to it, doesn’t it? And yet it was entirely appropriate. The act I performed was unquestionably criminal, and altogether insane.”

He helped himself to more espresso. “I brought you here so that I could talk about it,” he said. “Selfish of me, but that’s part of being old. One becomes more selfish, or perhaps less concerned about concealing one’s selfishness from oneself and others.” He sighed. “One also becomes more direct, but in this instance it’s hard to know where to start.”

“Wherever you want,” I suggested.

“With David, I suppose. Not the statue, though. The man.”

“Maybe my memory’s not all I like to think it is,” I said. “Was your lover’s name David? Because I could have sworn it was Robert. Robert Naismith, and there was a middle name, but that wasn’t David, either.”

“It was Paul,” he said. “His name was Robert Paul Naismith. He wanted to be called Rob. I called him David sometimes, but he didn’t care for that. In my mind, though, he would always be David.”

I didn’t say anything. A fly buzzed in a corner, then went still. The silence stretched.

Then he began to talk.

“I grew upin Buffalo,” he said. “I don’t know if you’ve ever been there. A very beautiful city, at least in its nicer sections. Wide streets lined with elms. Some fine public buildings, some notable private homes. Of course the elms are all lost to Dutch Elm disease, and the mansions on Delaware Avenue now house law firms and dental clinics, but everything changes, doesn’t it? I’ve come round to the belief that it’s supposed to, but that doesn’t mean one has to like it.

“Buffalo hosted the Pan-American Exposition, which was even before my time. It was held in 1901, if I remember correctly, and several of the buildings raised for the occasion remain to this day. One of the nicest, built alongside the city’s principal park, has long been the home of the Buffalo Historical Society, and houses their museum collection.

“Are you wondering where this is leading? There was, and doubtless still is, a circular drive at the Historical Building’s front, and in the midst of it stood a bronze copy of Michelangelo’s David. It might conceivably be a casting, though I think we can safely assume it to be just a copy. It’s life-size, at any rate — or I should say actual size, as Michelangelo’s statue is itself considerably larger than life, unless the young David was built more along the lines of his adversary Goliath.

“You saw the statue yesterday — although, as I said, that too was a copy. I don’t know how much attention you paid to it, but I wonder if you know what the sculptor is supposed to have said when asked how he managed to create such a masterpiece. It’s such a wonderful line it would almost have to be apocryphal.

“ ‘I looked at the marble,’ Michelangelo is said to have said, ‘and I cut away the part that wasn’t David.’ That’s almost as delicious as the young Mozart explaining that musical composition is the easiest thing in the world, you have merely to write down the music you hear in your head. Who cares, really, if either of them ever said any such thing? If they didn’t, well, they ought to have done, wouldn’t you say?

“I’ve known that statue all my life. I can’t recall when I first saw it, but it must have been on my first visit to the Historical Building, and that would have been at a very early age. Our house was on Nottingham Terrace, not a ten-minute walk from the Historical Building, and I went there innumerable times as a boy. And it seems to me I always responded to the David. The stance, the attitude, the uncanny combination of strength and vulnerability, of fragility and confidence. And, of course, the sheer physical beauty of the David, the sexuality — but it was a while before I was aware of that aspect of it, or before I let myself acknowledge my awareness.

“When we all turned sixteen and got driver’s licenses, David took on new meaning in our lives. The circular drive, you see, was the lovers’ lane of choice for young couples who needed privacy. It was a pleasant, parklike setting in a good part of town, unlike the few available alternatives in nasty neighborhoods down by the waterfront. Consequently, ‘going to see David’ became a euphemism for parking and making out — which, now that I think of it, are euphemisms themselves, aren’t they?

“I saw a lot of David in my late teens. The irony, of course, is that I was far more drawn to his young masculine form than to the generous curves of the young women who were my companions on those visits. I was gay, it seems to me, from birth, but I didn’t let myself know that. At first I denied the impulses. Later, when I learned to act on them — in Front Park, in the men’s room at the Greyhound station — I denied that they meant anything. It was, I assured myself, a stage I was going through.”

He pursed his lips, shook his head, sighed. “A lengthy stage,” he said, “as I seem still to be going through it. I was aided in my denial by the fact that whatever I did with other young men was just an adjunct to my real life, which was manifestly normal. I went off to a good school, I came home at Christmas and during the summer, and wherever I was I enjoyed the company of women.

“Lovemaking in those years was usually a rather incomplete affair. Girls made a real effort to remain virginal, at least in a strictly technical sense, if not until marriage then until they were in what we nowadays call a committed relationship. I don’t remember what we called it then, but I suspect it was a somewhat less cumbersome phrase.

“Still, sometimes one went all the way, and on those occasions I acquitted myself well enough. None of my partners had cause to complain. I could do it, you see, and I enjoyed it, and if it was less thrilling than what I found with male partners, well, chalk it up to the lure of the forbidden. It didn’t have to mean there was anything wrong with me. It didn’t mean I was different in any fundamental way.

“I led a normal life, Matthew. I would say I was determined to lead a normal life, but it never seemed to require much in the way of determination. During my senior year at college I became engaged to a girl I’d known literally all my life. Our parents were friends and we’d grown up together. I graduated and we were married. I took an advanced degree. My field was art history, as you may remember, and I managed to get an appointment to the faculty of the University of Buffalo. SUNY Buffalo, they call it now, but that was years before it became a part of the state university. It was just plain UB, with most of its student body drawn from the city and environs.

“We lived at first in an apartment near the campus, but then both sets of parents ponied up and we moved to a small house on Hallam, just about equidistant between the houses each of us had grown up in.

“It wasn’t far from the statue of David, either.”

He led a normal life, he explained. Fathered two children. Took up golf and joined the country club. He came into some family money, and a textbook he authored brought in royalties that grew more substantial each year. As the years passed, it became increasingly easy to believe that his relations with other men had indeed been a stage, and one he had essentially outgrown.

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