Lawrence Block - Enough Rope

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Enough Rope: краткое содержание, описание и аннотация

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Lawrence Block's novels win awards, grace bestseller lists, and get made into films. His short fiction is every bit as outstanding, and this complete collection of his short stories establishes the extraordinary skill, power, and versatility of this contemporary Grand Master.
Block's beloved series characters are on hand, including ex-cop Matt Scudder, bookselling burglar Bernie Rhodenbarr, and the disarming duo of Chip Harrison and Leo Haig. Here, too, are Keller, the wistful hit man, and the natty attorney Martin Ehrengraf, who takes criminal cases on a contingency basis and whose clients always turn out to be innocent.
Keeping them company are dozens of other refugees from Block's dazzling imagination — all caught up in more ingenious plots than you can shake a blunt instrument at.
Half a dozen of Block's stories have been shortlisted for the Edgar Award, and three have won it outright. Other stories have been read aloud on BBC Radio, dramatized on American and British television, and adapted for the stage and screen. All the tales in Block's three previous collections are here, along with two dozen new stories. Some will keep you on the edge of the chair. Others will make you roll on the floor laughing. And more than a few of them will give you something to think about.
is an essential volume for Lawrence Block fans, and a dazzling introduction for others to the wonderful world of... Block magic!

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“As well they might,” said Ehrengraf.

“They cheer you when you catch a pass,” Starkey said philosophically, “and they boo you when you drop one. Except for you, Mr. Ehrengraf, there wasn’t a person around who believed I didn’t do it. But you did, and you figured out how the evidence showed Claureen’s death was accidental. Low blood sugar, too much exercise, and she got dizzy and fell and pulled the horse down on top of her.”

“Yes.”

“And then you figured out they’d never buy that, true or false. So you dug deeper.”

“It was the only chance,” Ehrengraf said modestly.

“And they might not buy that Claureen killed herself by accident, but they loved the idea that she was cheating on me and Clete killed her so I’d be nailed for it.”

“The Ehrengraf reverse.”

“How’s that?”

“The Ehrengraf reverse. When the evidence is all running one way, you hand off the ball and sweep around the other end.” He spread his hands. “And streak down the sideline and into the end zone.”

“Touchdown,” Starkey said. “We win, and Braden’s the goat and I’m the hero.”

“As you clearly were on Sunday.”

“I guess I had a pretty decent game.”

“Eight pass receptions, almost two hundred yards rushing — yes, I’d say you had a good game.”

“Say, were those seats okay?”

“Row M on the fifty-yard line? They were the best seats in the stadium.”

“It was a beautiful day for it, too, wasn’t it? And I couldn’t do a thing wrong. Oh, next week I’ll probably fumble three times and run into my own blockers a lot, but I’ll have this one to remember.”

Ehrengraf took the game ball in his hands. “And so will I,” he said.

“Well, I wanted you to have a souvenir. And the bonus, well, I got more money coming in these days than I ever figured to see. Every time the phone rings it’s another product endorsement coming my way, and I don’t have to wait too long between rings, either. Hey, speaking of the reverse, how’d you like the one we ran Sunday?”

“Beautiful,” Ehrengraf said fervently. “A work of art.”

“You know, I was thinking of you when they called it in the huddle. Fact, when the defense was on the field I asked the coach if we couldn’t run that play. Would have served me right if I’d been dumped for a loss, but that’s not what happened.”

“You gained forty yards,” Ehrengraf said, “and if that one man hadn’t missed a downfield block, you’d have had another touchdown.”

“Well, it’s a pretty play,” Blaine Starkey said. “There’s really nothing like the reverse.”

Bernie Rhodenbarr

Like a Thief in the Night

At 11:30 thetelevision anchorman counseled her to stay tuned for the late show, a vintage Hitchcock film starring Cary Grant. For a moment she was tempted. Then she crossed the room and switched off the set.

There was a last cup of coffee in the pot. She poured it and stood at the window with it, a tall and slender woman, attractive, dressed in the suit and silk blouse she’d worn that day at the office. A woman who could look at once efficient and elegant, and who stood now sipping black coffee from a bone-china cup and gazing south and west.

Her apartment was on the twenty-second floor of a building located at the corner of Lexington Avenue and Seventy-sixth Street, and her vista was quite spectacular. A midtown skyscraper blocked her view of the building where Tavistock Corp. did its business, but she fancied she could see right through it with x-ray vision.

The cleaning crew would be finishing up now, she knew, returning their mops and buckets to the cupboards and changing into street clothes, preparing to go off-shift at midnight. They would leave a couple of lights on in Tavistock’s seventeenth floor suite as well as elsewhere throughout the building. And the halls would remain lighted, and here and there in the building someone would be working all night, and—

She liked Hitchcock movies, especially the early ones, and she was in love with Cary Grant. But she also liked good clothes and bone-china cups and the view from her apartment and the comfortable, well-appointed apartment itself. And so she rinsed the cup in the sink and put on a coat and took the elevator to the lobby, where the florid-faced doorman made a great show of hailing her a cab.

There would be other nights, and other movies.

The taxi droppedher in front of an office building in the West Thirties. She pushed through the revolving door and her footsteps on the marble floor sounded impossibly loud to her. The security guard, seated at a small table by the bank of elevators, looked up from his magazine at her approach. She said, “Hello, Eddie,” and gave him a quick smile.

“Hey, how ya doin’,” he said, and she bent to sign herself in as his attention returned to his magazine. In the appropriate spaces she scribbled Elaine Halder, Tavistock, 1704, and, after a glance at her watch, 12:15.

She got into a waiting elevator and the doors closed without a sound.

She’d be alone up there, she thought. She’d glanced at the record sheet while signing it, and no one had signed in for Tavistock or any other office on seventeen.

Well, she wouldn’t be long.

When the elevator doors opened she stepped out and stood for a moment in the corridor, getting her bearings. She took a key from her purse and stared at it for a moment as if it were an artifact from some unfamiliar civilization. Then she turned and began walking the length of the freshly mopped corridor, hearing nothing but the echo of her boisterous footsteps.

1704. An oak door, a square of frosted glass, unmarked but for the suite number and the name of the company. She took another thoughtful glance at the key before fitting it carefully into the lock.

It turned easily. She pushed the door inward and stepped inside, letting the door swing shut behind her.

And gasped.

There was a man not a dozen yards from her.

“Hello,” he said.

He was standing beside a rosewood-topped desk, the center drawer of which was open, and there was a spark in his eyes and a tentative smile on his lips. He was wearing a gray suit patterned in a windowpane check. His shirt collar was buttoned down, his narrow tie neatly knotted. He was two or three years older than she, she supposed, and perhaps that many inches taller.

Her hand was pressed to her breast, as if to still a pounding heart. But her heart wasn’t really pounding. She managed a smile. “You startled me,” she said. “I didn’t know anyone would be here.”

“We’re even.”

“I beg your pardon?”

“I wasn’t expecting company.”

He had nice white even teeth, she noticed. She was apt to notice teeth. And he had an open and friendly face, which was also something she was inclined to notice, and why was she suddenly thinking of Cary Grant? The movie she hadn’t seen, of course, that plus this Hollywood meet-cute opening, with the two of them encountering each other unexpectedly in this silent tomb of an office, and—

And he was wearing rubber gloves.

Her face must have registered something because he frowned, puzzled. Then he raised his hands and flexed his fingers. “Oh, these,” he said. “Would it help if I spoke of an eczema brought on by exposure to the night air?”

“There’s a lot of that going around.”

“I knew you’d understand.”

“You’re a prowler.”

“The word has the nastiest connotations,” he objected. “One imagines a lot of lurking in shrubbery. There’s no shrubbery here beyond the odd rubber plant and I wouldn’t lurk in it if there were.”

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