Lawrence Block - Enough Rope

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Enough Rope: краткое содержание, описание и аннотация

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Lawrence Block's novels win awards, grace bestseller lists, and get made into films. His short fiction is every bit as outstanding, and this complete collection of his short stories establishes the extraordinary skill, power, and versatility of this contemporary Grand Master.
Block's beloved series characters are on hand, including ex-cop Matt Scudder, bookselling burglar Bernie Rhodenbarr, and the disarming duo of Chip Harrison and Leo Haig. Here, too, are Keller, the wistful hit man, and the natty attorney Martin Ehrengraf, who takes criminal cases on a contingency basis and whose clients always turn out to be innocent.
Keeping them company are dozens of other refugees from Block's dazzling imagination — all caught up in more ingenious plots than you can shake a blunt instrument at.
Half a dozen of Block's stories have been shortlisted for the Edgar Award, and three have won it outright. Other stories have been read aloud on BBC Radio, dramatized on American and British television, and adapted for the stage and screen. All the tales in Block's three previous collections are here, along with two dozen new stories. Some will keep you on the edge of the chair. Others will make you roll on the floor laughing. And more than a few of them will give you something to think about.
is an essential volume for Lawrence Block fans, and a dazzling introduction for others to the wonderful world of... Block magic!

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“It’s a scandal.”

“But the thing is, when I didn’t have any money, even a little check helped. Now, though, it’s hard to take the whole thing seriously. But besides that, I just don’t get poetic ideas anymore. And I just don’t feel it.” He forced a smile. “It’s funny. Getting away from poetry hasn’t been bothering me, but now that I’m talking with you about it I find myself feeling bad. As though by giving up poetry I’m letting you down or something.”

“You’re not letting me down,” Ehrengraf said. “But to dismiss the talent you have, to let it languish—”

“Well, I just don’t know if I’ve got it anymore,” Telliford said. “That’s the whole thing. I sit down and try to write a poem and it’s just not there, you know what I mean? And Robin says why waste my time, that nobody really cares about poetry nowadays anyway, and I figure maybe she’s right.”

“Her father’s daughter.”

“Huh? Well, I’ll tell you something that’s ironic, anyway. I was having trouble writing poetry before I went to jail, what with the hassles from Robin’s old man and all our problems and getting into the wine and the grass too much. And I’m having more troubles now, now that we’ve got plenty of money and Robin’s father’s out of our hair. But you know when I was really having no trouble at all?”

“When?”

“During the time I was in jail. There I was, stuck in that rotten cell with a lifetime in the penitentiary staring me in the face, and I swear I was averaging a poem every day. My mind was just clicking along. And I was writing good stuff, too.” The young man drew an alligator billfold from the breast pocket of the velvet jacket, removed and unfolded a sheet of paper. “You liked the Kansas poem,” he said, “so why don’t you see what you think of this one?”

Ehrengraf read the poem. It seemed to be about birds, and included the line “Puppets dance from bloody strings.” Ehrengraf wasn’t sure what the poem meant but he knew he liked the sound of that line.

“It’s very good,” he said.

“Yeah, I thought you’d like it. And I wrote it in the jug, just wrote the words down like they were flowing out of a faucet, and now all I can write is checks. It’s ironic, isn’t it?”

“It certainly is.”

It was alittle over two weeks later when Ehrengraf met yet again with William Telliford. Once again, the meeting took place in the jail cell where the two had first made one another’s acquaintance.

“Mr. Ehrengraf,” the young man said. “Gee, I didn’t know if you would show up. I figured you’d wash your hands of me.”

“Why should I do that, sir?”

“Because they say I killed Robin. But I swear I didn’t do it!”

“Of course you didn’t.”

“I could have killed Jan, for all I knew. Because I was unconscious at the time, or in a blackout, or whatever it was. So I didn’t know what happened. But I was away from the apartment when Robin was killed, and I was awake. I hadn’t even been drinking much.”

“We’ll simply prove where you were.”

Telliford shook his head. “What we can’t prove is that Robin was alive when I left the apartment. I know she was, but how are we going to prove it?”

“We’ll find a way,” Ehrengraf said soothingly. “ We know you’re innocent, don’t we?”

“Right.”

“Then there is nothing to worry about. Someone else must have gone to your house, taking that fire axe along for the express purpose of framing you for murder. Someone jealous of your success, perhaps. Someone who begrudged you your happiness.”

“But who?”

“Leave that to me, sir. It’s my job.”

“Your job,” Telliford said. “Well, this time you’ll get well paid for your job, Mr. Ehrengraf. And your system is perfect for my case, let me tell you.”

“How do you mean?”

“If I’m found innocent, I’ll inherit all the money Robin inherited from her father. She made me her beneficiary. So I’ll be able to pay you whatever you ask, eighty thousand dollars or even more.”

“Eighty thousand will be satisfactory.”

“And I’ll pay it with pleasure. But if I’m found guilty, well, I won’t get a dime.”

“Because one cannot legally profit from a crime.”

“Right. So if you’ll take the case on your usual terms—”

“I work on no other terms,” Ehrengraf said. “And I would trust no one else with your case.” He took a deep breath and held it in his lungs for a moment before continuing. “Mr. Telliford,” he said, “your case is going to be a difficult one. You must appreciate that.”

“I do.”

“Of course I’ll do everything in my power on your behalf, acting always in your best interest. But you must recognize that the possibility exists that you will be convicted.”

“And for a crime I didn’t commit.”

“Such miscarriages of justice do occasionally come to pass. It’s tragic, I agree, but don’t despair. Even if you’re convicted, the appeal process is an exhaustive one. We can appeal your case again and again. You may have to serve some time in prison, Mr. Telliford, but there’s always hope. And you know what Lovelace had to say on the subject.”

“Lovelace?”

“Richard Lovelace. Born 1618, died 1657. ‘To Althea, from Prison,’ Mr. Telliford.

“Stone walls do not a prison make,
Nor iron bars a cage;
Minds innocent and quiet take
That for an hermitage.
If I have freedom in my love,
And in my soul am free,
Angels alone, that soar above,
Enjoy such liberty.”

Telliford shuddered. “ ‘Stone walls and iron bars,’ ” he said.

“Have faith, sir.”

“I’ll try.”

“At least you have your poetry. Are you sufficiently supplied with paper and pencil? I’ll make sure your needs are seen to.”

“Maybe it would help me to write some poetry. Maybe it would take my mind off things.”

“Perhaps it would. And I’ll devote myself wholeheartedly to your defense, sir, whether I ever see a penny for my troubles or not.” He drew himself up to his full height. “After all,” he said, “it’s my obligation. ‘I could not love thee, dear, so much, Loved I not Honour more.’ That’s also Lovelace, Mr. Tellford. ‘To Lucasta, Going to the Wars.’ Good day, Mr. Telliford. You have nothing to worry about.”

The Ehrengraf Alternative

“What’s most unfortunate,”Ehrengraf said, “is that there seems to be a witness.”

Evelyn Throop nodded in fervent agreement. “Mrs. Keppner,” she said.

“Howard Bierstadt’s housekeeper.”

“She was devoted to him. She’d been with him for years.”

“And she claims she saw you shoot him three times in the chest.”

“I know,” Evelyn Throop said. “I can’t imagine why she would say something like that. It’s completely untrue.”

A thin smile turned up the corners of Martin Ehrengraf’s mouth. Already he felt himself warming to his client, exhilarated by the prospect of acting in her defense. It was the little lawyer’s great good fortune always to find himself representing innocent clients, but few of those clients were as single-minded as Miss Throop in proclaiming their innocence.

The woman sat on the edge of her iron cot with her shapely legs crossed at the ankle. She seemed so utterly in possession of herself that she might have been almost anywhere but in a jail cell, charged with the murder of her lover. Her age, according to the papers, was forty-six. Ehrengraf would have guessed her to be perhaps a dozen years younger. She was not rich — Ehrengraf, like most lawyers, did have a special fondness for wealthy clients — but she had excellent breeding. It was evident not only in her exquisite facial bones but in her positively ducal self-assurance.

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