Ken Follett - Lie down with lions

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In the Afghan mountains lies the Valley of Five Lions, a place of ancient legend. To it come two young aid workers and an American who has a message for the legendary guerrilla leader, Masud, who is wanted dead or alive by the Russians. Below, in the Valley, a woman stumbles upon a terrifying treachery, leading to a chase across impassable mountains and a confrontation that echoes all our nightmares.

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Ellis held his breath.

Anatoly reached the top of the stair and stepped onto the roof. Like the soldier before him, he glanced at the scattered bedding, looked around at other houses, and then returned his attention to this one. Like the soldier, he poked at Fara's mattress with the toe of his boot. Then he knelt down beside Chantal.

Gently, he drew back the sheet.

Jane gave an inarticulate cry as Chantal's pink face came into view.

If they're after Jane, Ellis thought, they will take Chantal, for they know she would give herself up in order to be reunited with her baby.

Anatoly stared at the tiny bundle for several seconds.

"Oh, God, I can't stand this, I can't stand it," Jane groaned.

Ellis held her tight and said: "Wait, wait and see."

He strained his eyes to make out the expression on the baby's face, but the distance was too great.

The Russian appeared to be thinking.

Suddenly he seemed to make up his mind.

He dropped the sheet, tucked it in around the baby, stood up and walked away.

Jane burst into tears.

From the roof Anatoly spoke to Jean-Pierre, shaking his head in negation. Then he descended into the courtyard.

"Now why did he do that?" Ellis mused, thinking aloud. The shake of the head meant that Anatoly was lying to Jean-Pierre, saying "There is nobody on the roof." The implication was that Jean-Pierre would have wanted to take the baby, but Anatoly did not. That meant that Jean-Pierre wanted to find Jane, but the Russian was not interested in her.

So what was he interested in?

It was obvious. He was after Ellis.

"I believe I may have fucked up," Ellis said, mainly to himself. Jean-Pierre wanted Jane and Chantal, but Anatoly was looking for him. Anatoly wanted revenge for yesterday's humiliation; he wanted to prevent Ellis returning to the West with the treaty the rebel commanders had signed; and he wanted to put Ellis on trial to prove to the world that the CIA was behind the Afghan rebellion. I should have thought of all this yesterday, Ellis reflected bitterly, but I was flushed with success and thinking only about Jane. Besides, Anatoly could not know I was here—I might have been in Darg, or Astana, or hiding out in the hills with Masud—so it must have been a long shot. But it had almost worked. Anatoly had good instincts. He was a formidable opponent—and the battle was not yet over.

Jane was weeping. Ellis stroked her hair and made soothing noises while he watched Jean-Pierre and Anatoly walk back toward the helicopters, which were still standing in the fields with their rotors churning the air.

The Hind that had landed on the hilltop near the caves took off again and rose over Ellis and Jane's heads. Ellis wondered whether the seven wounded guerrillas in the cave clinic had been interrogated or taken prisoner or both.

It ended very quickly. The soldiers came out of the mosque at the double and piled into the Hip as fast as they had emerged. Jean-Pierre and Anatoly boarded one of the Hinds. The ugly aircraft took off, one by one, lifting giddily until they were higher than the hill and then speeding southward in a straight line.

Ellis, knowing what was in Jane's mind, said: "Just wait a few more seconds, until all the choppers have gone—don't spoil everything now."

She nodded tearful acquiescence.

The villagers began to trickle out of the mosque, looking scared. The last helicopter took off and headed south. Jane scrambled out of the sleeping bag, pulled on her trousers, shrugged into her shirt and ran off down the hillside, slipping and stumbling and buttoning her shirt as she went. Ellis watched her go, feeling that somehow she had spurned him, knowing that the feeling was irrational, unable nevertheless to shake it. He would not follow her yet, he decided. He would leave her alone for her reunion with Chantal.

She went out of sight beyond the mullah's house. Ellis looked down at the village. It was beginning to return to normal. He could hear voices raised in excited cries. The children were running around playing helicopters or pointing imaginary guns and herding chickens into courtyards to be interrogated. Most of the adults were walking slowly back to their homes, looking cowed.

Ellis remembered the seven wounded guerrillas and the boy with one hand in the cave clinic. He decided he would check on them. He pulled on his clothes, rolled up his sleeping bag and set off up the mountain path.

He recalled Allen Winderman, in his gray suit and his striped tie, picking over a salad in a Washington restaurant and saying: "What are the chances that the Russians would catch our man?" Slender, Ellis had said. If they can't catch Masud, why would they be able to catch an undercover agent sent to meet Masud? Now he knew the answer to that question: Because of Jean-Pierre. "Goddam Jean-Pierre," said Ellis aloud.

He reached the clearing. There was no noise coming from the cave clinic. He hoped the Russians had not taken the child, Mousa, as well as the wounded guerrillas— Mohammed would be inconsolable.

He went into the cave. The sun was up now and he could see quite clearly. They were all there, lying still and quiet. "Are you all right?" Ellis asked in Dari.

There was no reply. None of them moved.

"Oh, God," Ellis whispered.

He knelt beside the nearest guerrilla and touched the bearded face. The man was lying in a pool of blood. He had been shot in the head at point-blank range.

Moving quickly, Ellis checked each of them.

They were all dead.

And so was the child.

CHAPTER 15

JANE DASHED through the village in a blind panic, pushing people aside, cannoning into walls, stumbling and falling and getting up again, sobbing and panting and moaning all at the same time. "She must be all right," she told herself, repeating it like a litany; but just the same her brain kept asking Why didn't Chantal wake up? and What did Anatoly do? and Is my baby hurt?

She stumbled into the courtyard of the shopkeeper's house and climbed the steps two at a time to the roof. She fell on her knees and pulled the sheet off the little mattress. Chantal's eyes were closed. Jane thought: Is she breathing? Is she breathing? Then the baby's eyes opened, she looked at her mother, and—for the first time ever—she smiled.

Jane snatched her up and hugged her fiercely, feeling as if her heart would burst. Chantal cried at the sudden squeeze, and Jane cried, too, awash with joy and relief because her little girl was still here, still alive and warm and squalling, and because she had just smiled her first smile.

After a while Jane calmed down, and Chantal, sensing the change, became quiet. Jane rocked her, patting her back rhythmically and kissing the top of her soft, bald head. Eventually Jane remembered that there were other people in the world, and she wondered what had happened to the villagers in the mosque, and whether they were all right. She went down into her courtyard, and there she met Fara.

Jane looked at the girl for a moment; silent, anxious Fara, timid and so easily shocked: where had she found the courage and presence of mind and sheer nerve to conceal Chantal under a rumpled sheet while the Russians were landing their helicopters and firing their rifles a few yards away? "You saved her," Jane said.

Fara looked frightened, as if it had been an accusation.

Jane shifted Chantal to her left hip and put her right arm around Fara, hugging her. "You saved my baby!" she said. "Thank you! Thank you!"

Fara beamed with pleasure for a moment, then burst into tears.

Jane soothed her, patting her back as she had patted Chantal's. As soon as Fara was quiet Jane said: "What happened in the mosque? What did they do? Is anyone hurt?"

"Yes," said Fara dazedly,

Jane smiled: you couldn't ask Fara three questions one after another and expect a sensible answer. "What happened when you went into the mosque?"

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Геннадий 12 мая 2021 в 21:53
Книга мне понравилась. Для изучающего английский язык текст не сложный и не перегружен лишними подробностями. Сюжетная линия развивается динамично, без "воды". Читается легко. Мне нравятся романы Кена Фоллетта.
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