Ken Follett - Lie down with lions

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In the Afghan mountains lies the Valley of Five Lions, a place of ancient legend. To it come two young aid workers and an American who has a message for the legendary guerrilla leader, Masud, who is wanted dead or alive by the Russians. Below, in the Valley, a woman stumbles upon a terrifying treachery, leading to a chase across impassable mountains and a confrontation that echoes all our nightmares.

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"What is it?"

"What's she doing?"

Ellis located the roof of Jane's house. Fara was kneeling beside Chantal's tiny mattress, and Ellis could just see a little pink head peeping out. Chantal appeared still to be asleep. Fara would have given her a bottle at some time in the middle of the night, but although Chantal was not yet hungry the noise of the helicopters could have wakened her. Ellis hoped she would stay asleep.

He saw Fara place a cushion beside Chantal's head, then pull the sheet up over the baby's face.

"She's hiding her," said Jane. "The cushion props open the cover to let air in."

"She's a clever girl."

"I wish I was there."

Fara rumpled the sheet, then draped another sheet untidily over Chantal's body. She paused for a moment, studying the effect. From a distance the baby looked exactly like a hastily abandoned pile of bedding. Fara seemed satisfied with the illusion, for she went to the edge of the roof and descended the steps into the courtyard.

"She's leaving her," said Jane.

"Chantal is as safe as she could possibly be in the circumstances—''

"I know, I know!"

Fara was pushed into the mosque with the others. She was one of the last to go in. "All the babies are with their mothers," said Jane. "I think Fara should have taken Chantal. ..."

"No," said Ellis. "Wait. You'll see." He still did not know what would happen, but if there was going to be a massacre Chantal was safest where she was.

When everyone seemed to be within the walls of the mosque, the soldiers began to search the village again, running in and out of the houses, firing into the air. They were not short of ammunition, Ellis thought. The helicopter that had stayed in the air flew low and scanned the outskirts of the village in ever-increasing circles, as if searching.

One of the soldiers went into the courtyard of Jane's house.

Ellis felt her go rigid. "It'll be all right," he said into her ear.

The soldier entered the building. Ellis and Jane stared fixedly at the door. A few seconds later he came out and quickly ran up the outside staircase.

"Oh, God, save her," whispered Jane.

He stood on the roof, glanced at the rumpled bedding, looked around at the other nearby roofs, and returned his attention to Jane's. Fara's mattress was nearest to him: Chantal was just beyond it. He poked Fara's mattress with his toe.

Suddenly he turned away and ran down the stairs.

Ellis breathed again and looked at Jane. She was ghastly white. "I told you it would be all right," he said. She began to shake.

Ellis looked at the mosque. He could see only a part of the courtyard inside. The villagers appeared to be sitting down in rows, but there was some movement to and fro. He tried to guess what was going on in there. Were they being interrogated about Masud and his whereabouts? There were only three people down there who might know, three guerrillas who were from Banda and who had not melted into the hills with Masud yesterday: Shahazai Gul, the one with the scar; Alishan Karim, the brother of Abdullah, the mullah; and Sher Kador, the goat boy. Shahazai and Alishan were both in their forties, and could easily play the part of cowed old men. Sher Kador was only fourteen. All three could say plausibly that they knew nothing of Masud. It was fortunate that Mohammed was not here: the Russians would not have believed in his innocence so readily. The guerrillas' weapons were skillfully hidden in places where the Russians would not look: in the roof of a privy, among the leaves of a mulberry tree, deep in a hole in the riverbank.

"Oh, look!" Jane gasped. "The man in front of the mosque!"

Ellis looked. "The Russian officer in the peaked hat?"

"Yes. I know who that is—I've seen him before. It's the man who was in the stone hut with Jean-Pierre, it's Anatoly."

"His contact," Ellis breathed. He looked hard, trying to make out the man's features: at this distance he seemed somewhat Oriental. What was he like? He had ventured alone into rebel territory to meet with Jean-Pierre, so he must be brave. Today he was certainly angry, for he had led the Russians into a trap at Darg. He would want to strike back fast, to recover the initiative—

Ellis's speculations were abruptly cut off as another figure emerged from the mosque, a bearded man in an open-neck white shirt and dark Western-style trousers. "Jesus Christ Almighty," Ellis said. "It's Jean-Pierre."

"Oh!" Jane cried out.

"Now what the hell is going on?" muttered Ellis.

"I thought I'd never see him again," said Jane. Ellis looked at her. Her face wore an odd expression. After a moment he realized it was a look of remorse.

He returned his attention to the scene in the village. Jean-Pierre was speaking to the Russian officer and gesticulating, pointing up the mountainside.

"He's standing oddly," said Jane. "I think he's hurt himself."

"Is he pointing toward us?" Ellis asked.

"He doesn't know about this place—nobody does. Can he see us?"

"No."

"We can see him," she said dubiously.

"But he's standing upright against a plain background. We're lying flat, peeping out from under a blanket, against a mottled hillside. He couldn't spot us unless he knew where to look."

"Then he must be pointing toward the caves."

"Yes."

"He must be telling the Russians to look there."

"Yes."

"But that's awful. How could he . . ." Her voice tailed off, and after a pause she said: "But of course that's what he's been doing ever since he got here—betraying people to the Russians."

Ellis noticed that Anatoly appeared to be speaking into a walkie-talkie. A moment later one of the circling Hinds roared over Ellis and Jane's hooded heads to land, audible but out of sight, on the hilltop.

Jean-Pierre and Anatoly were walking away from the mosque. Jean-Pierre was limping. "He is hurt," said Ellis.

"I wonder what happened."

It looked to Ellis as if Jean-Pierre had been beaten up, but he did not say so. He was wondering what was going on in Jane's mind. There was her husband, walking with a KGB officer—a colonel, Ellis thought, from the uniform. Here she was, in a makeshift bed with another man. Did she feel guilty? Ashamed? Disloyal? Or unrepentant? Did she hate Jean-Pierre, or was she merely disappointed in him? She had been in love with him: was there any love left? He said: "How do you feel about him?"

She gave Ellis a long, hard look, and for a moment he thought she was going to get mad, but it was only that she was taking his question very seriously. Finally she said: "Sad." She turned her gaze back to the village.

Jean-Pierre and Anatoly were heading for Jane's house, where Chantal lay concealed on the roof.

Jane said: "I think they're looking for me."

Her expression was drawn and scared as she stared at the two men down below. Ellis did not think the Russians had come all this way with so many men and machines just for Jane, but he did not say so.

Jean-Pierre and Anatoly walked through the courtyard of the shopkeeper's house and entered the building.

"Don't cry, little girl," whispered Jane.

It was a miracle the baby was still asleep, Ellis thought. Perhaps she was not: perhaps she was awake and crying, but her cries were drowned by the noise of the helicopters. Perhaps the soldier had not heard her because there had been a chopper directly overhead at that moment. Perhaps the more sensitive ears of her father would hear sounds which had failed to catch the attention of a disinterested stranger. Perhaps—

The two men came out of the house.

They stood in the courtyard for a moment, talking intently. Jean-Pierre limped across to the wooden staircase which led to the roof. He mounted the first step with evident difficulty, then got down again. There was another short exchange of words, and the Russian mounted the stairs.

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Геннадий 12 мая 2021 в 21:53
Книга мне понравилась. Для изучающего английский язык текст не сложный и не перегружен лишними подробностями. Сюжетная линия развивается динамично, без "воды". Читается легко. Мне нравятся романы Кена Фоллетта.
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