Kenneth Robeson - The Polar Treasure

SOMETHING TERRIBLE impended.

This was evident from the furtive manner of the small, flat-chested man who cowered in the shadows. He quaked like a terrified rabbit at each strange sound.

Once a cop came along the alleylike side street, slapping big feet heartily on the walk, twiddling his nightstick, and whistling "Yankee Doodle." The prowler crawled under a parked car, and lay there until the happy cop passed.

Near by loomed the enormous bulk of the New York Concert Hall. From the stage door on the side street crept strains of a music so beautiful that each note seemed to grasp the heart with exquisite fingers.

A violin!

It was a Stradivarius violin, one of the most perfect in the world, and had cost the player sixty thousand dollars.

The player was a blind man!

He was Victor Vail. Many music lovers maintained him to be the greatest living master of the violin. He ordinarily got hundreds of dollars for rendering an hour of violin music before an audience. To-night he played for charity, and got nothing.

The flat-chested man, cowering and fearful, knew little of Victor Vail. He only knew the music affected him strangely. Once it made him think of how his poor mother had sobbed that first time he went to jail, long years ago. He nearly burst into tears.

Then he got hold of his emotions.

"Yer gettin' goofy!" he sneered at himself. "Snap out of it! Ya got a job to do!"

SOON AFTERWARD, a taxi wheeled into the side street. It looked like any other New York taxi. But the driver had his coat collar turned up, and his cap yanked low. Little of his face could be seen.

The cab halted. The small man scuttled out to it.

"Ya ready for de job?" he whined.

"All set," replied the cab driver. He had a very coarse voice. It was as though a hoarse bullfrog sat in the taxi. "Go ahead with your part, matey."

The flat-chested man squirmed uneasily. "Is dis guy gonna be croaked?" he muttered anxiously.

"Don't worry about that end of it!" snarled the driver. "We're handlin' that. Keelhaul me, if we ain't!"

"I know — but I ain't so hot about gettin' mixed up in a croakin'

A thumping growl came out of the cab.

"Pipe down! You've already shipped with this crew, matey! Lay to an' do your bit of the dirty work!"

Now that the man in the taxi spoke excitedly, one thing about his speech was even more noticeable. He had been a seafaring man in the past! His speech was sprinkled with sailor lingo.

The small man shuffled away from the cab. He entered the stage door of the concert auditorium.

Victor Vail had finished his violin playing. The audience was applauding. The hand-clapping was tremendous. It sounded like the roar of Niagara, transferred to the vast hall.

The flat-chested man loitered backstage. Applause from the delighted audience continued many minutes. It irked the man.

"De saps!" he sneered. "You'd t'ink Sharkey had just kayoed Schmeling, or somethin'!"

After a time, Victor Vail came to his dressing room. The blind maestro was surrounded by a worshipful group of great singers and musicians.

But the loitering man shouldered through them. His shoving hands, none too clean, soiled the costly gowns of operatic prima donnas, but he didn't care.

"Victor Vail!" he called loudly. "I got a message for yer from Ben O'Gard!"

The name of Ben O'Gard had a marked effect on Victor Vail. He brought up sharply. A smile lighted his artistic features.

Victor Vail was tall, distinguished. He had hair as white as cotton, and almost as fine. His formal dress was immaculate.

His eyes did not seem like a blind man's — until an observer noticed it made no difference to Victor Vail whether they were open or shut.

"Yes!" he cried delightedly. "What is the message from Ben O'Gard?"

The intruder eyed the persons near by.

"It's kinda private," he suggested.

"Then you shall speak to me alone." Victor Vail waved his admirers back. He led the way to his dressing room, only a hand thrust out before him showing he was blind.

THE FLAT-CHESTED man entered first. Victor Vail followed, closing the door. He stood with his back to the panel a moment. His thoughts seemed delving into his past.

"Ben O'Gard!" he murmured reverently. "I have not heard that name for fifteen years! I have often sought to find him. I owe my life to Ben O'Gard. And now that worldly success has come to me, I should like to show my gratitude to my benefactor. Tell me, where is Ben O'Gard?"

"In de street outside." said the flat-chested man, trembling a little. "He wants ter chin with yer."

"Ben O'Gard is outside! And he wishes to talk to me!" Victor Vail whipped the dressing-room door open. "Take me to my friend! Quickly!"

The dirty man guided the blind master of the violin to the stage door.

Just before he reached the door, something happened which made the guide feel as if a bucket of ice water had been poured on him.

He saw the bronze man!

The bronze man presented a startling figure. He did not look like a giant — until it was noticed that some fairly husky men near him seemed puny, pale specimens in comparison. The big bronze man was so well put together that the impression was not of size, but of power. The bulk of his mighty form was forgotten in the smooth symmetry of a build incredibly powerful. His dress was quiet, immaculate, but expensive.

The bronze of this remarkable man's hair was a little darker than the bronze of his features. The hair was straight, and lay down smoothly now.

Most striking of all were the eyes. They glittered like pools of flake gold as backstage lights played on them. They seemed to exert a hypnotic influence, a quality that would make the most rash individual hesitate.

So pronounced was the strange power of those golden eyes that the flat-chested man shivered and looked away. Chill perspiration oozed out of his sallow skin. He glanced back uneasily, saw the weird golden eyes still upon him, and felt an overpowering impulse to run and hide in the darkest dive of the vast city.

He was very glad to get into the outer darkness.

"WHERE IS Ben O'Gard?" Victor Vail asked eagerly.

"Aw, hold yer ponies!" snarled the flat-chested fellow. "I'm leadin' yer to 'im, ain't I?"

He was suddenly very worried — about the bronze man. The strange golden eyes seemed still boring into his back. He turned his head to make sure this wasn't so.

He wondered who the bronze giant was. He couldn't be a detective — no dick could ever wear dress clothes as immaculately as this astounding man had worn them.

"Gosh!" whimpered the rat. "Just lookin' at dem gold glims made me feel like I'd been kicked in de belt. What's de matter wit' me, anyhow?"

He didn't know it, but he wasn't the first man who had quailed before those weird golden eyes.

"Is it far to where Ben O'Gard waits?" Victor Vail inquired anxiously.

"Yer about dere."

They came abreast of a darkened doorway. Out in the street, a taxicab had been keeping even with them. This cab held the sinister seafaring man who had sent the small man into the concert hall after Victor Vail.

The musician's guide looked into the murky door. He made sure several men lurked there. He grasped Victor Vail's arm.

"Yer dere now!" he snarled.

Then he smashed a fist against Victor Vail's jaw.

Simultaneously, the gloomy doorway spouted the men it concealed. They pounced upon the famed blind violinist.

Victor Vail fell heavily from the traitorous guide's fist blow. But the sightless musician was more of a man than his assailants had expected. Though he could not get to his feet, he fought from his clumsy position on the sidewalk.