Robert Burns - The Complete Works

How cold is that bosom which folly once fired,
How pale is that cheek where the rouge lately glisten’d!
How silent that tongue which the echoes oft tired,
How dull is that ear which to flattery so listen’d!
If sorrow and anguish their exit await,
From friendship and dearest affection remov’d;
How doubly severer, Maria, thy fate,
Thou diest unwept as thou livedst unlov’d.
Loves, Graces, and Virtues, I call not on you;
So shy, grave, and distant, ye shed not a tear:
But come, all ye offspring of Folly so true,
And flowers let us cull for Maria’s cold bier.
We’ll search through the garden for each silly flower,
We’ll roam through the forest for each idle weed;
But chiefly the nettle, so typical, shower,
For none e’er approach’d her but rued the rash deed.
We’ll sculpture the marble, we’ll measure the lay;
Here Vanity strums on her idiot lyre;
There keen indignation shall dart on her prey,
Which spurning Contempt shall redeem from his ire.
THE EPITAPH
Here lies, now a prey to insulting neglect,
What once was a butterfly, gay in life’s beam:
Want only of wisdom denied her respect,
Want only of goodness denied her esteem

From those drear solitudes and frowsy cells,
Where infamy with sad repentance dwells;
Where turnkeys make the jealous portal fast,
And deal from iron hands the spare repast;
Where truant ‘prentices, yet young in sin,
Blush at the curious stranger peeping in;
Where strumpets, relics of the drunken roar,
Resolve to drink, nay, half to whore, no more;
Where tiny thieves not destin’d yet to swing,
Beat hemp for others, riper for the string:
From these dire scenes my wretched lines I date,
To tell Maria her Esopus’ fate.
“Alas! I feel I am no actor here!”
’Tis real hangmen, real scourges bear!
Prepare, Maria, for a horrid tale
Will turn thy very rouge to deadly pale;
Will make they hair, tho’ erst from gipsy polled,
By barber woven, and by barber sold,
Though twisted smooth with Harry’s nicest care,
Like hoary bristles to erect and stare.
The hero of the mimic scene, no more
I start in Hamlet, in Othello roar;
Or haughty Chieftain, ‘mid the din of arms,
In Highland bonnet woo Malvina’s charms;
While sans culottes stoop up the mountain high,
And steal from me Maria’s prying eye.
Blest Highland bonnet! Once my proudest dress,
Now prouder still, Maria’s temples press.
I see her wave thy towering plumes afar,
And call each coxcomb to the wordy war.
I see her face the first of Ireland’s sons, [112] Captain Gillespie.
And even out-Irish his Hibernian bronze;
The crafty colonel [113] Col. Macdouall. leaves the tartan’d lines,
For other wars, where he a hero shines;
The hopeful youth, in Scottish senate bred,
Who owns a Bushby’s heart without the head;
Comes, ‘mid a string of coxcombs to display
That veni, vidi, vici, is his way;
The shrinking bard adown the alley skulks,
And dreads a meeting worse than Woolwich hulks;
Though there, his heresies in church and state
Might well award him Muir and Palmer’s fate:
Still she undaunted reels and rattles on,
And dares the public like a noontide sun.
(What scandal call’d Maria’s janty stagger
The ricket reeling of a crooked swagger,
Whose spleen e’en worse than Burns’ venom when
He dips in gall unmix’d his eager pen,—
And pours his vengeance in the burning line,
Who christen’d thus Maria’s lyre divine;
The idiot strum of vanity bemused,
And even th’ abuse of poesy abused!
Who call’d her verse, a parish workhouse made
For motley foundling fancies, stolen or stray’d?)
A workhouse! ah, that sound awakes my woes,
And pillows on the thorn my rack’d repose!
In durance vile here must I wake and weep,
And all my frowsy couch in sorrow steep;
That straw where many a rogue has lain of yore,
And vermin’d gipsies litter’d heretofore.
Why, Lonsdale, thus thy wrath on vagrants pour?
Must earth no rascal save thyself endure?
Must thou alone in guilt immortal swell,
And make a vast monopoly of hell?
Thou know’st, the virtues cannot hate thee worse,
The vices also, must they club their curse?
Or must no tiny sin to others fall,
Because thy guilt’s supreme enough for all?
Maria, send me too thy griefs and cares;
In all of thee sure thy Esopus shares.
As thou at all mankind the flag unfurls,
Who on my fair one satire’s vengeance hurls?
Who calls thee, pert, affected, vain coquette,
A wit in folly, and a fool in wit?
Who says, that fool alone is not thy due,
And quotes thy treacheries to prove it true?
Our force united on thy foes we’ll turn,
And dare the war with all of woman born:
For who can write and speak as thou and I?
My periods that deciphering defy,
And thy still matchless tongue that conquers all reply.

Hail Poesie! thou Nymph reserv’d!
In chase o’ thee, what crowds hae swerv’d
Frae common sense, or sunk enerv’d
‘Mang heaps o’ clavers;
And och! o’er aft thy joes hae starv’d
Mid a’ thy favours!
Say, Lassie, why thy train amang,
While loud the trump’s heroic clang,
And sock or buskin skelp alang,
To death or marriage;
Scarce ane has tried the shepherd-sang
But wi’ miscarriage?
In Homer’s craft Jock Milton thrives;
Eschylus’ pen Will Shakspeare drives;
Wee Pope, the knurlin, ’till him rives
Horatian fame;
In thy sweet sang, Barbauld, survives
Even Sappho’s flame.
But thee, Theocritus, wha matches?
They’re no herd’s ballats, Maro’s catches;
Squire Pope but busks his skinklin patches
O’ heathen tatters;
I pass by hunders, nameless wretches,
That ape their betters.
In this braw age o’ wit and lear,
Will nane the Shepherd’s whistle mair
Blaw sweetly in its native air
And rural grace;
And wi’ the far-fam’d Grecian share
A rival place?
Yes! there is ane; a Scottish callan—
There’s ane; come forrit, honest Allan!
Thou need na jouk behint the hallan,
A chiel sae clever;
The teeth o’ time may gnaw Tantallan,
But thou’s for ever!
Thou paints auld nature to the nines,
In thy sweet Caledonian lines;
Nae gowden stream thro’ myrtles twines,
Where Philomel,
While nightly breezes sweep the vines,
Her griefs will tell!
In gowany glens thy burnie strays,
Where bonnie lasses bleach their claes;
Or trots by hazelly shaws and braes,
Wi’ hawthorns gray,
Where blackbirds join the shepherd’s lays
At close o’ day.
Thy rural loves are nature’s sel’;
Nae bombast spates o’ nonsense swell;
Nae snap conceits, but that sweet spell
O’ witchin’ love;
That charm that can the strongest quell,
The sternest move.