Robert Burns - The Complete Works

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I.
O ye wha are sae guid yoursel’,
Sae pious and sae holy,
Ye’ve nought to do but mark and tell
Your neibor’s fauts and folly!
Whase life is like a weel-gaun mill,
Supply’d wi’ store o’ water,
The heaped happer’s ebbing still,
And still the clap plays clatter.
II.
Hear me, ye venerable core,
As counsel for poor mortals,
That frequent pass douce Wisdom’s door
For glaikit Folly’s portals;
I, for their thoughtless, careless sakes,
Would here propone defences,
Their donsie tricks, their black mistakes,
Their failings and mischances.
III.
Ye see your state wi’ theirs compar’d,
And shudder at the niffer,
But cast a moment’s fair regard,
What maks the mighty differ?
Discount what scant occasion gave,
That purity ye pride in,
And (what’s aft mair than a’ the lave)
Your better art o’ hiding.
IV.
Think, when your castigated pulse
Gies now and then a wallop,
What ragings must his veins convulse,
That still eternal gallop:
Wi’ wind and tide fair i’ your tail,
Right on ye scud your sea-way;
But in the teeth o’ baith to sail,
It makes an unco lee-way.
V.
See social life and glee sit down,
All joyous and unthinking,
’Till, quite transmugrify’d, they’re grown
Debauchery and drinking;
O would they stay to calculate
Th’ eternal consequences;
Or your more dreaded hell to state,
D—mnation of expenses!
VI.
Ye high, exalted, virtuous dames,
Ty’d up in godly laces,
Before ye gie poor frailty names,
Suppose a change o’ cases;
A dear lov’d lad, convenience snug,
A treacherous inclination—
But, let me whisper, i’ your lug,
Ye’re aiblins nae temptation.
VII.
Then gently scan your brother man,
Still gentler sister woman;
Though they may gang a kennin’ wrang,
To step aside is human:
One point must still be greatly dark,
The moving why they do it:
And just as lamely can ye mark,
How far perhaps they rue it.
VIII.
Who made the heart, ’tis He alone
Decidedly can try us,
He knows each chord—its various tone,
Each spring—its various bias:
Then at the balance let’s be mute,
We never can adjust it;
What’s done we partly may compute,
But know not what’s resisted.

XL. TAM SAMSON’S ELEGY [49] When this worthy old sportsman went out last muirfowl season, he supposed it was to be, in Ossian’s phrase, “the last of his fields.”

“An honest man’s the noblest work of God.”

Pope.

[Tam Samson was a west country seedsman and sportsman, who loved a good song, a social glass, and relished a shot so well that he expressed a wish to die and be buried in the moors. On this hint Burns wrote the Elegy: when Tam heard o’ this he waited on the poet, caused him to recite it, and expressed displeasure at being numbered with the dead: the author, whose wit was as ready as his rhymes, added the Per Contra in a moment, much to the delight of his friend. At his death the four lines of Epitaph were cut on his gravestone. “This poem has always,” says Hogg, “been a great country favourite: it abounds with happy expressions.

‘In vain the burns cam’ down like waters,
An acre braid.’
What a picture of a flooded burn! any other poet would have given us a long description: Burns dashes it down at once in a style so graphic no one can mistake it.
‘Perhaps upon his mouldering breast
Some spitefu’ moorfowl bigs her nest.’
Match that sentence who can.”]
Has auld Kilmarnock seen the deil?
Or great M’Kinlay [50] A preacher, a great favourite with the million. Vide the Ordination, stanza II thrawn his heel?
Or Robinson [51] Another preacher, an equal favourite with the few, who was at that time ailing. For him see also the Ordination, stanza IX. again grown weel,
To preach an’ read?
“Na, waur than a’!” cries ilka chiel,
Tam Samson’s dead!
Kilmarnock lang may grunt an’ grane,
An’ sigh, an’ sob, an’ greet her lane,
An’ cleed her bairns, man, wife, an wean,
In mourning weed;
To death, she’s dearly paid the kane,
Tam Samson’s dead!
The brethren o’ the mystic level
May hing their head in woefu’ bevel,
While by their nose the tears will revel,
Like ony bead;
Death’s gien the lodge an unco devel,
Tam Samson’s dead!
When Winter muffles up his cloak,
And binds the mire like a rock;
When to the lochs the curlers flock,
Wi’ gleesome speed,
Wha will they station at the cock?
Tam Samson’s dead!
He was the king o’ a’ the core,
To guard or draw, or wick a bore,
Or up the rink like Jehu roar
In time o’ need;
But now he lags on death’s hog-score,
Tam Samson’s dead!
Now safe the stately sawmont sail,
And trouts be-dropp’d wi’ crimson hail,
And eels weel ken’d for souple tail,
And geds for greed,
Since dark in death’s fish-creel we wail
Tam Samson dead.
Rejoice, ye birring patricks a’;
Ye cootie moor-cocks, crousely craw;
Ye maukins, cock your fud fu’ braw,
Withouten dread;
Your mortal fae is now awa’—
Tam Samson’s dead!
That woefu’ morn be ever mourn’d
Saw him in shootin’ graith adorn’d,
While pointers round impatient burn’d,
Frae couples freed;
But, Och! he gaed and ne’er return’d!
Tam Samson’s dead!
In vain auld age his body batters;
In vain the gout his ancles fetters;
In vain the burns cam’ down like waters,
An acre braid!
Now ev’ry auld wife, greetin’, clatters,
Tam Samson’s dead!
Owre many a weary hag he limpit,
An’ ay the tither shot he thumpit,
Till coward death behind him jumpit,
Wi’ deadly feide;
Now he proclaims, wi’ tout o’ trumpet,
Tam Samson’s dead!
When at his heart he felt the dagger,
He reel’d his wonted bottle swagger,
But yet he drew the mortal trigger
Wi’ weel-aim’d heed;
“L—d, five!” he cry’d, an’ owre did stagger;
Tam Samson’s dead!
Ilk hoary hunter mourn’d a brither;
Ilk sportsman youth bemoan’d a father;
Yon auld grey stane, amang the heather,
Marks out his head,
Whare Burns has wrote in rhyming blether
Tam Samson’s dead!
There low he lies, in lasting rest;
Perhaps upon his mould’ring breast
Some spitefu’ muirfowl bigs her nest,
To hatch an’ breed;
Alas! nae mair he’ll them molest!
Tam Samson’s dead!
When August winds the heather wave,
And sportsmen wander by yon grave,
Three volleys let his mem’ry crave
O’ pouther an’ lead,
’Till echo answer frae her cave
Tam Samson’s dead!
Heav’n rest his soul, whare’er he be!
Is th’ wish o’ mony mae than me;
He had twa fauts, or may be three,
Yet what remead?
Ae social, honest man want we:
Tam Samson’s dead!
EPITAPH
Tam Samson’s weel-worn clay here lies,
Ye canting zealots spare him!
If honest worth in heaven rise,
Ye’ll mend or ye win near him.
PER CONTRA
Go, Fame, an’ canter like a filly
Thro’ a’ the streets an’ neuks o’ Killie,
Tell ev’ry social honest billie
To cease his grievin’,
For yet, unskaith’d by death’s gleg gullie,
Tam Samson’s livin’.

XLI. LAMENT, OCCASIONED BY THE UNFORTUNATE ISSUE OF A FRIEND’S AMOUR

“Alas! how oft does goodness wound itself!

And sweet affection prove the spring of woe.”

Home.

[The hero and heroine of this little mournful poem, were Robert Burns and Jean Armour. “This was a most melancholy affair,” says the poet in his letter to Moore, “which I cannot yet bear to reflect on, and had very nearly given me one or two of the principal qualifications for a place among those who have lost the chart and mistaken the reckoning of rationality.” Hogg and Motherwell, with an ignorance which is easier to laugh at than account for, say this Poem was “written on the occasion of Alexander Cunningham’s darling sweetheart alighting him and marrying another:—she acted a wise part.” With what care they had read the great poet whom they jointly edited in is needless to say: and how they could read the last two lines of the third verse and commend the lady’s wisdom for slighting her lover, seems a problem which defies definition. This mistake was pointed out by a friend, and corrected in a second issue of the volume.]

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