James Beattie - The Poetical Works of James Beattie

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With the exception of The Hermit and the following exquisite stanza 30of Retirement , there is little worthy of particular notice in the minor poems of Beattie.

ADVERTISEMENT

January, 1777.

Having lately seen in print some poems ascribed to me which I never wrote, and some of my own inaccurately copied, I thought it would not be improper to publish, in this little volume, all the verses of which I am willing to be considered as the author. Many others I did indeed write in the early part of my life; but they were in general so incorrect, that I would not rescue them from oblivion, even if a wish could do it.

Some of the few now offered to the Public would perhaps have been suppressed, if in making this collection I had implicitly followed my own judgment. But in so small a matter, who would refuse to submit his opinion to that of a friend?

It is of no consequence to the reader to know the date of any of these little poems. But some private reasons determined the author to add, that most of them were written many years age, and that the greatest part of the Minstrel, which is his latest attempt in this way, was composed in the year one thousand seven hundred and sixty-eight.

PREFACE TO THE MINSTREL

The design was to trace the progress of a Poetical Genius, born in a rude age, from the first dawning of fancy and reason, till that period at which he may be supposed capable of appearing in the world as a Minstrel, that is, as an itinerant Poet and Musician; – a character which, according to the notions of our forefathers, was not only respectable, but sacred.

I have endeavoured to imitate Spenser in the measure of his verse, and in the harmony, simplicity, and variety of his composition. Antique expressions I have avoided; admitting, however, some old words, where they seemed to suit the subject; but I hope none will be found that are now obsolete, or in any degree not intelligible to a reader of English poetry.

To those who may be disposed to ask, what could induce me to write in so difficult a measure, I can only answer that it pleases my ear, and seems, from its Gothic structure and original, to bear some relation to the subject and spirit of the Poem. It admits both simplicity and magnificence of sound and of language beyond any other stanza that I am acquainted with. It allows the sententiousness of the couplet, as well as the more complex modulation of blank verse. What some critics have remarked, of its uniformity growing at last tiresome to the ear, will be found to hold true, only when the poetry is faulty in other respects.

THE MINSTREL

BOOK I

Me vero primum dulces ante omnia Musæ,
Quarum sacra fero, ingenti perculsus amore,
Accipiant. – VIRG.

THE MINSTREL; OR, THE PROGRESS OF GENIUS.

BOOK I

I

Ah! who can tell how hard it is to climb
The steep where Fame's proud temple shines afar!
Ah! who can tell how many a soul sublime
Has felt the influence of malignant star,
And waged with Fortune an eternal war;
Check'd by the scoff of Pride, by Envy's frown,
And Poverty's unconquerable bar,
In life's low vale remote has pined alone,
Then dropt into the grave, unpitied and unknown!

II

And yet the languor of inglorious days,
Not equally oppressive is to all:
Him who ne'er listen'd to the voice of praise,
The silence of neglect can ne'er appall.
There are, who, deaf to mad Ambition's call,
Would shrink to hear the obstreperous trump of Fame;
Supremely blest, if to their portion fall
Health, competence, and peace. Nor higher aim
Had he, whose simple tale these artless lines proclaim.

III

The rolls of fame I will not now explore;
Nor need I here describe, in learned lay,
How forth the Minstrel far'd in days of yore,
Right glad of heart, though homely in array;
His waving locks and beard all hoary gray;
While from his bending shoulder decent hung
His harp, the sole companion of his way,
Which to the whistling wind responsive rung:
And ever as he went some merry lay he sung.

IV

Fret not thyself, thou glittering child of pride,
That a poor villager inspires my strain;
With thee let Pageantry and Power abide:
The gentle Muses haunt the sylvan reign;
Where thro' wild groves at eve the lonely swain
Enraptur'd roams, to gaze on Nature's charms:
They hate the sensual, and scorn the vain,
The parasite their influence never warms,
Nor him whose sordid soul the love of gold alarms.

V

Though richest hues the peacock's plumes adorn,
Yet horror screams from his discordant throat.
Rise, sons of harmony, and hail the morn,
While warbling larks on russet pinions float;
Or seek at noon the woodland scene remote,

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1

"At his leisure hours he cultivated the muses. A journal kept by him, as well as some specimens of his poetry, are still in the possession of his descendants. This last circumstance is the more worthy of being noticed, as it proves that Dr. Beattie derived his poetical turn from his father." – Bower's Life of Beattie , 1804, p. 2.

2

According to Bower, Beattie was supported at college by the generosity of his brother David, who accompanied him to Aberdeen, when he first quitted Laurencekirk to commence his course at the University. "The peculiar mode of their conveyance to Aberdeen is a matter of very trifling moment. It may not be unacceptable to some, however, to be informed, that they rode on one horse; and at a season of the year not the most agreeable for undertaking a journey (when good roads were unknown in Scotland) of thirty English miles." — Life of Beattie , 1804, p. 17.

3

Life of Homer , Court of Augustus , &c.

4

Bower's Life of Beattie , 1804, p. 89.

5

Ibid. p. 100.

6

Lord Gardenstone was himself a votary of the muses, though his verses are now forgotten. As a satirical poet he is far from contemptible.

7

Robert Arbuthnot, Esq., Secretary to the Board of Trustees for Fisheries, Manufactures, and improvements in Scotland, who resided chiefly at Peterhead, where he carried on business as a merchant; a person of considerable taste and learning. He was nearly related to the famous Dr. Arbuthnot, the friend of Pope and Swift.

8

Sir William Forbes says it "had a rapid sale." Mr. A. Chalmers, however ( Poets , vol. xviii. p. 519), doubts if it was ever published for sale, except in Beattie's Poems , 1766, in the Advertisement to which we are told that it "appeared in a separate pamphlet in the beginning of the year 1765." I have been unable to meet with the original edition.

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