John Audubon - Audubon and his Journals, Volume 1 (of 2)

All this summer and early fall, until October 10th, Audubon spent in the neighborhood of New Jersey and Pennsylvania, working as few can work, four hours continuing to be his allowance for sleep. Six weeks in September and October were spent in the Great Pine Swamp, or Forest, 43 43 See Episodes "Great Egg Harbor" and "Great Pine Swamp." as he called it, his permanent lodgings being at Camden, N.J. Here he writes, October 11, 1829: "I am at work and have done much, but I wish I had eight pairs of hands, and another body to shoot the specimens; still I am delighted at what I have accumulated in drawings this season. Forty-two drawings in four months, eleven large, eleven middle size, and twenty-two small, comprising ninety-five birds, from Eagles downwards, with plants, nests, flowers, and sixty different kinds of eggs. I live alone, see scarcely any one, besides those belonging to the house where I lodge. I rise long before day and work till nightfall, when I take a walk, and to bed.

"I returned yesterday from Mauch Chunk; after all, there is nothing perfect but primitiveness , and my efforts at copying nature, like all other things attempted by us poor mortals, fall far short of the originals. Few better than myself can appreciate this with more despondency than I do."

Very shortly after this date Audubon left for Louisiana, crossed the Alleghanies to Pittsburg, down the Ohio by boat to Louisville, where he saw Victor and John. "Dear boys!" he says; "I had not seen Victor for nearly five years, and so much had he changed I hardly knew him, but he recognized me at once. Johnny too had much grown and improved." Remaining with his sons a few days, he again took the boat for Bayou Sara, where he landed in the middle of the night. The journal says: "It was dark, sultry, and I was quite alone. I was aware yellow fever was still raging at St. Francisville, but walked thither to procure a horse. Being only a mile distant, I soon reached it, and entered the open door of a house I knew to be an inn; all was dark and silent. I called and knocked in vain, it was the abode of Death alone! The air was putrid; I went to another house, another, and another; everywhere the same state of things existed; doors and windows were all open, but the living had fled. Finally I reached the home of Mr. Nübling, whom I knew. He welcomed me, and lent me his horse, and I went off at a gallop. It was so dark that I soon lost my way, but I cared not, I was about to rejoin my wife, I was in the woods, the woods of Louisiana, my heart was bursting with joy! The first glimpse of dawn set me on my road, at six o'clock I was at Mr. Johnson's house; 44 44 Mr. Garrett Johnson, where Mrs. Audubon was then teaching. a servant took the horse, I went at once to my wife's apartment; her door was ajar, already she was dressed and sitting by her piano, on which a young lady was playing. I pronounced her name gently, she saw me, and the next moment I held her in my arms. Her emotion was so great I feared I had acted rashly, but tears relieved our hearts, once more we were together."

Audubon remained in Louisiana with his wife till January, 1830, when together they went to Louisville, Washington, Philadelphia, and New York, whence they sailed for England in April. All his former friends welcomed them on their arrival, and the kindness the naturalist had received on his first visit was continued to his wife as well as himself. Finding many subscribers had not paid, and others had lapsed, he again painted numerous pictures for sale, and journeyed hither and yon for new subscribers as well as to make collections.

Mrs. Audubon, meanwhile, had taken lodgings in London, but that city being no more to her taste than to her husband's, she joined him, and they travelled together till October, when to Audubon's joy he found himself at his old lodgings at 26 George St., Edinburgh, where he felt truly at home with Mrs. Dickie; and here he began the "Ornithological Biography," with many misgivings, as the journal bears witness: "Oct. 16, 1830. I know that I am a poor writer, that I scarcely can manage to scribble a tolerable English letter, and not a much better one in French, though that is easier to me. I know I am not a scholar, but meantime I am aware that no man living knows better than I do the habits of our birds; no man living has studied them as much as I have done, and with the assistance of my old journals and memorandum-books which were written on the spot, I can at least put down plain truths, which may be useful and perhaps interesting, so I shall set to at once. I cannot, however, give scientific descriptions, and here must have assistance."

His choice of an assistant would have been his friend Mr. William Swainson, but this could not be arranged, and Mr. James Wilson recommended Mr. William MacGillivray. 45 45 There has been much question as to the spelling of MacGillivray's name, Professor Newton and most others writing it Macgillivray, but in the autograph letters we own the capital "G" is always used. Of this gentleman Mr. D. G. Elliot says: 46 46 Address at the special meeting of the New York Academy of Sciences, April 26, 1893. "No better or more fortunate choice could have been made. Audubon worked incessantly, MacGillivray keeping abreast of him, and Mrs. Audubon re-wrote the entire manuscript to send to America, and secure the copyright there." The happy result of this association of two great men, so different in most respects as Audubon and MacGillivray, is characterized by Dr. Coues in the following terms ("Key to North American Birds," 2d ed., 1884, p. xxii): "Vivid and ardent was his genius, matchless he was both with pen and pencil in giving life and spirit to the beautiful objects he delineated with passionate love; but there was a strong and patient worker by his side, – William MacGillivray, the countryman of Wilson, destined to lend the sturdy Scotch fibre to an Audubonian epoch. 47 47 Referring to one of the six "epochs" into which, in the same work, Dr. Coues divided the progress of American Ornithology. His "Audubon epoch" extends from 1824 to 1853, and one of the four periods into which this epoch is divided is the "Audubonian period," 1834-1853. The brilliant French-American Naturalist was little of a 'scientist'. Of his work the magical beauties of form and color and movement are all his; his page is redolent of Nature's fragrance; but MacGillivray's are the bone and sinew, the hidden anatomical parts beneath the lovely face, the nomenclature, the classification, – in a word, the technicalities of the science."

Though somewhat discouraged at finding that no less than three editions of Alexander Wilson's "American Ornithology" were about to be published, Audubon went bravely on. My grandmother wrote to her sons: "Nothing is heard, but the steady movement of the pen; your father is up and at work before dawn, and writes without ceasing all day. Mr. MacGillivray breakfasts at nine each morning, attends the Museum four days in the week, has several works on hand besides ours, and is moreover engaged as a lecturer in a new seminary on botany and natural history. His own work 48 48 Descriptions of the Rapacious Birds of Great Britain. By William MacGillivray, A.M., Edinburgh, 1836, I vol. small 8vo. This valuable treatise is dedicated "To John James Audubon, in admiration of his talents as an ornithologist, and in gratitude for many acts of friendship." Mr. MacGillivray also had then in preparation or contemplation his larger "History of British Birds," 3 volumes of which appeared in 1837-40, but the 4th and 5th volumes not till 1852. – E. C. progresses slowly, but surely, for he writes until far into the night."

The first volume of "Ornithological Biography" was finished, but no publisher could be found to take it, so Audubon published it himself in March, 1831. 49 49 The completed volume bears date of MDCCCXXXI. on the titlepage and the publisher's imprint of "Adam Black, 55, North Bridge, Edinburgh." The collation is pp. i-xxiv, 1-512, + 15 pp. of Prospectus, etc. This is the text to plates I. – C. (1-100) of the elephant folios. Other copies are said to bear the imprint of "Philadelphia, E. L. Carey and A. Hart, MDCCCXXXI." – E. C. Audubon wrote to Dr. Richard Harlan on March 13, 1831, "I have sent a copy of the first volume to you to-day." During this winter an agreement had been made with Mr. J. B. Kidd to copy some of the birds, put in backgrounds, sell them, and divide the proceeds. Eight were finished and sold immediately, and the agreement continued till May, 1, 1831, when Audubon was so annoyed by Mr. Kidd's lack of industry that the copying was discontinued. Personally, I have no doubt that many of the paintings which are said to be by Audubon are these copies. They are all on mill-board, – a material, however, which grandfather used himself, so that, as he rarely signed an oil painting, 50 50 We only possess one oil painting signed "Audubon." the mill-board is no proof of identity one way or the other.