Andrew Bradley - Oxford Lectures on Poetry

These statements, with the exception of the last, were chosen partly because they all say, with the most manifest seriousness, much the same thing that is said, with a touch of playful exaggeration, in The Tables Turned , where occurs that outrageous stanza about ‘one impulse from a vernal wood’ which Mr. Raleigh has well defended. When all fitting allowance has been made for the fact that these statements, and many like them, are ‘poetic,’ they ought to remain startling. Two of them – that from the story of Margaret ( Excursion , I.), and that from the Ode , 1815 – were made less so, to the injury of the passages, by the Wordsworth of later days, who had forgotten what he felt, or yielded to the objections of others.

Goody Blake , to my mind, tries vainly to make the kind of impression overwhelmingly made by Coleridge’s Three Graves . The question as to the Anecdote for Fathers is not precisely whether it makes you laugh, but whether it makes you laugh at the poet, and in such a way that the end fails to restore your sobriety. The danger is in the lines,

The reiteration, with the struggle between the poet and his victim, is thoroughly Wordsworthian, and there are cases where it is managed with perfect success, as we shall see; but to me it has here the effect so delightfully reproduced in Through the Looking-glass (‘I’ll tell thee everything I can’).