Duchess - Airy Fairy Lilian

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After a while, tiring of inanimate nature, she turns her face inward and leans against the window-frame, and being in an idle mood, begins to pluck to pieces the flower that has rested during dinner upon her bosom.

Standing thus in the half light, she looks particularly fair, and slight, and childish, —

"A lovely being, scarcely formed or moulded,
A rose with all its sweetest leaves yet folded."

Some thought crossing Lady Chetwoode's mind, born of the long and loving glance she has been bestowing upon Lilian, she says:

"How I detest fat people. They make me feel positively ill. Mrs. Boileau, when she called to-day, raised within me the keenest pity."

"She is a very distressing woman," says Guy, absently. "One feels thankful she has no daughter."

"Yes, indeed; the same thought occurred to me. Though perhaps not fat now, she would undoubtedly show fatal symptoms of a tendency toward it later on. Now you, my dear Lilian, have happily escaped such a fate: you will never be fat."

"I'm sure I hope not, if you dislike the idea so much," says Lilian, amused, letting the ghastly remains of her ill-treated flower fall to the ground.

"If you only knew the misery I felt on hearing you were coming to us," goes on Lady Chetwoode, "dreading lest you might be inclined that way; not of course but that I was very pleased to have you, my dear child, but I fancied you large and healthy-looking, with a country air, red cheeks, black hair, and unbounded gaucherie . Imagine my delight, therefore, when I beheld you slim and self-possessed, and with your pretty yellow hair!"

"You make me blush, you cover me with confusion," says Miss Chesney, hiding her face in her hands.

"Yes, yellow hair is my admiration," goes on Lady Chetwoode, modestly: "I had golden hair myself in my youth."

"My dearest mother, we all know you were, and are, the loveliest lady in creation," says Guy, whose tenderness toward his mother is at times a thing to be admired.

"My dear Guy, how you flatter!" says she, blushing a faint, sweet old blush that shows how mightily pleased she is.

"Do you know," says Lilian, "in spite of being thought horrid, I like comfortable-looking people? I wish I had more flesh upon my poor bones. I think," going deliberately up to a glass and surveying herself with a distasteful shrug, – "I think thin people have a meagre, gawky, hard look about them, eminently unbecoming. I rather admire Mrs. Mount-George, for instance."

"Hateful woman!" says Lady Chetwoode, who cherishes for her an old spite.

"I rather admire her, too," says Sir Guy, unwisely, – though he only gives way to this opinion through a wild desire to help out Lilian's judgment.

"Do you?" says that young lady, with exaggerated emphasis. "I shouldn't have thought she was a man's beauty. She is a little too – too – demonstrative, too prononcée ."

"Oh, Guy adores fat women," says Cyril, the incorrigible; "wait till you see Florence: there is nothing of the 'meagre, gawky, hard' sort about her. She has a decided leaning toward embonpoint ."

"And I imagined her quite slight," says Lilian.

"You must begin then and imagine her all over again. The only flesh there isn't about Florence is fool's flesh. It is hardly worth while, however, your creating a fresh portrait, as the original," glancing at his watch, "will so soon be before you. Guy, my friend, you should hurry."

Lilian returns to the balcony, whither Chetwoode's eyes follow her longingly. He rises reluctantly to his feet, and says to Cyril, with some hesitation:

"You would not care to go to meet Florence?"

"I thank you kindly, – no," says Cyril, with an expressive shrug; "not for Joe! I shall infinitely prefer a cigar at home, and Miss Chesney's society, – if she will graciously accord it to me." This with a smile at Lilian, who has again come in and up to the table, where she is now eating daintily a showy peach, that has been lying neglected on its dish since dinner, crying vainly, "Who'll eat me? who'll eat me?"

She nods and smiles sweetly at Cyril as he speaks.

"I am always glad to be with those who want me," she says, carefully removing the skin from her fruit; "specially you, because you always amuse me. Come out and smoke your cigar, and I will talk to you all the time. Won't that be a treat for you?" with a little low, soft laugh, and a swift glance at him from under her curling lashes that, to say the truth, is rather coquettish.

"There, Guy, don't you envy me, with such a charming time before me?" says Cyril, returning her glance with interest.

"No, indeed," says Lilian, raising her head and gazing full at Chetwoode, who returns her glance steadily, although he is enduring grinding torments all this time, and almost — almost begins to hate his brother. "The last thing Sir Guy would dream of would be to envy you my graceless society. Fancy a guardian finding pleasure in the frivolous conversation of his ward! How could you suspect him of such a weakness?"

Here she lets her small white teeth meet in her fruit with all the airs of a little gourmande , and a most evident enjoyment of its flavor.

There is a pause.

Cyril has left the room in search of his cigar-case. Lady Chetwoode has disappeared to explore the library for her everlasting knitting. Sir Guy and Lilian are alone.

"I cannot remember having ever accused you of being frivolous, either in conversation or manner," says Chetwoode, presently, in a low, rather angry tone.

"No?" says naughty Lilian, with a shrug: "I quite thought you had. But your manner is so expressive at times, it leaves no occasion for mere words. This morning when I made some harmless remark to Cyril, you looked as though I had committed murder, or something worthy of transportation for life at the very least."

"I cannot remember that either. I think you purposely misunderstand me."

"What a rude speech! Oh, if I had said that! But see how late it is," looking at the clock: "you are wasting all these precious minutes here that might be spent so much more – profitably with your cousin."

"You mean you are in a hurry to be rid of me," disdaining to notice her innuendo; "go, – don't let me detain you from Cyril and his cigar."

He turns away abruptly, and gives the bell a rather sharp pull. He is so openly offended that Lilian's heart smites her.

"Who is misunderstanding now?" she says, with a decided change of tone. "Shall you be long away, Sir Guy?"

"Not very," icily. "Truston, as you know, is but a short drive from this."

"True." Then with charmingly innocent concern, "Don't you like going out so late? – you seem a little cross."

"Do I?"

"Yes. But perhaps I mistake; I am always making mistakes," says Miss Lilian, humbly; "I am very unfortunate. And you know what Ouida says, that 'one is so often thought to be sullen when one is only sad.' Are you sad?"

"No," says Guy, goaded past endurance; "I am not. But I should like to know what I have done that you should make a point at all times of treating me with incivility."

"Are you speaking of me?" – with a fine show of surprise, and widely-opened eyes; "what can you mean? Why, I shouldn't dare be uncivil to my guardian. I should be afraid. I should positively die of fright," says Miss Chesney, feeling strongly inclined to laugh, and darting a little wicked gleam at him from her eyes as she speaks.

"Your manner" – bitterly – "fully bears out your words. Still I think – Why doesn't Granger bring round the carriage? Am I to give the same order half a dozen times?" – this to a petrified attendant who has answered the bell, and now vanishes, as though shot, to give it as his opinion down-stairs that Sir Guy is in "a h'orful wax!"

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