William Dutt - George Borrow in East Anglia
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- Название:George Borrow in East Anglia
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William A. Dutt
George Borrow in East Anglia
“ Apart from Borrow’s undoubted genius as a writer , the subject-matter of his writings has an interest that will not wane , but will go on growing . The more the features of our ‘ Beautiful England ,’ to use his own phrase , are changed by the multitudinous effects of the railway system , the more attraction will readers find in books which depict her before her beauty was marred — books which picture her in those antediluvian days when there was such a thing as space in the island — when in England there was a sense of distance , that sense without which there can be no romance — when the stage-coach was in its glory , when the only magician that could convey man and his belongings at any rate of speed beyond man’s own walking rate was the horse — the beloved horse whose praises Borrow loved to sing , and whose ideal was reached in the mighty ‘ Shales ’ — when the great high roads were alive , not merely with the bustle of business , but with real adventure for the traveller — days and scenes which Borrow , better than any one else , could paint .”
Theodore Watts.CHAPTER I: EAST ANGLIA
It is a trite saying, the truth of which is so universally admitted that it is hardly worth repeating, that a man’s memory, above all things, retains most vividly recollections of the scenes amidst which he passed his early days. Amidst the loneliness of the African veldt or American prairie solitudes, the West-countryman dreams of Devon’s grassy tors and honeysuckle lanes, and Cornish headlands, fretted by the foaming waves of the grey Atlantic; in teaming cities, where the pulse of life beats loud and strong, the Scotsman ever cherishes sweet, sad thoughts of the braes and burns about his Highland home; between the close-packed roofs of a London alley, the Italian immigrant sees the sunny skies and deep blue seas of his native land, the German pictures to himself the loveliness of the legend-haunted Rhineland, and the Scandinavian, closing his eyes and ears to the squalor and misery, wonders whether the sea-birds still circle above the stone-built cottage in the Nordland cleft, and cry weirdly from the darkness as they sweep landward in the night. Many a wanderer, whatever else he may let go, holds in his heart the hope that one day he may go back to the place where his boyhood’s days were spent, even though it be but to dwell alone amidst the phantoms of long dead dreams and long lost loves.
East Anglia may well be compared to a sad-faced mother, who sees her children, whom she would fain keep with her, one by one go out into the wide world to seek those things that cannot be found in her humble home. For years the youths of Eastern England have had to leave the hamlet hall, the village rectory, the marshland farmstead, and the cottage home, and wander far and wide to gain their daily bread. Toil as they might, farm and field could give them little for their labour, the mother-country’s breast was dry. And yet they loved her – loved her dearly. Deeply and firmly rooted in his heart is the love of the East Anglian for East Anglia. The outside world has but recently discovered the charm of the Broadland: by the dweller there it has been felt since the day when he first gazed with seeing eyes across its dreamy, silent solitudes. The secrets of the marshland wastes have been whispered in his ears by the wind in the willows, and have been sung to him by the sighing sedge. He knows the bird voices of reed rond and hover, and has read the lesson of the day’s venture in the brightening sunrise and sunset glow. Amidst scenes that have little changed since the Iceni hid in the marshland-bordering woods, and crept out in their coracles on the rush-fringed meres, he is at home with Nature, and becomes her friend, her lover. She holds back no secret from him if he wills that he should learn it; she charms him with her many moods. Her laughter is the sunlight, and ere it has died away she has hidden coyly in a veil of mist; now she is tearful with the raindrops falling on her changeful face, but the light comes back with the silvery gleaming of her winding rivers. When her lover leaves her, and wanders off to wooings far away, she reproaches him by her silence; and when he has time to think, he remembers with regret and longing the restful loveliness that was once about him like a mantle of peace.
Flowering meads, wide-reaching marshland solitudes, lonely heaths and sandhills sloping downward to the sea; wildfowl-haunted shores and flats, rivers and lagoons through which the wherries glide, the calling of the herdman and the sighing of the sea-wind through bracken, gorse, and fir ridge – these are East Anglia, and, like voices heard in childhood, they are with her children wherever they may wander, until all earthly voices are for ever lost in silence.
No one felt the charm of peaceful Eastern England more fully and deeply than did George Borrow. An East Anglian born, he was nurtured within the borders of Norfolk during many of the most impressionable years of his life, and when world-worn and weary, he sought rest from his wanderings, he came back to East Anglia to die. During his latter days, he became rather inaccessible; but an East Englishman always had a better chance of successfully approaching him than any one not so fortunate as to have been born within the compass of East Anglia. Mr. Theodore Watts discovered this when Borrow and he were the guests of Dr. Hake at Roehampton.
“When I went on to tell him,” writes Mr. Watts, “that I once used to drive a genuine Shales mare, a descendant of that same famous Norfolk trotter who could trot fabulous miles an hour, to whom he, with the Norfolk farmers, raised his hat in reverence at the Norwich horse fair; and when I promised to show him a portrait of this same East Anglian mare with myself behind her in a dogcart – an East Anglian dogcart; when I praised the stinging saltness of the sea-water of Yarmouth, Lowestoft, and Cromer, the quality of which makes it the best, the most delightful of all sea-water to swim in; when I told him that the only English river in which you could see reflected the rainbow he loved was ‘the glassy Ouse’ of East Anglia, and the only place in England where you could see it reflected in the wet sand was the Norfolk coast; and when I told him a good many things showing that I was in very truth not only an Englishman but an East Englishman, my conquest of the ‘walking lord of gipsy lore’ was complete, and from that moment we became friends.”
“It is on sand alone,” said Borrow, “that the sea strikes its true music – Norfolk sand.”
“The best of the sea’s lutes,” chimed in the artful Watts, “is made by the sands of Cromer.”
CHAPTER II: EARLY DAYS
The eighteenth century had almost run its course when the exigencies of England’s conflict with the French brought Thomas Borrow, a stalwart Cornishman, into East Anglia, on recruiting service. For several years the worthy West-countryman had served his king in the rank and file of the British army before he was appointed sergeant-major of the newly raised body of West Norfolk Militia. The headquarters of this regiment was East Dereham, a pleasant little country town situated about sixteen miles from the Norfolk capital.
Thomas Borrow came of a good Cornish family, and explanation of his having attained nothing better than non-commissioned rank is to be found in the fact that he preferred to enter the army as a private soldier – some say that he ran away from home in order to enlist. That his duties as a sergeant-major were performed in a creditable and satisfactory manner we are justified in believing, knowing that in 1798 he was raised to the position of captain and adjutant of the regiment.
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