Richard Burton - A plain and literal translation of the Arabian nights entertainments, now entituled The Book of the Thousand Nights and a Night, Volume 1 (of 17)

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THE THIRD SHAYKH'S STORY

Know, O Sultan and head of the Jann, that this mule was my wife. Now it so happened that I went forth and was absent one whole year; and when I returned from my journey I came to her by night, and saw a black slave lying with her on the carpet-bed, and they were talking, and dallying, and laughing, and kissing and playing the close-buttock game. When she saw me, she rose and came hurriedly at me with a gugglet 58 58 Arab. "Kullah" (in Egypt pron. "gulleh"), the wide-mouthed jug, called in the Hijaz "baradiyah;" "daurak" being the narrow. They are used either for water or sherbet and, being made of porous clay, "sweat," and keep the contents cool; hence all old Anglo-Egyptians drink from them, not from bottles. Sometimes they are perfumed with smoke of incense, mastich or Kafal (Amyris Kafal). For their graceful shapes See Lane's "Account of the Manners and Customs of the Modern Egyptians" (chapt. v). I quote, here and elsewhere, from the fifth edition, London, Murray, 1860. of water; and, muttering spells over it, she besprinkled me and said, "Come forth from this thy shape into the shape of a dog;" and I became on the instant a dog. She drove me out of the house, and I ran through the doorway nor ceased running until I came to a butcher's stall, where I stopped and began to eat what bones were there. When the stall-owner saw me, he took me and led me into his house, but as soon as his daughter had sight of me she veiled her face from me, crying out, "Dost thou bring men to me and dost thou come in with them to me?" Her father asked, "Where is the man?"; and she answered, "This dog is a man whom his wife hath ensorcelled and I am able to release him." When her father heard her words, he said, "Allah upon thee, O my daughter, release him." So she took a gugglet of water and, after uttering words over it, sprinkled upon me a few drops, saying, "Come forth from that form into thy former form." And I returned to my natural shape. Then I kissed her hand and said, "I wish thou wouldest transform my wife even as she transformed me." Thereupon she gave me some water, saying, "As soon as thou see her asleep, sprinkle this liquid upon her and speak what words thou heardest me utter, so shall she become whatsoever thou desirest." I went to my wife and found her fast asleep; and, while sprinkling the water upon her, I said, "Come forth from that form into the form of a mare-mule." So she became on the instant a she-mule, and she it is whom thou seest with thine eyes, O Sultan and head of the Kings of the Jann! Then the Jinni turned towards her and said, "Is this sooth?" And she nodded her head and replied by signs, "Indeed, 'tis the truth: for such is my tale and this is what hath befallen me." Now when the old man had ceased speaking the Jinni shook with pleasure and gave him the third of the merchant's blood. – And Shahrazad perceived the dawn of day and ceased saying her permitted say. Then quoth Dunyazad, "O, my sister, how pleasant is thy tale, and how tasteful; how sweet and how grateful!" She replied, "And what is this compared with that I could tell thee, the night to come, if I live and the King spare me?" 59 59 "And what is?" etc. A popular way of expressing great difference. So in India: – "Where is Rajah Bhoj (the great King) and where is Gangá the oilman?" Then thought the King, "By Allah, I will not slay her until I hear the rest of her tale, for truly it is wondrous." So they rested that night in mutual embrace until the dawn. After this the King went forth to his Hall of Estate, and the Wazir and the troops came in and the court was crowded, and the King gave orders and judged and appointed and deposed, bidding and forbidding during the rest of the day. Then the Divan broke up, and King Shahryar entered his palace.

Now when it was the Third Night,

And the King had had his will of the Wazir's daughter, Dunyazad, her sister, said to her, "Finish for us that tale of thine;" and she replied, "With joy and goodly gree! It hath reached me, O auspicious King, that when the third old man told a tale to the Jinni more wondrous than the two preceding, the Jinni marvelled with exceeding marvel; and, shaking with delight, cried, "Lo! I have given thee the remainder of the merchant's punishment and for thy sake have I released him." Thereupon the merchant embraced the old men and thanked them, and these Shaykhs wished him joy on being saved and fared forth each one for his own city. Yet this tale is not more wondrous than the fisherman's story." Asked the King, "What is the fisherman?s story?" And she answered by relating the tale of

THE FISHERMAN AND THE JINNI

It hath reached me, O auspicious King, that there was a Fisherman well stricken in years who had a wife and three children, and withal was of poor condition. Now it was his custom to cast his net every day four times, and no more. On a day he went forth about noontide to the sea shore, where he laid down his basket; and, tucking up his shirt and plunging into the water, made a cast with his net and waited till it settled to the bottom. Then he gathered the cords together and haled away at it, but found it weighty; and however much he drew it landwards, he could not pull it up; so he carried the ends ashore and drove a stake into the ground and made the net fast to it. Then he stripped and dived into the water all about the net, and left not off working hard until he had brought it up. He rejoiced thereat and, donning his clothes, went to the net, when he found in it a dead jackass which had torn the meshes. Now when he saw it, he exclaimed in his grief, "There is no Majesty, and there is no Might save in Allah the Glorious, the Great!" Then quoth he, "This is a strange manner of daily bread;" and he began reciting in extempore verse: —

O toiler through the glooms of night in peril and in pain ✿ Thy toiling stint for daily bread comes not by might and main!
Seest thou not the fisher seek afloat upon the sea ✿ His bread, while glimmer stars of night as set in tangled skein.
Anon he plungeth in despite the buffet of the waves ✿ The while to sight the bellying net his eager glances strain;
Till joying at the night's success, a fish he bringeth home ✿ Whose gullet by the hook of Fate was caught and cut in twain.
When buys that fish of him a man who spent the hours of night ✿ Reckless of cold and wet and gloom in ease and comfort fain,
Laud to the Lord who gives to this, to that denies his wishes ✿ And dooms one toil and catch the prey and other eat the fishes. 60 60 Here, as in other places, I have not preserved the monorhyme, but have ended like the English sonnet with a couplet; as a rule the last two lines contain a "Husn makta'" or climax.

Then quoth he, "Up and to it; I am sure of His beneficence, Inshallah!" So he continued: —

When thou art seized of Evil Fate, assume ✿ The noble soul's long-suffering: 'tis thy best:
Complain not to the creature; this be 'plaint ✿ From one most Ruthful to the ruthlessest.

The Fisherman, when he had looked at the dead ass, got it free of the toils and wrung out and spread his net; then he plunged into the sea, saying, "In Allah's name!" and made a cast and pulled at it, but it grew heavy and settled down more firmly than the first time. Now he thought that there were fish in it, and he made it fast, and doffing his clothes went into the water, and dived and haled until he drew it up upon dry land. Then found he in it a large earthen pitcher which was full of sand and mud; and seeing this he was greatly troubled and began repeating these verses 61 61 Lit. "he began to say (or speak) poetry," such improvising being still common amongst the Badawin as I shall afterwards note. And although Mohammed severely censured profane poets, who "rove as bereft of their senses through every valley" and were directly inspired by devils (Koran xxvi.), it is not a little curious to note that he himself spoke in "Rajaz" (which see) and that the four first Caliphs all "spoke poetry." In early ages the verse would not be written, if written at all, till after the maker's death. I translate "inshád" by "versifying" or "repeating" or "reciting," leaving it doubtful if the composition be or be not original. In places, however, it is clearly improvised and then as a rule it is model doggrel. : —

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