Samuel Foote - The Lame Lover

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Samuel Foote

The Lame Lover / A Comedy in Three Acts

PROLOGUE

Written and Spoken by Mr. Gentleman

Prologues, like cards of compliment, we find,
Most as unmeaning as politely kind;
To beg a favour, or to plead excuse,
Of both appears to be the gen'ral use.
Shall my words, tipt with flattery, prepare
A kind exertion of your tend'rest care?
Shall I present our Author to your sight,
All pale and trembling for his fate this night?
Shall I sollicit the most pow'rful arms
To aid his cause – the force of beauty's charms?
Or tell each critic, his approving taste
Must give the sterling stamp, wherever plac'd?
This might be done – but so to seek applause
Argues a conscious weakness in the cause.
No – let the Muse in simple truth appear,
Reason and Nature are the judges here:
If by their strict and self-describing laws,
The sev'ral characters to-night she draws;
If from the whole a pleasing piece is made,
On the true principles of light and shade;
Struck with the harmony of just design,
Your eyes – your ears – your hearts, will all combine
To grant applause: – but if an erring hand
Gross disproportion marks in motley band,
If the group'd figures false connexions show,
And glaring colours without meaning glow,
Your wounded feelings, turn'd a diff'rent way,
Will justly damn – th' abortion of a play.
As Farquhar has observ'd, our English law,
Like a fair spreading oak, the Muse should draw,
By Providence design'd, and wisdom made
For honesty to thrive beneath its shade;
Yet from its boughs some insects shelter find,
Dead to each nobler feeling of the mind,
Who thrive, alas! too well, and never cease
To prey on justice, property, and peace.
At such to-night, with other legal game,
Our vent'rous author takes satiric aim;
And brings, he hopes, originals to view,
Nor pilfers from th' Old Magpie, nor the New 1 1 Alluding to Mr. Garrick's Prologue to the Jubilee. .
But will to Candour chearfully submit;
She reigns in boxes, galleries, and pit.

Dramatis Personæ

ACT I Enter Serjeant Circuit and Charlot CHARLOT I tell you Sir his love to - фото 1

ACT I

Enter Serjeant Circuit and Charlot
CHARLOT

I tell you, Sir, his love to me is all a pretence: it is amazing that you, who are so acute, so quick in discerning on other occasions, should be so blind upon this.

SERJEANT

But where are your proofs, Charlot? What signifies your opening matters which your evidence cannot support?

CHARLOT

Surely, Sir, strong circumstances in every court should have weight.

SERJEANT

So they have collaterally, child, that is by way as it were of corroboration, or where matters are doubtful; then indeed, as Plowden wisely observes "Les circonstances ajout beaucoup depoids aux faits." – You understand me?

CHARLOT

Not perfectly well.

SERJEANT

Then to explain by case in point; A, we will suppose, my dear, robs B of a watch upon Hounslow heath – dy'e mind, child?

CHARLOT

I do, Sir.

SERJEANT

A, is taken up and indicted; B swears positively to the identity of A. – Dy'e observe?

CHARLOT

Attentively.

SERJEANT

Then what does me A, but sets up the alibi C, to defeat the affidavit of B. – You take me.

CHARLOT

Clearly.

SERJEANT

So far you see then the ballance is even.

CHARLOT

True.

SERJEANT

But then to turn the scale, child, against A, in favour of B, they produce the circumstance D, viz. B's watch found in the pocket of A; upon which, the testimony of C being contradicted by B, – no, by D, – why then A, that is to say C, – no D, – joining B, they convict C, – no, no, A, – against the affidavit of C. – So this being pretty clear, child, I leave the application to you.

CHARLOT

Very obliging, Sir. But suppose now, Sir, it should appear that the attention of Sir Luke Limp is directed to some other object, would not that induce you to —

SERJEANT

Other object! Where?

CHARLOT

In this very house.

SERJEANT

Here! why the girl is non compos; there's nobody here, child, but a parcel of Abigals.

CHARLOT

No, Sir?

SERJEANT

No.

CHARLOT

Yes, Sir, one person else.

SERJEANT

Who is that?

CHARLOT

But remember, Sir, my accusation is confined to Sir Luke.

SERJEANT

Well, well.

CHARLOT

Suppose then, Sir, those powerful charms which made a conquest of you, may have extended their empire over the heart of Sir Luke?

SERJEANT

Why, hussy, you don't hint at your mother-in-law?

CHARLOT

Indeed, Sir, but I do.

SERJEANT

Ay; why this is point blank treason against my sovereign authority: but can you, Charlot, bring proof of any overt acts?

CHARLOT

Overt acts!

SERJEANT

Ay; that is any declaration by writing, or even word of mouth is sufficient; then let 'em demur if they dare.

CHARLOT

I can't say that, Sir; but another organ has been pretty explicit.

SERJEANT

Which?

CHARLOT

In those cases a very infallible one – the eye.

SERJEANT

Pshaw! nonsense and stuff. – The eye! – The eye has no authority in a court of law.

CHARLOT

Perhaps not, Sir, but it is a decisive evidence in a court of love.

SERJEANT

Hark you, hussy, why you would not file an information against the virtue of madam your mother; you would not insinuate that she has been guilty of crim. con.?

CHARLOT

Sir, you mistake me; it is not the lady, but the gentleman I am about to impeach.

SERJEANT

Have a care, Charlot! I see on what ground your action is founded – jealousy.

CHARLOT

You were never more deceiv'd in your life; for it is impossible, my dear Sir, that jealousy can subsist without love.

SERJEANT

Well.

CHARLOT

And from that passion (thank heaven) I am pretty free at present.

SERJEANT

Indeed!

CHARLOT

A sweet object to excite tender desires!

SERJEANT

And why not, hussy?

CHARLOT

First as to his years.

SERJEANT

What then?

CHARLOT

I own, Sir, age procures honor, but I believe it is very rarely productive of love.

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