Nathan Gallizier - Under the Witches' Moon - A Romantic Tale of Mediaeval Rome

It was the eve of St. John in the year of our Lord Nine Hundred Thirty-Five.

High on the cypress-clad hills of the Eternal City the evening sun had flamed valediction, and the last lights of the dying day were fading away on the waves of the Tiber whose changeless tide has rolled down through centuries of victory and defeat, of pride and shame, of glory and disgrace.

The purple dusk began to weave its phantom veil over the ancient capital of the Cæsars and a round blood-red moon was climbing slowly above the misty crests of the Alban Hills, draining the sky of its crimson sunset hues.

The silvery chimes of the Angelus, pealing from churches and convents, from Santa Maria in Trastevere to Santa Maria of the Aventine, began to sing their message of peace into the heart of nature and of man.

As the hours of the night advanced and the moon rose higher in the star-embroidered canopy of the heavens, a vast concourse of people began to pour from shadowy lanes and thoroughfares, from sanctuaries and hostelries, into the Piazza Navona. Romans and peasants from the Campagna, folk from Tivoli, Velletri, Corneto and Terracina, pilgrims from every land of the then known world, Africans and Greeks, Lombards and Franks, Sicilians, Neapolitans, Syrians and Kopts, Spaniards and Saxons, men from the frozen coast of Thulé and the burning sands of Arabia, traders from the Levant, sorcerers from the banks of the Nile, conjurers from the mythical shores of the Ganges, adventurers from the Barbary coast, gypsies from the plains of Sarmatia, monks from the Thebaide, Normans, Gascons and folk from Aquitaine.

In the Piazza Navona booths and stalls had been erected for the sale of figs and honey, and the fragrant products of the Roman osterié.

Strings of colored lanterns danced and quivered in the air. The fitful light from the torches, sending spiral columns of resinous smoke into the night-blue ether, shed a lurid glow over the motley, fantastic crowd that increased with every moment, recruited from fishermen, flower girls, water-carriers and herdsmen from the Roman Campagna.

Ensconced in the shadow of a roofless portico, a relic of the ancient Circus Agonalis, which at one time occupied the site of the Piazza Navona, and regarding the bewildering spectacle which presented itself to his gaze, with the air of one unaccustomed to such scenes, stood a stranger whose countenance revealed little of the joy of life that should be the heritage of early manhood.

His sombre and austere bearing, the abstracted mood and far-away look of the eyes would have marked him a dreamer in a society of men who had long been strangers to dreams. For stern reality ruled the world and the lives of a race untouched alike by the glories of the past and the dawn of the Pre-Renaissance.

He wore the customary pilgrim's habit, almost colorless from the effects of wind and weather. Now and then a chance passer-by would cast shy glances at the lone stranger, endeavoring to reconcile his age and his garb, and wondering at the nature of the transgression that weighed so heavily upon one apparently so young in years.

And well might his countenance give rise to speculation, were it but for the determined and stolid air of aloofness which seemed to render futile every endeavor to entice him into the seething maelstrom of humanity on the part of those who took note of his dark and austere form as they crossed the Piazza.

Tristan of Avalon was in his thirtieth year, though the hardships of a long and tedious journey, consummated entirely afoot, made him appear of maturer age. The face, long exposed to the relentless rays of the sun, had taken on the darker tints of the Southland. The nose was straight, the grey eyes tinged with melancholy, the hair was of chestnut brown, the forehead high and lofty. The ensemble was that of one who, unaccustomed to the pilgrim's garb, moves uneasily among his kind. Yet the atmosphere of frivolity, while irritating and jarring upon his senses, did not permit him to avert his gaze from the orgy of color, the pandemonium of jollity, that whirled and piped and roared about him as the flow of mighty waters.

One of many strange wayfarers bound upon business of one sort or another to the ancient seat of empire, whose worldly sceptre had long passed from her palsied grip to the distant shores of the Bosporus, Tristan had arrived during the early hours of the day in the feudal and turbulent witches' cauldron of the Rome of the Millennium.

And with him constituents of many peoples, from far and near, had reached the Leonine quarter from the Tiburtine road, after months of tedious travel, to worship at the holy shrines, to do penance and to obtain absolution for real or imaginary transgressions.

From Bosnia, from Servia and Hungary, from Negropont and the islands of the Greek Archipelago, from Trebizond and the Crimea it came endlessly floating to the former capital of the Cæsars, a waste drift of palaces and temples and antique civilizations, for the End of Time was said to be nigh, and the dread of impending judgment lay heavily upon the tottering world of the Millennium.

A grotesque and motley crowd it was, that sought and found a temporary haven in the lowly taverns, erected for the accommodation of perennial pilgrims, chiefly mean ill-favored dwellings of clay and timber, divided into racial colonies, so that pilgrims of the same land and creed might dwell together.

A very Babel of voices assailed Tristan's ear, for the ancient sonorous tongue had long degenerated into the lingua Franca of bad Latin, though there were some who could still, though in a broken and barbarous fashion, make themselves understood, when all other modes of expression failed them.

All about him throbbed the strange, weird music of zitherns and lutes and the thrumming of the Egyptian Sistrum. The air of the summer night was heavy with the odor of incense, garlic and roses. The higher risen moon gleamed pale as an alabaster lamp in the dark azure of the heavens, trembling luminously on the waters of a fountain which occupied the centre of the Piazza Navona.

Here lolled some scattered groups of the populace, discussing the events of the day, jesting, gesticulating, drinking or love-making. Others roamed about, engaged in conversation or enjoying the antics of two Smyrniote tumblers, whose contortions elicited storms of applause from an appreciative audience.

A crowd of maskers had invaded the Piazza Navona, and the uncommon spectacle at last drew Tristan from his point of vantage and caused him to mingle with the crowds, which increased with every moment, their shouts and gibes and the clatter of their tongues becoming quite deafening to his ears. Richly decorated chariots, drawn by spirited steeds, rolled past in a continuous procession. The cries of the wine-venders and fruit-sellers mingled with the acclaim of the multitudes. Now and then was heard the fanfare of a company of horsemen who clattered past, bound upon some feudal adventure.