Thomas Hardy - Time's Laughingstocks, and Other Verses

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So dowered, with letters of credit
He wayfared to England,
And spied out the manor she goddessed,
And handy thereto,

Set to hire him a tenantless mansion
As coign-stone of vantage
For testing what gross adulation
Of beauty could do.

He laboured through mornings and evens,
On new moons and sabbaths,
By wiles to enmesh her attention
In park, path, and pew;

And having afar played upon her,
Advanced his lines nearer,
And boldly outleaping conventions,
Bent briskly to woo.

His gay godlike face, his rare seeming
Anon worked to win her,
And later, at noontides and night-tides
They held rendezvous.

His tarriance full spent, he departed
And met me in Venice,
And lines from her told that my jilter
Was stooping to sue.

Not long could be further concealment,
She pled to him humbly:
“By our love and our sin, O protect me;
I fly unto you!”

A mighty remorse overgat me,
I heard her low anguish,
And there in the gloom of the calle
My steel ran him through.

A swift push engulphed his hot carrion
Within the canal there —
That still street of waters dividing
The city in two.

– I wandered awhile all unable
To smother my torment,
My brain racked by yells as from Tophet
Of Satan’s whole crew.

A month of unrest brought me hovering
At home in her precincts,
To whose hiding-hole local story
Afforded a clue.

Exposed, and expelled by her people,
Afar off in London
I found her alone, in a sombre
And soul-stifling mew.

Still burning to make reparation
I pleaded to wive her,
And father her child, and thus faintly
My mischief undo.

She yielded, and spells of calm weather
Succeeded the tempest;
And one sprung of him stood as scion
Of my bone and thew.

But Time unveils sorrows and secrets,
And so it befell now:
By inches the curtain was twitched at,
And slowly undrew.

As we lay, she and I, in the night-time,
We heard the boy moaning:
“O misery mine! My false father
Has murdered my true!”

She gasped: yea, she heard; understood it.
Next day the child fled us;
And nevermore sighted was even
A print of his shoe.

Thenceforward she shunned me, and languished;
Till one day the park-pool
Embraced her fair form, and extinguished
Her eyes’ living blue.

– So; ask not what blast may account for
This aspect of pallor,
These bones that just prison within them
Life’s poor residue;

But pass by, and leave unregarded
A Cain to his suffering,
For vengeance too dark on the woman
Whose lover he slew.

THE REJECTED MEMBER’S WIFE

We shall see her no more
On the balcony,
Smiling, while hurt, at the roar
As of surging sea
From the stormy sturdy band
Who have doomed her lord’s cause,
Though she waves her little hand
As it were applause.

Here will be candidates yet,
And candidates’ wives,
Fervid with zeal to set
Their ideals on our lives:
Here will come market-men
On the market-days,
Here will clash now and then
More such party assays.

And the balcony will fill
When such times are renewed,
And the throng in the street will thrill
With to-day’s mettled mood;
But she will no more stand
In the sunshine there,
With that wave of her white-gloved hand,
And that chestnut hair

. January 1906.

THE FARM-WOMAN’S WINTER

I

If seasons all were summers,
And leaves would never fall,
And hopping casement-comers
Were foodless not at all,
And fragile folk might be here
That white winds bid depart;
Then one I used to see here
Would warm my wasted heart!

II

One frail, who, bravely tilling
Long hours in gripping gusts,
Was mastered by their chilling,
And now his ploughshare rusts.
So savage winter catches
The breath of limber things,
And what I love he snatches,
And what I love not, brings.

AUTUMN IN KING’S HINTOCK PARK

Here by the baring bough
Raking up leaves,
Often I ponder how
Springtime deceives, —
I, an old woman now,
Raking up leaves.

Here in the avenue
Raking up leaves,
Lords’ ladies pass in view,
Until one heaves
Sighs at life’s russet hue,
Raking up leaves!

Just as my shape you see
Raking up leaves,
I saw, when fresh and free,
Those memory weaves
Into grey ghosts by me,
Raking up leaves.

Yet, Dear, though one may sigh,
Raking up leaves,
New leaves will dance on high —
Earth never grieves! —
Will not, when missed am I
Raking up leaves.

1901.

SHUT OUT THAT MOON

Close up the casement, draw the blind,
Shut out that stealing moon,
She wears too much the guise she wore
Before our lutes were strewn
With years-deep dust, and names we read
On a white stone were hewn.

Step not out on the dew-dashed lawn
To view the Lady’s Chair,
Immense Orion’s glittering form,
The Less and Greater Bear:
Stay in; to such sights we were drawn
When faded ones were fair.

Brush not the bough for midnight scents
That come forth lingeringly,
And wake the same sweet sentiments
They breathed to you and me
When living seemed a laugh, and love
All it was said to be.

Within the common lamp-lit room
Prison my eyes and thought;
Let dingy details crudely loom,
Mechanic speech be wrought:
Too fragrant was Life’s early bloom,
Too tart the fruit it brought!

1904.

REMINISCENCES OF A DANCING MAN

I

Who now remembers Almack’s balls —
Willis’s sometime named —
In those two smooth-floored upper halls
For faded ones so famed?
Where as we trod to trilling sound
The fancied phantoms stood around,
Or joined us in the maze,
Of the powdered Dears from Georgian years,
Whose dust lay in sightless sealed-up biers,
The fairest of former days.

II

Who now remembers gay Cremorne,
And all its jaunty jills,
And those wild whirling figures born
Of Jullien’s grand quadrilles?
With hats on head and morning coats
There footed to his prancing notes
Our partner-girls and we;
And the gas-jets winked, and the lustres clinked,
And the platform throbbed as with arms enlinked
We moved to the minstrelsy.

III

Who now recalls those crowded rooms
Of old yclept “The Argyle,”
Where to the deep Drum-polka’s booms
We hopped in standard style?
Whither have danced those damsels now!
Is Death the partner who doth moue

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