Thomas Hardy - A Laodicean - A Story of To-day

‘Still quiring to the young-eyed cherubim.’

Recalling himself from these reflections Somerset decided to follow the lead of the wire. It was not the first time during his present tour that he had found his way at night by the help of these musical threads which the post-office authorities had erected all over the country for quite another purpose than to guide belated travellers. Plunging with it across the down he came to a hedgeless road that entered a park or chase, which flourished in all its original wildness. Tufts of rushes and brakes of fern rose from the hollows, and the road was in places half overgrown with green, as if it had not been tended for many years; so much so that, where shaded by trees, he found some difficulty in keeping it. Though he had noticed the remains of a deer-fence further back no deer were visible, and it was scarcely possible that there should be any in the existing state of things: but rabbits were multitudinous, every hillock being dotted with their seated figures till Somerset approached and sent them limping into their burrows. The road next wound round a clump of underwood beside which lay heaps of faggots for burning, and then there appeared against the sky the walls and towers of a castle, half ruin, half residence, standing on an eminence hard by.

Somerset stopped to examine it. The castle was not exceptionally large, but it had all the characteristics of its most important fellows. Irregular, dilapidated, and muffled in creepers as a great portion of it was, some part – a comparatively modern wing – was inhabited, for a light or two steadily gleamed from some upper windows; in others a reflection of the moon denoted that unbroken glass yet filled their casements. Over all rose the keep, a square solid tower apparently not much injured by wars or weather, and darkened with ivy on one side, wherein wings could be heard flapping uncertainly, as if they belonged to a bird unable to find a proper perch. Hissing noises supervened, and then a hoot, proclaiming that a brood of young owls were residing there in the company of older ones. In spite of the habitable and more modern wing, neglect and decay had set their mark upon the outworks of the pile, unfitting them for a more positive light than that of the present hour.

He walked up to a modern arch spanning the ditch – now dry and green – over which the drawbridge once had swung. The large door under the porter’s archway was closed and locked. While standing here the singing of the wire, which for the last few minutes he had quite forgotten, again struck upon his ear, and retreating to a convenient place he observed its final course: from the poles amid the trees it leaped across the moat, over the girdling wall, and thence by a tremendous stretch towards the keep where, to judge by sound, it vanished through an arrow-slit into the interior. This fossil of feudalism, then, was the journey’s-end of the wire, and not the village of Sleeping-Green.

There was a certain unexpectedness in the fact that the hoary memorial of a stolid antagonism to the interchange of ideas, the monument of hard distinctions in blood and race, of deadly mistrust of one’s neighbour in spite of the Church’s teaching, and of a sublime unconsciousness of any other force than a brute one, should be the goal of a machine which beyond everything may be said to symbolize cosmopolitan views and the intellectual and moral kinship of all mankind. In that light the little buzzing wire had a far finer significance to the student Somerset than the vast walls which neighboured it. But the modern fever and fret which consumes people before they can grow old was also signified by the wire; and this aspect of to-day did not contrast well with the fairer side of feudalism – leisure, light-hearted generosity, intense friendships, hawks, hounds, revels, healthy complexions, freedom from care, and such a living power in architectural art as the world may never again see.

Somerset withdrew till neither the singing of the wire nor the hisses of the irritable owls could be heard any more. A clock in the castle struck ten, and he recognized the strokes as those he had heard when sitting on the stile. It was indispensable that he should retrace his steps and push on to Sleeping-Green if he wished that night to reach his lodgings, which had been secured by letter at a little inn in the straggling line of roadside houses called by the above name, where his luggage had by this time probably arrived. In a quarter of an hour he was again at the point where the wire left the road, and following the highway over a hill he saw the hamlet at his feet.

By half-past ten the next morning Somerset was once more approaching the precincts of the building which had interested him the night before. Referring to his map he had learnt that it bore the name of Stancy Castle or Castle de Stancy; and he had been at once struck with its familiarity, though he had never understood its position in the county, believing it further to the west. If report spoke truly there was some excellent vaulting in the interior, and a change of study from ecclesiastical to secular Gothic was not unwelcome for a while.

The entrance-gate was open now, and under the archway the outer ward was visible, a great part of it being laid out as a flower-garden. This was in process of clearing from weeds and rubbish by a set of gardeners, and the soil was so encumbered that in rooting out the weeds such few hardy flowers as still remained in the beds were mostly brought up with them. The groove wherein the portcullis had run was as fresh as if only cut yesterday, the very tooling of the stone being visible. Close to this hung a bell-pull formed of a large wooden acorn attached to a vertical rod. Somerset’s application brought a woman from the porter’s door, who informed him that the day before having been the weekly show-day for visitors, it was doubtful if he could be admitted now.

‘Who is at home?’ said Somerset.

‘Only Miss de Stancy,’ the porteress replied.

His dread of being considered an intruder was such that he thought at first there was no help for it but to wait till the next week. But he had already through his want of effrontery lost a sight of many interiors, whose exhibition would have been rather a satisfaction to the inmates than a trouble. It was inconvenient to wait; he knew nobody in the neighbourhood from whom he could get an introductory letter: he turned and passed the woman, crossed the ward where the gardeners were at work, over a second and smaller bridge, and up a flight of stone stairs, open to the sky, along whose steps sunburnt Tudor soldiers and other renowned dead men had doubtless many times walked. It led to the principal door on this side. Thence he could observe the walls of the lower court in detail, and the old mosses with which they were padded – mosses that from time immemorial had been burnt brown every summer, and every winter had grown green again. The arrow-slit and the electric wire that entered it, like a worm uneasy at being unearthed, were distinctly visible now. So also was the clock, not, as he had supposed, a chronometer coeval with the fortress itself, but new and shining, and bearing the name of a recent maker.

The door was opened by a bland, intensely shaven man out of livery, who took Somerset’s name and politely worded request to be allowed to inspect the architecture of the more public portions of the castle. He pronounced the word ‘architecture’ in the tone of a man who knew and practised that art; ‘for,’ he said to himself, ‘if she thinks I am a mere idle tourist, it will not be so well.’

No such uncomfortable consequences ensued. Miss De Stancy had great pleasure in giving Mr. Somerset full permission to walk through whatever parts of the building he chose.