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Jack London

Brown Wolf and Other Jack London Stories / Chosen and Edited By Franklin K. Mathiews

INTRODUCTION

Boys delight in men who have had adventures, and when they are privileged to read of such exploits in thrilling story form, that is the "seventh heaven" for them. Such a "boys' man" was Jack London, whose whole life was one of stirring action on land and sea. Gifted as a story teller, he wrote books almost without end. Some of them, "The Call of the Wild," "The Sea Wolf" and "White Fang," have already been recognized as fine books for boys. Others, volumes of short stories, contain many of like interest, possessing the same qualities that have made the other and longer stories so acceptable as juveniles.

Effort has been made by the editor to bring together in one volume a number of such stories, not for the reason alone that there might be another Jack London book for boys, but also in order to add to our juvenile literature a volume likely "to be chewed and digested," as Bacon says, a book worthy "to be read whole, and with diligence and attention." For my belief is that boys read altogether too few of such books. Or perhaps it would be more correct to say, have too few opportunities to read such books, because so often we fail to see how quick in their reading their minds are to grasp the more difficult, and how keen and competent their conscience to draw the right conclusion when situations are presented wherein men err so grievously.

It is hoped the stories presented will serve to exercise both the boy's mind and conscience; that seeing and feeling life and nature as Jack London saw and felt it – the best and the worst in human nature, with the Infinite always near and from whom there is no escape – seeing and feeling such things boys will develop the emotional muscles of the spirit, have opened up new windows to their imaginations, and withal add some line or color to their life's ideals.

FRANKLIN K. MATHIEWS, Chief Scout Librarian, Boy Scouts of America.

BROWN WOLF

She had delayed, because of the dew-wet grass, in order to put on her overshoes, and when she emerged from the house found her waiting husband absorbed in the wonder of a bursting almond-bud. She sent a questing glance across the tall grass and in and out among the orchard trees.

"Where's Wolf?" she asked.

"He was here a moment ago." Walt Irvine drew himself away with a jerk from the metaphysics and poetry of the organic miracle of blossom, and surveyed the landscape. "He was running a rabbit the last I saw of him."

"Wolf! Wolf! Here, Wolf!" she called, as they left the clearing and took the trail that led down through the waxen-belled manzanita jungle to the county road.

Irvine thrust between his lips the little finger of each hand and lent to her efforts a shrill whistling.

She covered her ears hastily and made a wry grimace.

"My! for a poet, delicately attuned and all the rest of it, you can make unlovely noises. My eardrums are pierced. You outwhistle – "

"Orpheus."

"I was about to say a street-arab," she concluded severely.

"Poesy does not prevent one from being practical – at least it doesn't prevent me . Mine is no futility of genius that can't sell gems to the magazines."

He assumed a mock extravagance, and went on:

"I am no attic singer, no ballroom warbler. And why? Because I am practical. Mine is no squalor of song that cannot transmute itself, with proper exchange value, into a flower-crowned cottage, a sweet mountain-meadow, a grove of redwoods, an orchard of thirty-seven trees, one long row of blackberries and two short rows of strawberries, to say nothing of a quarter of a mile of gurgling brook."

"Oh, that all your song-transmutations were as successful!" she laughed.

"Name one that wasn't."

"Those two beautiful sonnets that you transmuted into the cow that was accounted the worst milker in the township."

"She was beautiful – " he began.

"But she didn't give milk," Madge interrupted.

"But she was beautiful, now, wasn't she?" he insisted.

"And here's where beauty and utility fall out," was her reply. "And there's the Wolf!"

From the thicket-covered hillside came a crashing of underbrush, and then, forty feet above them, on the edge of the sheer wall of rock, appeared a wolf's head and shoulders. His braced forepaws dislodged a pebble, and with sharp-pricked ears and peering eyes he watched the fall of the pebble till it struck at their feet. Then he transferred his gaze and with open mouth laughed down at them.

"You Wolf, you!" and "You blessed Wolf!" the man and woman called out to him. The ears flattened back and down at the sound, and the head seemed to snuggle under the caress of an invisible hand.

They watched him scramble backward into the thicket, then proceeded on their way. Several minutes later, rounding a turn in the trail where the descent was less precipitous, he joined them in the midst of a miniature avalanche of pebbles and loose soil. He was not demonstrative. A pat and a rub around the ears from the man, and a more prolonged caressing from the woman, and he was away down the trail in front of them, gliding effortlessly over the ground in true wolf fashion.

In build and coat and brush he was a huge timber-wolf; but the lie was given to his wolf-hood by his color and marking. There the dog unmistakably advertised itself. No wolf was ever colored like him. He was brown, deep brown, red-brown, an orgy of browns. Back and shoulders were a warm brown that paled on the sides and underneath to a yellow that was dingy because of the brown that lingered in it. The white of the throat and paws and the spots over the eyes was dirty because of the persistent and ineradicable brown, while the eyes themselves were twin topazes, golden and brown.

The man and woman loved the dog very much; perhaps this was because it had been such a task to win his love. It had been no easy matter when he first drifted in mysteriously out of nowhere to their little mountain cottage. Footsore and famished, he had killed a rabbit under their very noses and under their very windows, and then crawled away and slept by the spring at the foot of the blackberry bushes. When Walt Irvine went down to inspect the intruder, he was snarled at for his pains, and Madge likewise was snarled at when she went down to present, as a peace-offering, a large pan of bread and milk.

A most unsociable dog he proved to be, resenting all their advances, refusing to let them lay hands on him, menacing them with bared fangs and bristling hair. Nevertheless he remained, sleeping and resting by the spring, and eating the food they gave him after they set it down at a safe distance and retreated. His wretched physical condition explained why he lingered; and when he had recuperated, after several days' sojourn, he disappeared.

And this would have been the end of him, so far as Irvine and his wife were concerned, had not Irvine at that particular time been called away into the northern part of the state. Biding along on the train, near to the line between California and Oregon, he chanced to look out of the window and saw his unsociable guest sliding along the wagon road, brown and wolfish, tired yet tireless, dust-covered and soiled with two hundred miles of travel.

Now Irvine was a man of impulse, a poet. He got off the train at the next station, bought a piece of meat at a butcher shop, and captured the vagrant on the outskirts of the town. The return trip was made in the baggage car, and so Wolf came a second time to the mountain cottage. Here he was tied up for a week and made love to by the man and woman. But it was very circumspect love-making. Remote and alien as a traveller from another planet, he snarled down their soft-spoken love-words. He never barked. In all the time they had him he was never known to bark.

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