William Sharp - Green Fire - A Romance

Then, in the violet forest, all a-bourgeon, Eucharis said to me: "It is Spring." – Arthur Rimbaud.

After the dim purple bloom of a suspended spring, a green rhythm ran from larch to thorn, from lime to sycamore; spread from meadow to meadow, from copse to copse, from hedgerow to hedgerow. The blackthorn had already snowed upon the nettle-garths. In the obvious nests among the bare boughs of ash and beech the eggs of the blackbird were blue-green as the sky that March had bequeathed to April. For days past, when the breath of the equinox had surged out of the west, the missel-thrushes had bugled from the wind-swayed topmost branches of the tallest elms. Everywhere the green rhythm ran.

In every leaf that had uncurled there was a delicate bloom, that which is upon all things in the first hours of life. The spires of the grass were washed in a green, dewy light. Out of the brown earth a myriad living things thrust tiny green shafts, arrow-heads, bulbs, spheres, clusters. Along the pregnant soil keener ears than ours would have heard the stir of new life, the innumerous whisper of the bursting seed; and, in the wind itself, shepherding the shadow-chased sunbeams, the voice of that vernal gladness which has been man's clarion since Time began.

Day by day the wind-wings lifted a more multitudinous whisper from the woodlands. The deep hyperborean note, from the invisible ocean of air, was still audible: within the concourse of bare boughs which lifted against it, that surging voice could not but have an echo of its wintry roar. In the sun-havens, however, along the southerly copses, in daisied garths of orchard-trees, amid the flowering currant and guelder and lilac bushes in quiet places where the hives were all a-murmur, the wind already sang its lilt of spring. From dawn till noon, from an hour before sundown till the breaking foam along the wild cherry flushed fugitively because of the crimson glow out of the west, there was a ceaseless chittering of birds. The starlings and the sparrows enjoyed the commune of the homestead; the larks and fieldfares and green and yellow linnets congregated in the meadows, where, too, the wild bee already roved. Among the brown ridgy fallows there was a constant flutter of black, white-gleaming, and silver-gray wings, where the stalking rooks, the jerking pewets, and the wary, uncertain gulls from the neighboring sea, feasted tirelessly from the teeming earth. Often, too, the wind-hover, that harbinger of the season of the young broods, quivered his curved wings in his arrested flight, while his lance-like gaze penetrated the whins, beneath which a new-born rabbit crawled, or discerned in the tangle of a grassy tuft the brown, watchful eyes of a nesting quail.

In the remoter woodlands the three foresters of April could be heard: the woodpecker tapping on the gnarled boles of the oaks; the wild-dove calling in low, crooning monotones to his silent mate; the cuckoo tolling his infrequent peals from skyey belfries built of sun and mist.

In the fields, where the thorns were green as rivulets of melted snow and the grass had the bloom of emerald, and the leaves of docken, clover, cinquefoil, sorrel, and a thousand plants and flowers, were wave-green, the ewes lay, idly watching with their luminous amber eyes the frisking and leaping of the close-curled, tuft-tailed, woolly-legged lambs. In corners of the hedgerows, and in hollows in the rolling meadows, the primrose, the celandine, the buttercup, the dandelion, and the daffodil spilled little eddies of the sun-flood which overbrimmed them with light. All day long the rapture of the larks filled the blue air with vanishing spirals of music, swift and passionate in the ascent, repetitive and less piercing in the narrowing downward gyres. From every whin the poignant, monotonous note of the yellow-hammer reëchoed. Each pastoral hedge was alive with robins, chaffinches, and the dusky shadows of the wild-mice darting here and there among the greening boughs.

Whenever this green fire is come upon the earth, the swift contagion spreads to the human heart. What the seedlings feel in the brown mould, what the sap feels in the trees, what the blood feels in every creature from the newt in the pool to the nesting bird – so feels the strange, remembering ichor that runs its red tides through human hearts and brains. Spring has its subtler magic for us, because of the dim mysteries of unremembering remembrance and of the vague radiances of hope. Something in us sings an ascendant song, and we expect, we know not what; something in us sings a decrescent song, and we realize vaguely the stirring of immemorial memories.

There is none who will admit that spring is fairer elsewhere than in his own land. But there are regions where the season is so hauntingly beautiful that it would seem as though Angus Ogue knew them for his chosen resting-places in his green journey.

Angus Og, Angus MacGreine, Angus the Ever Youthful, the Son of the Sun, a fair god he indeed, golden-haired and wonderful as Apollo Chrusokomes. Some say that he is Love; some, that he is Spring; some, even, that in him, Thanatos, the Hellenic Celt that was his far-off kin, is reincarnate. But why seek riddles in flowing water? It may well be that Angus Ogue is Love, and Spring, and Death. The elemental gods are ever triune; and in the human heart, in whose lost Eden an ancient tree of knowledge grows wherefrom the mind has not yet gathered more than a few windfalls, it is surely sooth that Death and Love are oftentimes one and the same, and that they love to come to us in the apparel of Spring.

Sure, indeed, Angus Ogue is a name above all sweet to lovers, for is he not the god – the fair youth of the Tuatha-de-Danann, the Ancient People, with us still, though for ages seen of us no more – from the meeting of whose lips are born white birds, which fly abroad and nest in lovers' hearts till the moment come when, on the yearning lips of love, their invisible wings shall become kisses again?

Then, too, there is the old legend that Angus goes to and fro upon the world, a weaver of rainbows. He follows the spring, or is its herald. Often his rainbows are seen in the heavens; often in the rapt gaze of love. We have all perceived them in the eyes of children, and some of us have discerned them in the hearts of sorrowful women and in the dim brains of the old. Ah! for sure, if Angus Og be the lovely Weaver of Hope he is deathless comrade of the spring, and we may well pray to him to let his green fire move in our veins, whether he be but the Eternal Youth of the World, or be also Love, whose soul is youth, or even though he be likewise Death himself, Death to whom Love was wedded long, long ago.

But nowhere was spring more lovely, nowhere was the green fire of life so quick with impulsive ardors, as, one year of the years, in a seaward region to the north of the ancient forest of Broceliande, in what of old was Armorica and now is Brittany.

Here spring often comes late, but ever lingers long. Here, too, in the dim green avenues of the oak-woods of Kerival, the nightingales reach their uttermost western flight. Never has the shepherd, tending his scant flock on the upland pastures of Finistère, nor the fisherman lying a-dream amid the sandy thickets of Ushant, heard that quaint music – that primeval and ever young song of the passionate heart which Augustine might well have had in mind when he exclaimed "Sero te amavi, Pulchritudo, tam antiqua et tam nova, sero te amavi." But, each April, in the woods of Kerival, the nightingales congregate from afar, and through May their songs make the forest like a sanctuary filled with choristers swinging incense of a delicate music.