Zona Gale - A Daughter of the Morning

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And all at once I says to myself, What did I care so I got some fun out of it. Other girls was always doing this. Lena Curtsy would have talked with him in a minute. Maybe I could get him to ask me to go to a show. I couldn't go, but I thought I'd like to make him ask me.

"Was you lonesome?" I ask', looking at him.

He didn't say anything. He just looked at me, smiling a little. I thought I'd better say a little more. I wanted him to know I wasn't a stick, but that I was in for fun, like a city girl.

"You don't look like a chap that'd be lonesome very long," I says. "Not if you can get acquainted this easy."

He kept looking at me, and smiling a little.

"Tell me," he says, "do you live about here?"

"Me? Right here. I'm the original Maud Muller," I says.

"And what do you do besides rake hay?" he says.

I couldn't think what else Maud Muller done. I hadn't read it since Fifth Reader. So I says:

"Well, she don't often get a chance to talk with traveling gentlemen."

"That's good," he says, "but – I wouldn't have thought it."

I see he meant because I done it so easy and ready, so I give him as good as he sent.

"Wouldn't you ?" I says. "Well, I s'pose you get a chance to flirt with strange girls every town you strike."

He looked at me again, not smiling now, but just awfully interested. I see I was interesting him down to the ground. Lena Curtsy couldn't have done it better.

"Flirt," he says over. "What do you mean by 'flirt'?"

I laughed at him. "You're a pretty one to ask that," I says, "with them eyes."

"Oh," he says serious, "then you like my eyes?"

"I never said so," I gave him. "Do you like mine?"

"Let me look at them," he said.

We stopped in the road, and I looked him square in the eye. I can look anybody in the eye. I looked at him straight, till he laughed and moved on. He seemed to be thinking about something.

"I think I like you best when you sing," he said. "Won't you sing something else?"

"Sure," I says, and wheeled around in the road, and kind of skipped backward. And I sung:

"Oh, oh, oh, oh! Pull down the blinds!
When they hear the organ play-ing
They won't know what we are say-ing.
Pull down the blinds!"

I'd heard it to the motion-picture show the week before. I was thankful he could see I was up on the nice late tunes.

"I wonder," says the man, "if you can tell me something. I wonder if you can tell me what made you pick out this song to sing to me, and what made you sing that other song when you were alone?"

All at once the morning come back. Ever since I met him I'd forgot the morning and the sun, and the way I'd felt when I started out alone. I'd just been thinking about myself, and about how I could make him think I was cute and up-to-date. Now it was just as if the country road opened up again, and there I was on it, opposite the Dew Drop Inn, just being me. I looked up at him.

"Honest," I says, "I don't know. I guess it was because I wanted you to think I was fun."

He looked at me for a minute, straight and deep.

"By Jove!" he says, and I didn't know what ailed him. "Have you had breakfast?" he ask', short.

"No," I says.

"You come in here with me and get some," he says, like an order.

He led the way into the yard of the Dew Drop Inn. There's a grape arbor there, and some bare hard dirt, and two or three tables. Nobody was there, only the boy, sweeping the dirt with a broom. We sat down at the table in the arbor. It was pleasant to be there. A house wren was singing his head off somewhere near. A woman come out and sloshed water on the stone at the back door and begun scrubbing. A clock in the bar struck six.

Joe Burkey, that keeps the Inn, come out and nodded to me.

"Joe," I says, "did Keddie Bingy come back here?"

Joe wiped his hands on the cloth on his arm, and then brushed his mustache with it, and then wiped off the table with it.

"I don't know nothin' about K. Bingy," says Joe. "I t'run him out o' my place last night, neck and crop, for bein' drunk and disorderly. I ain't seen him since."

I looked up at Joe's little eyes. They looked like the eyes of the wolf in the picture in our dining-room. Joe's got a fat chin, and a fat smile, but his eyes don't match them.

"You coward and you brute," I says to him, "where did Keddie Bingy get drunk and disorderly?"

Joe begun to sputter and to step around in new places. The man I was with brought his hand down on the table.

"Never mind that," he says, "what you've to do is bring some breakfast. What will you have for your breakfast, mademoiselle?" he says to me.

"Why," I says, "some salt pork and some baking powder biscuit for me, and some fried potatoes and a piece of some kind of pie. What kind have you got?"

"Apple and raisin," says Joe, sulky. But the man I was with he says:

"Suppose you let me order our breakfast. Will you?"

"Suit yourself, I'm sure," says I. "I ain't used to the best."

The man thought a minute.

"Back there a little way," he says, "I crossed something that looked like a trout stream. Is it a trout stream?"

"Sure," says Joe and I together.

"How long," says the man, "would it take that boy there to bring in a small catch?"

"My!" I says, "he can do that quicker'n a cat can lick his eye. Can't he, Joe?"

"Very well," says the man. "We will have brook trout for breakfast. Make a lemon butter for them, please, and use good butter. With that bring us some toast, very thin, very brown and very hot, with more good butter. Have you some orange marmalade?"

"Sure," says Joe, "but it costs thirty cents a jar; I open the whole – "

"Some orange marmalade," says the man. "And coffee – I wonder what that good woman there would say to letting me make the coffee?"

"Her? She'll do whatever I tell her," says Joe. "But we charge extra when guests got to make their own coffee."

"And now," says the man, getting through with that, "what can you bring us while we wait? Some peaches?"

"The orchard," says Joe, "is rotten wid peaches."

"Good," says the man. "Now we understand each other. If mademoiselle will excuse me, we will set the coffee on its way."

I set and waited, thinking how funny it was for a man to make the coffee. All Pa ever done in his life to help about the cooking was to clean the fish.

I went and played with a kitten, so's not to have to talk to Joe. I didn't know what I might say to him. When I come back the table was laid with a nice clean cloth and napkins that were ironed good and dishes with little flowers on. When the woman come out to the well, I ask' her if I could pick some phlox for the table. She laughed and said yes, if I wanted to. So I got some, all pink. I was just bringing it when the man come back.

"Stand there, just for a minute," he says.

I done like he told me, by the door of the arbor. I thought he was going to say something nice, and I hoped I'd think of something smart and sassy to say back to him. But all he says was just:

"Thank you. Now, come and sit down, please."

We fixed the flowers. Then Joe brought a basket of beautiful peaches, and we took what we wanted. The man took one, and sat touching it with the tips of his fingers, and he looked over at me with a nice smile.

"And now, my child," he says, "tell me your name."

I always hate to tell folks my name. In the village they've always made fun of it.

"What do you want to bother with that for?" I says. "Ain't I good enough without a tag?"

He spoke almost sharp. "I want you to tell me your name," he says.

So I told him. "Cosma Wakely," I says.

He looked funny. "Really?" he says. " Cosma? "

"But everybody calls me 'Cossy,'" I says quick. "I know what a funny name it is. My grandmother named me. She was queer."

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