Frederick Fleay - A Chronicle History of the Life and Work of William Shakespeare

In 1603 the plague raged in London. In March before the Queen's death, the theatres were closed, and in the license of May 19, which adopted the Chamberlain's men as the King's Servants (a title already conferred on them in Scotland in 1601), a special clause was inserted allowing them to act "when the infection of the plague shall decrease." The infection did not decrease, yet the theatres were reopened, but probably only for a few days. Doubtless the authorities closed them on account of the continuance of the sickness. The plays acted at this reopening were probably The Miseries of Enforced Marriage , by George Wilkins, a new author, which was founded on contemporaneous events in Yorkshire, and certainly the perfected Hamlet as we now have it in the Folio. The older version, which had been entered S. R. on 26th July 1602, was now published, having probably been "stayed," as was frequently the case with plays printed by J. Roberts (for example The Merchant of Venice , Troylus and Cressida ), but not till the copyright had been transferred to N. Ling and J. Trundell. In 1604 Ling issued the second Quarto, which in some instances supplies passages omitted in the Folio for stage purposes, and in others presents alternative versions and additions evidently made for the Court performance (one of nine) in the winter 1603-4. It was a common practice to utilise the altered copies of plays acted at Court by allowing their publication. Yet another play acted by the King's men this year was Jonson's Sejanus , for which he was accused of Popery and treason by Northampton. When he published it (2d November 1604, S. R.), he stated that "this book in all numbers is not the same with that which was acted on the public stage; wherein a second pen had good share: in place of which I have rather chosen to put weaker, and no doubt less pleasing of mine own, than to defraud so happy a genius of his right by my loathed usurpation." The only known writers for the King's men at this date were Wilkins, W. S. (? Sly), Shakespeare, and possibly Tourneur. Of these there can be no doubt that Shakespeare is the only one that could have been the second pen alluded to. Not that necessarily he was a coadjutor to Jonson in this play. It is more likely that as he acted one of the principal parts in it he inserted or altered scenes in which he himself appeared. It is clear that "the second pen," whoever he was, objected to his share in the play being published, and no wonder, seeing how its main author had been accused on account of it. This probably explains why the book was kept in the press six months, from November 1604 to April 1605. When it was issued Jonson's Volpone was just coming on the stage, and it is noticeable that Shakespeare did not act in that play, and that immediately after Jonson quitted the King's men and joined Chapman and Marston in writing Eastward Ho for the Revels children, in which Hamlet is ridiculed. All this seems to point to a quarrel between Jonson and Shakespeare, and certainly Jonson's behaviour in the Sejanus matter is not, as Gifford calls it, manly. To drag in unnecessarily an allusion to a friend whose personality must have been known to the public of that time, into an address prefixed to a work accused of Popery and sedition was unmanly; and, as his friend had objected to it, was discreditable. No intercourse can be shown between Shakespeare and Jonson after 1603.

On 30th January 1603-4, the new company of the Revels children replaced the Chapel boys at Blackfriars. They were, however, in the main composed of the same actors, and were not unfrequently mentioned under their old name. On March 15, we find that among the King's train, at his entry into London, were nine of the King's company, dressed in the scarlet cloth allowed for the occasion. As these nine are identical with those in the license of 19th May 1603, which is statedly incomplete, they must have been in some way distinguished from the rest of their fellows. They were, no doubt, shareholders in the Globe. Cooke and Lowin, who acted in Sejanus and Volpone , do not appear among them; nor do Tooley, Gough, and Sinkler, who were at this time members of the company. The nine were Shakespeare, Phillips, Fletcher, Hemings, Burbadge, Sly, Lowin, Condell, and Cowley. In July, Shakespeare was in Stratford, recovering in the local court some £2 odd for malt, &c., sold to one Rogers. In August he was summoned to London, the King's men having to attend at Somerset House to play at the reception of the Spanish ambassador. During this year he produced Othello and Measure for Measure , which were acted at Court in the winter festivities, along with five old plays of his, and two of Jonson's. Hamlet does not occur in this list, as it undoubtedly would have done if produced in 1604. It was, in fact, published this year as it had been acted at Court in the previous winter. Another play acted by the King's men was Marston's Malcontent , with an Induction by Webster, in which the reason of its appearance is explained. The Blackfriars children had acted Jeronymo in 1600, an old play of Kyd's, which had passed to the King's men from Lord Strange's, by whom it had been purchased of the Queen's. It had probably been taken from the Chamberlain's men to the Chapel children by Jonson, who in 1601, September 25, transferred it to the Admiral's, and wrote additions to it for Henslowe. This appropriation of their property irritated the Globe players, and when they got the chance, at the reconstitution of the Blackfriars children in 1604, they procured The Malcontent , which had been acted by these pigmies, and produced it on their own stage as "one for another." They also in December acted "the tragedy of Gowry with all action and actors," so Chamberlain writes to Winwood, December 18, "with exceeding concourse of all sorts of people," but he adds, "some great councillors are much displeased with it, and so 'tis thought it shall be forbidden." It probably was forbidden, as the play has disappeared. Another mysterious play is The Spanish Maz , said to have been one of the eleven performed in the winter at Court. Nothing is known of such a play; but much is known of forgery connected with such statements.

In 1605, the tragedy of King Lear was acted about 7th May, when the old Leir , on which it was founded, but which was a comedy , was entered S. R. as a " Tragical History" of Leir, &c., "as it was lately acted." Another play of very dubious authorship was acted by the King's men before 3d July, when the ballad on the same events was entered S. R.; this was The Yorkshire Tragedy . It was a continuation of the story of The Miseries of Enforced Marriage , but treated more realistically and more powerfully. It was published 2d May 1608 as by Shakespeare, as in 1605 The London Prodigal had already been, but in the latter instance the publication was unlicensed and surreptitious, while the Yorkshire Tragedy was entered S. R. as "written by William Shakespeare." The entry, however, was made for T. Pavier, an unscrupulous piratic printer, who on other occasions tried to establish rights in "Shakespeare's plays" which were not Shakespeare's; and no weight can be assigned to his assertions. Another play acted by the King's men, in March 1605, was Jonson's Volpone , or The Fox . This was anterior in production to the plays already mentioned. Immediately afterwards we find Jonson in connection with the Blackfriars children again, and in prison for writing Eastward Ho . Shakespeare did not act in The Fox ; perhaps Jonson was offended at this; he at any rate did not return to the King's men till 1610. On 4th May, Phillips, Shakespeare's fellow-actor, made his will, and died shortly after. We learn from this document, which gives us many other valuable particulars respecting the members of the company, that Shakespeare and Condell were the two of "his fellows" whom, next to Hemings, Burbadge, and Sly, his executors, Phillips most highly appreciated; he left them each a 30s. – piece in gold, but to Fletcher, Armin, Cowley, Cooke, and Tooley a 20s. – piece. He also left legacies to Gilburne and Sands his apprentices, and to Beeston his servant. "His fellows" here means the shareholders in the Globe, as contrasted with the "hired servants," to whom he left "£5 amongst them." There were then in 1605 eleven shareholders, Cooke and Tooley having been added since 15th March 1604. On 24th July Shakespeare invested £40 in a lease of the tithes of Stratford, Old Stratford, Bishopton, and Welcombe, as had been suggested to him in 1598. In August King James was at Oxford, and among the entertainments presented to him were speeches by three young men of St. John's, who personated the three Sibyls who had prophesied to Banquo. This interlude would necessarily recall to the King's mind the old Macbeth play, which had been probably presented to him in Scotland by the Globe players, and if, as there is little reason to doubt, he did write an autograph letter to Shakespeare, it was most likely on this occasion, commanding a fuller version of Macbeth . This play was certainly produced at Court, probably at Shrovetide in March 1605-6, but it has been altered since, condensed and interpolated by dances and songs and a new scene with Hecate in it, no doubt by Middleton in 1622, from whose Witch the songs are taken. On 9th October the Globe company acted before the Mayor and Corporation at Oxford, and then, if not from the King, Shakespeare would be sure to hear of the Sybils interlude. In all, ten plays were acted at Court this winter by the Globe company. Among them was a version of Mucedorus , with additions. This version has only come down to us in imprints of 1610 and later; but there was an edition in 1606 mentioned in Beauclerc's Catalogue, 1781, from which the later title-pages were copied. From the title it appears that it had been revived before the King on Shrove-Sunday night at Whitehall. The original play had been acted about the city, and therefore not later than 1594, before the Chamberlain's men settled at the Theater. The additions are directed against Jonson, whose strictures on monopolies, and sneer at "the miraculous effects of the Oglio del Scoto" in Volpone , ii. 1, must have grievously offended James, who had revived the touching for the king's evil. Jonson had subsequently joined Chapman and Marston in writing Eastward Ho for the Chapel boys, in which the Scots were still more severely satirised, and was evidently, as may be seen from the address prefixed to Volpone , at daggers drawn with the Globe men. Hence, in the Mucedorus additions, the allusions to the "meagre cannibal," the "scrambling raven with his meagre beard" (certainly Jonson, the "thin-bearded Hermaphrodite" in Satiromastix ), who had, stirred up by Envy, written a comedy for the Globe filled with "dark sentences pleasing to factious brains;" which would have led to their restraint, as Eastward Ho did for the Chapel boys, had not the King's players been staid and discreet, and begged pardon of His Majesty on bended knee "for their unwilling error." The threatened information must have been in the autumn of 1605.