Maud Goodwin - Sir Christopher - A Romance of a Maryland Manor in 1644

On a bluff of the Maryland coast stand a church, a school, a huddle of gravestones, and an obelisk raised to the memory of Leonard Calvert. These alone mark the site of St. Mary's, once the capital of the Palatinate.

It is near this little town, about the middle of the seventeenth century, that my story begins, among the feuds then raging between Catholic and Protestant, Cavalier and Roundhead, Marylander and Virginian. The Virginians of that day were but a generation removed from the pioneers who suffered in the massacre of 1622; and the sons and daughters of those early settlers whose lives were traced in "The Head of a Hundred" 1 1 Published 1895. appear in the present romance.

The adventures of Romney Huntoon, of the Brents, and, most of all, of Christopher Neville and Elinor Calvert, furnish the material of my story; but I venture to hope that the reader will feel beneath the incidents and adventures that throbbing of the human heart which has chiefly interested me.

Through the January twilight a sail-boat steered its course by the light of a fire which blazed high in the throat of the chimney at St. Gabriel's Manor. Within the hall, circled by the light from the fire, a Danish hound stretched its lazy length on the floor, and, pillowing his head against the dog's body, lay a boy eight or nine years old.

He was a plain laddie, with a freckled nose, a wide mouth, and round apple cheeks over which flaxen curls tumbled in confusion. His big eyes, the redeeming feature of the face, were just now fixed upon the shadows cast by the motion of his joined hands on the wall. At length the lips parted over a row of baby teeth with a gap in the centre, through which the little tongue showed blood-red, as the boy laughed long and loud.

"Thee, Knut!" he lisped, with that occasional slip of the letter s which was a lingering trick of babyhood and cost him much shame, "is not that broad-shouldered shadow like Couthin Giles? And the tall one, – why, 'tis the very image of Father Mohl! And the short one ith Couthin Mary. Look how she bows as she goes before the father! And what a fine cowl I have made of my kerchief!"

Unconscious of observation as the boy was, he was being closely watched from two directions. In the shadow of the settle by the fire sat a tonsured priest, holding before him a breviary over the top of which he was contemplating the boy on the floor; opposite the priest, on the landing of the stairs, a woman leaned on the balustrade, following with absorbed interest every movement of the chubby hands, and every expression of the childish face, which bore a burlesqued resemblance to her own. After a moment the woman gathered her skirts closer about her and stealing down the winding stair, crept up behind the boy and clasped both hands playfully over his eyes.

"Who is it?" she asked gaily.

"Mother!" cried the child, wrenching himself free only to jump up and throw himself into the arms outstretched to receive him. "Didst fancy I was like to mithtake thy hands?" he asked. "No, faith! Father Mohl's hands are long and cold, and Couthin Mary's fingers are stiff and hard, no more like to thine than a potato to a puff-ball."

"Hush, Cecil! Hush, little ingrate!" whispered the mother, clapping her hands this time over his lips. "I would not thy Cousin Mary heard that speech for a silver crown." Nevertheless, she smiled.

Elinor Calvert, as she stood there with one hand on her son's shoulder and the other bending back his face, looked like some sunshiny goddess. Her dress well became her height. She wore a long petticoat of figured damask, beneath a robe of green stuff. Her bodice, long and pointed, fitted the figure closely, and the flowing sleeves of green silk fell back from round white arms. Around her neck was a string of pearls, bearing a heart-shaped miniature set also in pearls, and held to the left side of her bodice by a brooch of diamonds. Her figure was tall, and crowned by a head nobly proportioned and upheld by a white pillar of throat. Her features were heavily moulded, especially the lips and chin. The golden hair which swept her brow softened its marked width, yet the impression conveyed by the face might have been cold had it not been for the softness of the eyes under their fringe of dark lashes.

In spite of the flashes of gaiety which marked her intercourse with her son, the prevailing expression of Mistress Calvert's face was sad. Rumor said that there was enough to account for this in the story of her brief married life in England, for Churchill Calvert was a spendthrift and a gambler, who died leaving his widow with her little son a year old, and no other support than the income of a slender dowry.

In those dark days of her early widowhood Elinor received a letter from her husband's kinsman, Lord Baltimore.

"I know your pride too well," he wrote, "to offer you any help; but you must not deny my right to provide for my godson. Money with me is scarce, but land is plenty, and I offer you in Cecil's name a grant of seven thousand acres in Maryland. It is covered with virgin forest. Like the old outlaw you must needs store your grain in caves and stable your horses and cattle under the trees; wherefore I shall counsel Cecil to name his manor Robin Hood's Barn . Should you be willing to remove thither, make up your mind speedily, for at the sailing of a ship now in harbor, our cousins the Brents start for the new world, and would rejoice to have you and Cecil in their keeping."

Baltimore was right in foreseeing the struggle in Elinor's mind between pride and love for her child; but he was also right in predicting that love would triumph, and Elinor thanked him and Heaven daily for this asylum, where her boy could grow up safe from the temptations of London which had wrecked his father's life.

As she bent over Cecil to-night, her heart was full of contending emotions. She and her boy were safely sheltered under the roof of her dear cousin, Mary Brent, Cecil would soon be old enough to take possession of the manor at Cecil Point, the future was apparently bright with promise; yet she was conscious of some unsatisfied hunger of the heart, and, deeper than that, of a sense of some impending grief; but she was a woman of shaken nerves easily sunk in melancholy.

"Hark!" cried Cecil, suddenly pulling himself away from his mother's arms, – "I hear the sound of footsteps outside." At the same moment Mary Brent came slipping down the stairs.

"Elinor," she said with a little nervousness, "Giles was expecting a friend to-night."

"Ah?" said Elinor, indifferently.

"Yes; 'tis a pity he was called to St. Mary's in such haste, for the friend comes on business."

"Perchance he may tarry till Giles returns."

"I hope so, – but, Elinor, – this business concerns thee."

" Me! "

"Ay, the new-comer is one who would fain have a lease of the manor at Cecil Point."

"Robin Hood's Barn? Now, Mary, have I not told thee and Giles that I would hear of no such plan? I am a woman of affairs and can well manage till Cecil is old enough to take control. Another six months we shall rest under your roof, – then, dear cousin, we must be gone to our own."

Mary Brent laid her hand upon the younger woman's arm.

"Vex me not, Elinor," she said, "by speaking so. Let it be settled that this is your home. 'Tis not kind to talk of leaving me. Besides, you could not live upon your lands without an arm to protect you, stout enough for defence and for toil."

"We will hire laborers."

"Common laborers are not enough. There must be a man with head to direct as well as hands to work."