That a short time before, she and other witches had met a "gentleman in black" in a field, about nine o'clock at night, to devise torments for one Elizabeth Hill, who had come under their ban; they brought a waxen image of her, and the "man in black" took and anointed it, saying, I baptize thee with this oyl ; and using other words. "He was godfather, and the examinant and Ann Bishop were godmothers." They called it Elizabeth; and the black man and weird sisters stuck thorns into various parts of the luckless image. "After which, they had wine, cakes, and roast meat, (provided by the gentleman in black,) which they did eat and drink; and they danced and were very merry," &c. Many of these unhallowed meetings took place afterwards, and their entertainer, the gentleman in black—man or devil—seems to have been a regular gourmand , "and never failed to bring with him abundance of excellent cheer." The customary bill of fare was "wine, good ale, cakes, meat, or the like." The spirit was, also, rather musical, for he "sometimes played sweetly on the pipe or cittern," the ladies keeping time with a dance, (we fear narrowly approaching the modern waltz.) On the whole they seem to have had joyous doings of it, and wonder ceases that the demon gained so many proselytes amongst the old women. These nocturnal meetings were generally held for a similar purpose with the foregoing; and it appears from the confession before us, that they were conveyed to them by supernatural means—by that simplest, though despised engine of loco—(or to coin a a word) aëro-motion—a broomstick. They were obliged to anoint themselves on these occasions "with an oyl the spirit brought them;" and they were soon transported to the place of appointment, using these words in their transit, "Thout, tout, a tout tout, throughout and about!" and on their return they say "Rentum, tormentum!" Such is the information conveyed in the confession of Elizabeth Styles, before these "grave and orthodox divines!"
They were also gifted by the "gentleman in black" with various other wonderful powers and attributes. They could transform themselves into the likeness of any animal in the creation, and therefore the better execute their schemes of devilry; but, it appears, that they always wanted that essential part—the tail; and there was a trial gravely reported by a Lancashire jury, that a soldier having been set to watch a mill from the depredations of some cats, skilfully whipped off the leg of the largest, which lo! the next morning, was changed into the arm of an old witch (who had long been suspected) in the neighbourhood! This useful faculty of transformation also extended, in some measure, to the persons of others; for Dr. Bulwer gives the following easy recipe for "setting a horse or ass' head" on a man's neck and shoulders: 3 3 Shakspeare must have derived from this hint, the similar transformation in "The Midsummer Night's Dream."
—"Cut off the head of a horse or an ass (before they be dead, otherwise the virtue or strength thereof will be less effectual,) and take an earthen vessel of a fit capacity to contain the same. Let it be filled with the oyl or fat thereof; cover it close, and daub it over with loam. Let it boil over a soft fire for three dayes, that the flesh boiled may run into oyl, so as the bones may be seen. Beat the hair into powder, and mingle the same with the oyl, and anoint the heads of the standers by, and they shall seem to have horses or asses' heads! If beasts' heads be anointed with the like oyl made of a man's head, (we suppose cut off while the said man was 'alive!') they shall seem to have men's faces, as divers authors soberly affirm!"
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No. 162, vol. vi., of the MIRROR, contains a fine view of the Minster. The first religious foundation here by the Christians was about the year 672. The Minster was burnt down in 1137, and lay in ruins till the year 1171. The late cathedral was completed about the year 1370. Appended to our engraving is an accurate historical and architectural description of the whole fabric.
The horn of Ulphus is one of the greatest curiosities in possession of the church of York. It appears like the hollowed tusk of an elephant, and the length of its curvature is from 18 to 24 inches. It is the title deed by which the church of St. Peters holds lands to a considerable value, given to it before the Heptarchy by Ulphus, king of Deira and Northumbria. It is said, that when he presented it to the church, he filled it with wine, which he drank off to its future success. If the story be true, Ulphus must have been one of the most strong-headed, as well as one of the must pious kings of his day; for the draught which he is alleged to have swallowed would be sufficient to upset the sobriety of any two men, such as men now are. The horn was preserved by the successive possessors of St. Peter's with the most careful affection during all the commotions of the Danish and Norman invasions; but was stolen from them in the general confusion which pervaded the city of York after the battle of Marston-moor and it was delivered up to the Parliamentarian forces under the command of Lord Fairfax and Cromwell. By some of the accidents of war, it came into the possession of Lord Fairfax, who is reported to have purchased it of a common soldier. On the restoration of Charles II., when church-properly was again secure, his lordship restored it to the cathedral; and there is now an inscription upon it, recording the gratitude of the Dean and Chapter for having so valuable a possession restored them. It has now escaped singularly enough from the destruction which has fallen upon the other curiosities which were usually kept in the vestry-room; and remains, as it has done for years past, to be sounded by all those strong-winded visiters of the Minster who have strength enough to blow it.
Shakspeare must have derived from this hint, the similar transformation in "The Midsummer Night's Dream."