Various - The Mirror of Literature, Amusement, and Instruction. Volume 19, No. 551, June 9, 1832

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The most universally esteemed singer of his age was Mat. Nash, who had a vehement style; his "Hunts-up," a song which obtained him "much favor," was one of his most celebrated efforts. However, it happened that the great Secretary Cecil was so captivated with his singing, that he soon enabled him to retire from his profession.

The accident that led to this fortunate reconnoitre is not impertinent to our subject: in a time of dearth, which was severely felt in the city, the famous ballad-maker Delone composed a song reflecting on her Majesty. The ballad-maker and singer were both committed to the compter, but the poet defied government even while in the lion's den. In a letter to the Lord Mayor, he avowed the ballad, and justified it. Nash, in the meantime, in an interview with the Secretary, established his innocence, and laid the foundation of his future prosperity.

The Gipsies furnished a number of singers about this time. The laws and prejudices of society concurred in denouncing this race; but, nevertheless, the best received ballad-singers of their time were of this bronzed tribe.

In the reigns of James the First and his successor, the taste of the people for nature and simplicity kept up the profession of ballad-singing. We are to look upon ballad-singers from this time as a corporation. Custom had established yearly festivals for them in the classic regions of St. Giles's, which were frequented by the wits of the day—Swift, Gay, Bolingbroke, Steele, &c. From these high followers of the muses, yearly contingents of ballads were expected. Swift contracted for the humourous songs: Gay who had, as Goldsmith says, "a happy strain of ballad-thinking," was set down for the pathetic ones; and those of a miscellaneous character were divided amongst a number of amateur bards. No importunities, even of his friends, could induce Pope to attend any of these assemblies. He was prevailed on to write an epitaph for a young creature whom he had seen, and who was known by the name of Clarinda: favoured by the great, if she had not been attached to the life of a ballad-singer, she might, with her accomplishments, have risen to distinction and fortune.

Gay and Swift had naturally a relish for low society, and were hailed by the fraternity as the most precious sources of profit. Amongst other songs which Swift sent into the world through the medium of ballad-singers, was a severe satire upon the Duke of Marlborough, beginning "Our Johnny is come from the wars:" it drew much attention, and excited the strongest resentment against the author in the breast of the Duchess, who remained implacable until the publication of Gulliver, when she offered her friendship to Swift, through his friend Gay.

There was a young creature among the ballad-singers known to the world by no other title than Clara, who drew much attention at this time by the sweetness and pathos of her tones. She was the original singer of "Black-eyed Susan," and one or two songs which were afterwards introduced into the "Beggar's Opera;" but her recommendation to particular notice was the circumstance of her being for many years the object of Bolingbroke's enthusiastic affection. The poor girl strayed for some time, during which his Lordship had not seen her: it was after this interval, that, meeting her, he addressed to her the tender lines, beginning,

"Dear, thoughtless Clara, to my verse attend,
Believe for once the lover and the friend,"

And concluding thus:

"To virtue thus, and to thyself restored,
By all admired, by one alone adored:
Be to thy Harry ever kind and true,
And live for him who more than died for you."

A series of calamities totally ruined her vocal powers, and she afterwards subsisted by the sale of oranges at the Court of Requests.

The profession did not continue to maintain its rank. The disappointed author in "Roderick Random," who set about writing for ballad-singers, was introduced into one of their assemblies, and his testimony establishes their degeneracy.

In fact, the history of ballad-singing, during the remainder of last century, affords but an unsatisfactory subject of reflection to lovers of song; whether they have regenerated in the present age, we leave the reader to judge.

E.J.H.

LOVE AT COURT AND LOVE IN THE COUNTRY

Loving 'mongst the aristocracy
Is reckon'd positive hypocrisy;
The noble votaries of fashion
Are ignorant of the tender passion.
A shepherd, if his nymph doth alter,
Killeth woe by means of halter:
But in high life, if ladies prove
Indifferent to an ardent love,
What does the enamour'd title do,
But set about and alter too.

Translated from the French of Madame Deshoulieres.

NOTES OF A READER

CORRUPT STATE OF THE WESTERN CHURCH IN THE ELEVENTH CENTURY

From the following facts an inference may be drawn of the tendency of the Western church to a system of externals, applying itself solely to continual discipline and fasting, instead of the improvement of the heart. For the perusal of the sacred writings and spiritual lessons of the ancient fathers of the church, was substituted that of legends and decretals, and the Book of Canons, by which the whole Western church was governed. Images and relics of the saints acquired an excessive adoration; and continual discoveries were being made of the bodies of miracle-working saints. Impostors were to be found, appearing every day under new names and with fresh miracles, imposing on the credulity of the public, and amassing wealth by defrauding the pious multitude. Some of these impostors, too insolent in their practices, were discovered and punished, whilst others derived from them their whole fortune and subsistence. It went to such a pass, that an arm of St. Augustine was found and sold to William, Duke of Aquitaine, for 100 talents. The head of St. John the Baptist was dug up, and attracted an immense multitude of spectators, amongst whom was Robert, King of France. 3 3 "One head of St. John the Baptist (for there are many, and John was at last [Greek: ekaton ta kephalas],) was found at the monastery of St. John of Angeli, at Saintange."— Jortin's Remarks on Eccles. Hist. ann. 1010.

The principal supporters of this religious mania were the Crusaders; that is to say, those persons who went on a pilgrimage to Jerusalem. These persons, on their return to their own country, finding all their substance exhausted, exerted their utmost cunning to regain it; pretending that they had found some relics of the ancient martyrs or apostles, or some object relative to the life or death of our Saviour. By these means an immense number of persons, excited by religious curiosity, repaired to the places where these objects were exposed, and the churches and the provinces of which became enriched by them. With the same motive, in the year 1008, a portion of the rod of Moses was discovered in France, which attracted a vast number of visiters, both from that country and Italy. In 1014, some monks, on their return from a pilgrimage to Jerusalem, brought with them a part of the napkin with which our Saviour wiped the feet of the apostles at the Last Supper; and, in order to prove its authenticity, they passed it uninjured through the flames. This kind of miracles, which were in such favour with the ignorant multitude in those days, produces no effect, since chemical science has enabled us to penetrate into the hidden secrets of nature; and if history is diligently examined, we shall perceive that the human mind was occupied in the discovery of that science at this period. The alchemists perhaps, although persecuted as the followers of the devil, were not altogether extinct, and still read some books which laid open the discoveries of the ancient Greeks and Romans. The commercial cities of Italy, in communication with the East, acquired extraordinary knowledge, of which they availed themselves disadvantageously to the morality and piety of the Christian church. About this time, too (the year 1000), the epoch at which, according to prediction, the world was to be at an end, men began to make fresh researches, and to build new churches, to repair the old ones, and to invent novelties. The prophecy of Daniel, which says, "Tempus, tempora, dimidium temporis," proving by experience to be inapplicable to the interpretation which the monks and ecclesiastics had generally given it, produced a new energy in the human mind: and if at first, the wealth of the churches were aggrandized by profuse largesses, we shall hereafter see them struggling to preserve it. A disposition also to study was now induced: and a certain Guido, a monk of Pomposa, being called to Rome as a music-master, whilst very young, invented the scale or gamut of C notes, which was then esteemed miraculous. 4 4 Erycius Puteanus (Vander Putten,) added the seventh note to complete the octave, in the sixteenth century. Happily for him the matter took this turn; for otherwise he would have suffered death. The religious superstition was so strong, that any unusual effects of human nature were attributed to diabolical operations; and, in such instances, the reputed authors were either beheaded or burnt. Such was the fate of an unhappy wretch who had discovered the secret of making glass malleable. This sublime genius made a goblet of this glass; and, being conducted into the presence of Henry, in 1022, he threw it on the ground, when, instead of breaking, it bent, and suddenly resumed its original shape. The ignorant emperor, believing him to be possessed with the devil, ordered him to be beheaded.— Life of Gregory VII. By Sir Roger Greisley, Bart.

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