Various - The Atlantic Monthly, Volume 07, No. 39, January, 1861

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The Atlantic Monthly, Volume 07, No. 39, January, 1861: краткое содержание, описание и аннотация

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Then he said good-night, and with muffled oar
Silently rowed to the Charlestown shore,
Just as the moon rose over the bay,
Where swinging wide at her moorings lay
The Somersett, British man-of-war:
A phantom ship, with each mast and spar
Across the moon, like a prison-bar,
And a huge, black hulk, that was magnified
By its own reflection in the tide.

Meanwhile, his friend, through alley and street
Wanders and watches with eager ears,
Till in the silence around him he hears
The muster of men at the barrack-door,
The sound of arms, and the tramp of feet,
And the measured tread of the grenadiers
Marching down to their boats on the shore.

Then he climbed to the tower of the church,
Up the wooden stairs, with stealthy tread,
To the belfry-chamber overhead,
And startled the pigeons from their perch
On the sombre rafters, that round him made
Masses and moving shapes of shade,—
Up the light ladder, slender and tall,
To the highest window in the wall,
Where he paused to listen and look down
A moment on the roofs of the town,
And the moonlight flowing over all.

Beneath, in the churchyard, lay the dead
In their night-encampment on the hill,
Wrapped in silence so deep and still,
That he could hear, like a sentinel's tread,
The watchful night-wind, as it went
Creeping along from tent to tent,
And seeming to whisper, "All is well!"
A moment only he feels the spell
Of the place and the hour, the secret dread
Of the lonely belfry and the dead;
For suddenly all his thoughts are bent
On a shadowy something far away,
Where the river widens to meet the bay,—
A line of black, that bends and floats
On the rising tide, like a bridge of boats.

Meanwhile, impatient to mount and ride,
Booted and spurred, with a heavy stride,
On the opposite shore walked Paul Revere
Now he patted his horse's side,
Now gazed on the landscape far and near,
Then impetuous stamped the earth,
And turned and tightened his saddle-girth;
But mostly he watched with eager search
The belfry-tower of the old North Church,
As it rose above the graves on the hill,
Lonely, and spectral, and sombre, and still.

And lo! as he looks, on the belfry's height,
A glimmer, and then a gleam of light!
He springs to the saddle, the bridle he turns,
But lingers and gazes, till full on his sight
A second lamp in the belfry burns!

A hurry of hoofs in a village-street,
A shape in the moonlight, a bulk in the dark,
And beneath from the pebbles, in passing, a spark
Struck out by a steed that flies fearless and fleet:
That was all! And yet, through the gloom and the light,
The fate of a nation was riding that night;
And the spark struck out by that steed, in his flight,
Kindled the land into flame with its heat.

It was twelve by the village-clock,
When he crossed the bridge into Medford town.
He heard the crowing of the cock,
And the barking of the farmer's dog,
And felt the damp of the river-fog,
That rises when the sun goes down.

It was one by the village-clock,
When he rode into Lexington.
He saw the gilded weathercock
Swim in the moonlight as he passed,
And the meeting-house windows, blank and bare,
Gaze at him with a spectral glare,
As if they already stood aghast
At the bloody work they would look upon.

It was two by the village-clock,
When he came to the bridge in Concord town.
He heard the bleating of the flock,
And the twitter of birds among the trees,
And felt the breath of the morning-breeze
Blowing over the meadows brown.
And one was safe and asleep in his bed
Who at the bridge would be first to fall,
Who that day would be lying dead,
Pierced by a British musket-ball.

You know the rest. In the books you have read
How the British regulars fired and fled,—
How the farmers gave them ball for ball,
From behind each fence and farmyard-wall,
Chasing the red-coats down the lane,
Then crossing the fields to emerge again
Under the trees at the turn of the road,
And only pausing to fire and load.

So through the night rode Paul Revere;
And so through the night went his cry of alarm
To every Middlesex village and farm,—
A cry of defiance, and not of fear,—
A voice in the darkness, a knock at the door,
And a word that shall echo forevermore!
For, borne on the night-wind of the Past,
Through all our history, to the last,
In the hour of darkness and peril and need,
The people will waken and listen to hear
The hurrying hoof-beat of that steed,
And the midnight-message of Paul Revere.

A NIGHT UNDER GROUND

My dear Laura Matilda, have you ever worked your way under ground, like the ghost Hamlet, Senior? On the contrary, you confess, but a dim idea of that peculiar mode of progression abides in the well-ordered mansion of your mind?

Well, I do not wonder at it; you are civilized beyond the common herd; your mamma, careful of her own comfort and the beauty of her child, guards both. Your sunny summer-times go by in the shade of sylvan groves, or amid the whirl of Saratoga or Newport ball-rooms. I accept your ignorance; it is a pretty blossom in your maiden chaplet. For myself, I blush for my own familiarity with rough scenes chanced upon in wayward wanderings.

Let me tell you of a path among the "untrodden ways." Transport yourself with me.

Fancy a low, level, drowsy point of land, stretching out into the unbroken emerald green of Lake Superior, at the point where a narrow, yellowish river offers its tribute. The King of Lakes is exclusive; he disdains to blend his brilliant waters with those of the muddy river; a wavy line, distinctly and clearly defined, but seeming as if drawn by a trembling hand, undulates at their junction,—no democratic, union-seeking boundary, but the arbitrary line of division that separates the Sultan from the slave, the peer from the peasant.

Along this shore are scattered various buildings that seem to nod in the indolent sunshine of the bright, clear, quiet air of midsummer. One of these, differing from the rest in its more modern construction, is a spacious hotel that holds itself proudly erect, and from its summit the gay flag of my country floats flauntingly.

We must pass this by, and go down a plank-covered walk to reach the sandy-golden beach where the green waves dash with silent dignity, in these long calms of July. Before the hotel the river flows also sleepily; but both shores are vocal with ladies' laughter and the singing of young girls, the lively chatter of a party of pleasure-tourists.

The fine steamer that brought us to this point has gone,

"Sailing out into the west,
Out into the west, as the sun went down";

but no "weeping and wringing of hands" was there; we knew it must "come back to the town,"—that we are merely transient waifs cast upon this quiet beach, flitting birds of passage who have alighted in the porticos of the "Bigelow House," Ontonagon, Michigan.

A long, low flat-boat, without visible sails, steam-pipes, or oars,—a narrow river-craft, with a box-like cabin at one end, the whole rude in its ensemble , and uncivilized in its details,—is the object that meets the gaze of those who would curiously inspect the means by which the adventurous novelty-seeking portion of our party are to be conveyed up this Ontonagon river to the great copper-mines that form the inestimable wealth of that region. For the metallic attraction has proved magnetic to the fancies of a few. A mine is a mystery; and mysteries, to the female mind, are delights.

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