Various - Blackwood's Edinburgh Magazine — Volume 53, No. 331, May, 1843

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Blackwood's Edinburgh Magazine — Volume 53, No. 331, May, 1843: краткое содержание, описание и аннотация

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"As to the inhabitants of Nice, every traveller is to them an Englishman. Every foreigner they see, without distinction of complexion, hair, beard, dress, age, or sex, has, in their imagination, arrived from a certain mysterious city lost in the midst of fogs, where the inhabitants have heard of the sun only from tradition, where the orange and the pine-apple are unknown except by name, where there is no ripe fruit but baked apples, and which is called London .

"Whilst I was at the York Hotel, a carriage drawn by post horses drove up; and, soon after, the master of the hotel entering into my room, I asked him who were his new arrivals.

"' Sono certi Inglesi ,' he answered, ' ma non saprei dire se sono Francesi o Tedeschi . Some English, but I cannot say whether French or German.'"—Vol. i. p. 9.

The little town of Monaco is his next resting-place. This town, which is now under the government of the King of Sardinia, was at one time an independent principality; and M. Dumas gives a lively sketch of the vicissitudes which the little state has undergone, mimicking, as it has, the movements of great monarchies, and being capable of boasting even of its revolution and its republic. During the reign of Louis XIV. the territory of Monaco gave the title of prince to a certain Honore III., who was under the protection of the Grand Monarque .

"The marriage of this Prince of Monaco," says our annalist, "was not happy. One fine morning his spouse, who was the same beautiful and gay Duchess de Valentinois so well known in the scandalous chronicles of that age, found herself at one step out of the states of her lord and sovereign. She took refuge at Paris. Desertion was not all. The prince soon learned that he was as unfortunate as a husband can be.

"At that epoch, calamities of this description were only laughed at; but the Prince of Monaco was, as the duchess used to say, a strange man, and he took offence. He got information from time to time of the successive gallants whom his wife thought fit to honour, and he hanged them in effigy, one after the other, in the front court of his palace. The court was soon full, and the executions bordered on the high road; nevertheless, the prince relented not, but continued always to hang. The report of these executions reached Versailles; Louis XIV. was, in his turn, displeased, and counselled the prince to be more lenient in his punishments. He of Monaco answered that, being a sovereign prince, he had undoubtedly the right of pit and gallows on his own domain, and that surely he might hang as many men of straw as he pleased.

"The affair bred so much scandal, that it was thought prudent to send the duchess back to her husband. He, to make her punishment the more complete, had resolved that she should, on her return, pass before this row of executed effigies. But the dowager Princess of Monaco prevailed upon her son to forego this ingenious revenge, and a bonfire was made of all the scarecrows. 'It was,' said Madame de Sevigné, 'the torch of their second nuptials.' ...

"A successor of this prince, Honore IV., was reigning tranquilly in his little dominions when the French Revolution broke out. The Monacites watched its successive phases with a peculiar attention, and when the republic was finally proclaimed at Paris, they took advantage of Honore's absence, who was gone from home, and not known where, armed themselves with whatever came to hand, marched to the palace, took it by assault, and commenced plundering the cellars, which might contain from twelve to fifteen thousand bottles of wine. Two hours after, the eight thousand subjects of the Prince of Monaco were drunk.

"Now, at this first trial, they found liberty was an excellent thing, and they resolved to constitute themselves forthwith into a republic. But it seemed that Monaco was far too extensive a territory to proclaim itself, after the example of France, a republic one and indivisible; so the wise men of the country, who had already formed themselves into a national assembly, came to the conclusion that Monaco should rather follow the example of America, and give birth to a federal republic. The fundamental laws of the new constitution were then discussed and determined by Monaco and Mantone, who united themselves for life and death. There was a third village called Rocco-Bruno: it was decided that it should belong half to the one and half to the other. Rocco-Bruno murmured: it had aspired to independence, and a place in the federation; but Monaco and Mantone smiled at so arrogant a pretension. Rocco-Bruno was not the strongest, and was reduced to silence: from that moment, however, Rocco-Bruno was marked out to the two national conventions as a focus of sedition. The republic was finally proclaimed under the title of the Republic of Monaco.

"The Monacites next looked abroad upon the world for allies. There were two nations, equally enlightened with themselves, to whom they could extend the hand of fellowship—the American and the French. Geographical position decided in favour of the latter. The republic of Monaco sent three deputies to the National Convention of France to proffer and demand alliance. The National Convention was in a moment of perfect good-humour: it received the deputies most politely, and invited them to call the next morning for the treaty they desired.

"The treaty was prepared that very day. It was not, indeed, a very lengthy document: it consisted of the two following articles:—

"'Art. 1. There shall be peace and alliance between the French Republic and the Republic of Monaco.

"'Art. 2. The French Republic is delighted with having made the acquaintance of the Republic of Monaco.'

"This treaty was placed next morning in the hands of the ambassadors, who departed highly gratified. Three months afterwards the French Republic had thrown its lion's paw on its dear acquaintance, the Republic of Monaco."—P. 14.

From Monaco our traveller proceeds to Geneva; from Geneva, by water, to Livorno, ( Anglicé , Leghorn.) Now there is little or nothing to be seen at Livorno. There is, in the place della Darnesa , a solitary statue of Ferdinand I., some time cardinal, and afterwards Grand-Duke of Florence. M. Dumas bethinks him to tell us the principal incident in the life of this Ferdinand; but then this again is connected with the history of Bianca Capello, so that he must commence with her adventures. The name of Bianca Capello figures just now on the title-page of one of Messrs Colburn's and Bentley's last and newest . Those who have read the novel, and those who, like ourselves, have seen only the title, may be equally willing to hear the story of this high-spirited dame told in the terse, rapid manner—brief, but full of detail—of Dumas. We cannot give the whole of it in the words of M. Dumas; the extract would be too long; we must get over a portion of the ground in the shortest manner possible.

"It was towards the end of the reign of Cosmo the Great, about the commencement of the year 1563, that a young man named Pietro Bonaventuri, the issue of a family respectable, though poor, left Florence to seek his fortune in Venice. An uncle who bore the same name as himself, and who had lived in the latter city for twenty years, recommended him to the bank of the Salviati, of which he himself was one of the managers. The youth was received in the capacity of clerk.

"Opposite the bank of the Salviati lived a rich Venetian nobleman, head of the house of the Capelli. He had one son and one daughter, but not by his wife then living, who, in consequence, was stepmother to his children. With the son, our narrative is not concerned; the daughter, Bianca Capello, was a charming girl of the age of fifteen or sixteen, of a pale complexion, on which the blood, at every emotion, would appear, and pass like a roseate cloud; her hair, of that rich flaxen which Raphael has made so beautiful; her eyes dark and full of lustre, her figure slight and flexile, but of that flexibility which denotes no weakness, but force of character; prompt, as another Juliet, to love, and waiting only till some Romeo should cross her path, to say, like the maid of Verona—'I will be to thee or to the tomb!'

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