Various - The Atlantic Monthly, Volume 01, No. 05, March, 1858

It is not to be supposed that the normal state of the Christian community in Rome, during the first three centuries, was that of suffering and alarm. A period of persecution was the exception to long courses of calm years. Undoubtedly, during most of the time, the faith was professed under restraint, and possibly with a sense of insecurity which rendered it attractive to ardent souls, and preserved something of its first sincerity. It must be remembered that the first Christian converts were mostly from among the poorer classes, and that, however we might have admired their virtues, we might yet have been offended by much that was coarse and unrefined in the external exhibitions of their religion. The same features which accompany the religious manifestations of the uncultivated in our own days, undoubtedly, with somewhat different aspect, presented themselves at Rome. The enthusiasms, the visions, the loud preaching and praying, the dull iteration and reiteration of inspired truth till all the inspiration is driven out, were all probably to be heard and witnessed in the early Christian days at Rome. Not all the converts were saints,—and none of them were such saints as the Catholic painters of the last three centuries have prostituted Art and debased Religion in producing. The real St. Cecilia stood in the beauty of holiness before the disciples at Rome far purer and lovelier than Raphael has painted her. Domenichino has outraged every feeling of devotion, every sense of truth, every sympathy for the true suffering of the women who were cruelly murdered for their faith, in his picture of the Martyrdom of St. Agnes. It is difficult to destroy the effect that has been produced upon one's own heart by these and innumerable other pictures of declining Art,—pictures honored by the Roman Church of to-day,—and to bring up before one's imagination, in vivid, natural, and probable outline, the life and form of the converts, saints, and martyrs of the first centuries. If we could banish all remembrance of all the churches and all the pictures contained in them, built and painted, since the fourteenth century, we might hope to gain some better view of the Christians who lived above the catacombs, and were buried in them. It is from the catacombs that we must seek all that is left to enable us to construct the image that we desire.

On other graves beside those of the martyrs there are often found some little signs by which they could be easily recognized by the friends who might wish to visit them again. Sometimes there is the impression of a seal upon the mortar; sometimes a ring or coin is left fastened into it; often a terra-cotta lamp is set in the cement at the head of the grave. Touching, tender memorials of love and piety! Few are left now in the opened catacombs, but here and there one may be seen in its original place,—the visible sign of the sorrow and the faith of those who seventeen or eighteen centuries ago rested upon that support on which we rest to-day, and found it, in hardest trial, unfailing.

But the galleries of the catacombs are not wholly occupied with graves. Now and then they open on either side into chambers ( cubicula ) of small dimension and of various form, scooped out of the rock, and furnished with graves around their sides,—the burial-place arranged beforehand for some large family, or for certain persons buried with special honor. Other openings in the rock are designed for chapels, in which the burial and other services of the Church were performed. These, too, are of various sizes and forms; the largest of them would hold but a small number of persons; 6 6 These chapels are generally about ten feet square. Some are larger, and a few smaller than this. but not unfrequently two stand opposite each other on the passage-way, as if one were for the men and the other for the women who should be present at the services. Entering the chapel through a narrow door whose threshold is on a level with the path, we see at the opposite side a recess sunk in the rock, often semicircular, like the apsis of a church, and in this recess an arcosolium ,—which served at the same time as the grave of a martyr and as the altar of the little chapel. It seems, indeed, as if in many cases the chapel had been formed not so much for the general purpose of holding religious service within the catacombs, as for that of celebrating worship over the remains of the martyr whose body had been transferred from its original grave to this new tomb. It was thus that the custom, still prevalent in the Roman Church, of requiring that some relics shall be contained within an altar before it is held to be consecrated, probably began. Perhaps it was with some reference to that portion of the Apocalypse in which St. John says, "I saw under the altar the souls of them that were slain for the word of God, and for the testimony which they held. And they cried with a loud voice, saying, How long, O Lord, holy and true, dost thou not judge and avenge our blood on them that dwell on the earth? And white robes were given unto every one of them; and it was said unto them, that they should rest yet for a little season, until their fellow-servants also and their brethren that should be killed as they were should be fulfilled." 7 7 Revelations, vi. 9-11. It seems probable that another custom of the Roman Church took its rise in the catacombs,—that of burning candles on the altar; a custom simple in its origin, now turned into a form of superstition, and often abused to the profit of priests. At any rate, these words must have dwelt in the memories of the Christians who came to worship God in the presence of the dead by whom they were surrounded in the catacombs. But they knelt before the altar-tombs, not as before altars consecrated with relics of saints, but as before altars dedicated to God and connected with the memory of their own honored and beloved dead, whom he had called from them into his holy presence.

It is impossible to ascertain the date at which these chapels were first made; probably some time about the middle of the second century they became common. In many of the catacombs they are very numerous, and it is in them that the chief ornaments and decorations, and the paintings which give to the catacombs an especial value and importance in the history of Art, and which are among the most interesting illustrations of the state of religious feeling and belief in the early centuries, are found. Some of the chapels are known to be of comparatively late date, of the fourth and perhaps of the fifth century. In several even of earlier construction is found, in addition to the altar, a niche cut out in the rock, or a ledge projecting from it, which seems to have been intended to serve the place of the credence table, for holding the articles used in the service of the altar, and at a later period for receiving the elements before they were handed to the priest for consecration. The earliest services in the catacombs were undoubtedly those connected with the communion of the Lord's Supper. The mystery of the mass and the puzzles of transubstantiation had not yet been introduced among the believers; but all who had received baptism as followers of Christ, all save those who had fallen away into open and manifest sin, were admitted to partake of the Lord's Supper. Possibly upon some occasions these chapels may have been filled with the sounds of exhortation and lamentation. In the legends of the Roman Church we read of large numbers of Christians being buried alive, in time of persecution, in these underground chambers where they had assembled for worship and for counsel. But we are not aware of any proof of the truth of these stories having been discovered in recent times. This, and many other questionable points in the history and in the uses of the catacombs, may be solved by the investigations which are now proceeding; and it is fortunate for the interests, not only of truth, but of religion, that so learned and so honest-minded a man as the Cavaliere de Rossi should have the direction of these explorations.