Various - The Atlantic Monthly, Volume 12, No. 70, August, 1863

And here is a dinner "in the open."

"Upon the carte du jour at Restaurant Sowee was written Grouse. 'How shall we have them?' said I, cook and convive, to Loolowcan, marmiton and convive. 'One of these cocks of the mountain shall be fried, since gridiron is not,' responded I to myself, after meditation; 'two shall be spitted and roasted; and, as Azrael may not want us before breakfast to-morrow, the fourth shall go upon the carte de déjeuner' .

"'O Pork! what a creature thou art!' continued I, in monologue, cutting neat slices of that viand with my bowie-knife, and laying them fraternally, three in a bed, in the frying-pan. 'Blessed be Moses, who forbade thee to the Jews, whereby we, of freer dispensations, heirs of all the ages, inherit also pigs more numerous and bacon cheaper! O Pork! what could campaigners do without thy fatness, thy leanness, thy saltness, thy portableness?'

"Here Loolowcan presented me the three birds, plucked featherless as Plato's man. The two roasters we planted carefully on spits before a sultry spot of the fire. From a horizontal stick, supported on forked stakes, we suspended by a twig over each roaster an automatic baster, an inverted cone of pork, ordained to yield its spicy juices to the wooing flame, and drip bedewing on each bosom beneath. The roasters ripened deliberately, while keen and quick fire told upon the frier, the first course of our feast. Meanwhile I brewed a pot of tea, blessing Confucius for that restorative weed, as I had blessed Moses for his abstinence from porkers.

"Need I say that the grouse were admirable, that everything was delicious, and the Confucian weed first chop? Even a scouse of mouldy biscuit met the approval of Loolowcan. Feasts cooked under the greenwood tree, and eaten by their cooks after a triumphant day of progress, are sweeter than the conventional banquets of languid Christendom."

"Life in the Open Air"—containing sketches of travel among the mountains and lakes of Maine, as well as the story of "Love and Skates," which has been spoken of, "The March of the Seventh Regiment," "Washington as a Camp," an essay descriptive of Church's great picture, "The Heart of the Andes," and two fragments, one of them the charming commencement of a story which promised to be one of his best and most enjoyable efforts in this direction—is the concluding volume of Winthrop's collected writings. I speak of it in this place, because it is in some part a companion-book to the volumes we have been discussing. It is as full of buoyant life, of fresh and noble thought, of graceful wit and humor, as those; in parts it contains the most finished of his literary work. Few Americans who read it at the time will ever forget that stirring description of the march of the New-York Seventh; it is a piece of the history of our war which will live and be read as long as Americans read their history. It moved my blood, in the reading, tonight, as it did in those days—which seem already some centuries old, so do events crowd the retrospect—when we were all reading it in the pages of the "Atlantic." In the unfinished story of "Brightly's Orphan" there is a Jew boy from Chatham Street, an original of the first water, who, though scarce fairly introduced, will, I am sure, make a place for himself and for his author in the memories of all who relish humor of the best kind.

"Cecil Dreeme" and "Edwin Brothertoft" are quite other books than these we have spoken of. Here Winthrop tried a different vein,—two different veins, perhaps. Both are stories of suffering and crime, stories of the world and society. In one it is a woman, in the other a man, who is wronged. One deals with New York city-life of the very present day; the other is a story of the Revolutionary War, and of Tories and Patriots. The popular verdict has declared him successful, even here. "Cecil Dreeme" has run through no less than fifteen editions.

In this story we are shown New York "society" as doubtless Winthrop knew it to be. Yet the book has a curious air of the Old-World; it might be a story of Venice, almost. It tells us of Old-World vices and crimes, and the fittings and furnishings are of a piece. The localities, indeed, are sketched so faithfully, that a stranger to the city, coming suddenly, in his wanderings, upon Chrysalis College Buildings, could not fail to recognize them at once,—as indeed happened to a country friend of mine recently, to his great delight. But the men are Americans, bred and formed—and for the most part spoiled—in Europe; Americans who have gone to Paris before their time, if it be true, what a witty Bostonian said, that good Americans go to Paris when they die. With all this, the book has a strange charm, so that it takes possession of you in spite of yourself. It is as though it drew away the curtain, for one slight moment, from the mysteries which "society" decorously hides,—as though he who drew the curtain stood beside it, pointing with solemn finger and silent indignation to the baseness of which he gives you a glimpse. Yet even here the good carries the day, and that in no maudlin way, but because the true men are the better men.

These, then, are Winthrop's writings,—the literary works of a young man who died at thirty-two, and who had spent a goodly part of his mature life in the saddle and the canoe, exploring his own country, and in foreign travel. As we look at the volumes, we wonder how he found time for so much; but when we have read, we wonder yet more at the excellence of all he wrote. In all and through all shines his own noble spirit; and thus these books of his, whose printed pages he never saw, will keep his memory green amongst us; for, through them, all who read may know that there wrote a true gentleman.

Once he wrote,—

Even so he fell; but in these written works, as in his gallant death, he left with us lessons which will yet win battles for the good cause of American liberty, which he held dearest in his heart.

On a cheery June day Mrs. Penelope Carroll and her niece Debby Wilder were whizzing along on their way to a certain gay watering-place, both in the best of humors with each other and all the world beside. Aunt Pen was concocting sundry mild romances, and laying harmless plots for the pursuance of her favorite pastime, match-making; for she had invited her pretty relative to join her summer jaunt, ostensibly that the girl might see a little of fashionable life, but the good lady secretly proposed to herself to take her to the beach and get her a rich husband, very much as she would have proposed to take her to Broadway and get her a new bonnet; for both articles she considered necessary, but somewhat difficult for a poor girl to obtain.