Various - The Continental Monthly, Vol. 5, No. 1, January, 1864

The true poet overcomes these difficulties. When, in the hands of a master, they are forced to bend under the onward and impetuous sweep of the passionate rhythm, compelled to sing the tune of the overpowering emotions—the chords of the spirit quiver in response. The heart recognizes the organic law of its own life: the constant recurrence of new effort sinking but to recover itself in accurately proportioned rest, rising again in ever-renewed exertion, to sink again in ever-new repose ; feeling seems clothing itself with living form, while the divine attribute, Order, marks for the ear, as it links in mystic Unity, the flying footsteps of that forever invisible element by which all mortal being is conditioned and limited: Time!

'John,' said I to my husband, as he came home from business, and settled into an armchair for half an hour's rest before dinner, 'I think of writing an article for The Continental Monthly.'

'Humph!' said my husband.

Now 'humph' bears different interpretations; it may argue assent, indifference, disgust, disapprobation—in all cases it is aggressive; but this 'humph' seemed to be a combination of at least three of the above-mentioned frames of mind.

Natural indignation was about taking full possession of me, but reflection stepped in, and I preserved a discreet silence. The truth is, no man should be assailed by a new idea before he has dined, and I, having had three years' opportunity of studying man nature, met my deserts when the above answer was given. So I still looked amiable, and behaved very prettily till dinner was over, and then John, having subsided into dressing gown, slippers, easy chair, and good nature, I remarked again:

'John, I think of writing an article for The Continental Monthly.'

'How shall you begin it?' said he.

'Well, I haven't exactly settled on a beginning yet, but—'

'Exactly! I supposed so!' remarked this barbarian.

Unfortunately, he knew my weak point, for hadn't he been allowed to see a desk full of magnificent middles, only wanting a beginning and an end, and a publisher, and some readers, to place me in the front ranks of our modern essayists, side by side with 'Spare Hours,' and the 'Country Parson,' and 'Gail Hamilton?'

The fact is, I have always been brimming over with brilliant ideas on all sorts of subjects, which never would arrange themselves or be arranged under any given head, but presented a series of remarkable literary fragments, jotted down on stray bits of paper, in old account books and diaries, and even, on one or two occasions, when seized by a sudden inspiration, on a smooth stone, taken from the brook, a fair sheet of birch bark, and the front of a pew in a white-painted country church. Having been subject to these inspirational attacks for many years, I had decided to take them in hand, and, if they must come, derive some benefit from them. An idea suggested itself. Claude Lorraine, it is said, never put the figures in his landscapes, but left that work for some brother artist. Now I could bring together material for an article; the inspiration, the picturing should be mine, but John should put in the figures. In other words, he should polish it, write the introduction and the finis , and send it out to the public, as the work of 'my wife and I.'

Then a question occurred: how should we divide the honors, supposing such an article should really find its way into print? Would there not be material for a standard quarrel in the fact that neither could claim sole proprietorship? What would be John's sensation, should any one say to him: 'Mr. –, I have just been reading your wife's last article; capital thing!' and, vice versa , imagine the same thing said of me. Could I preserve amiability under such circumstances, and would not the result be, a divorce in a year, and a furious lawsuit as to the ownership of the copyright? John certainly is magnanimous, I thought, but no one cares for divided honors, and there is that middle-aged relation of his, with a figure like a vinegar cruet, and a voice as acid as its contents, who never comes here for a day without doing her best to set us by the ears, and who, in the beginning of our married life, when we did not understand each other quite so well as now, sometimes succeeded, to her intense satisfaction.

How she would go about among all the friends and relations, pulling the poor articles to pieces, giving all the fine bits to John and the rubbish to me, and hinting generally that my pretensions to authorship were all very well, but that every one knew John did the work and I looked out for the credit.

Here I paused. I had been successfully engaged in the pursuit of trouble, and had conjured up so irritating a picture, that actually a small tear had left its source, and was running over the bridge of my nose!

'John,' I said, 'notwithstanding that I never did know how to begin anything in an effective way, I am still determined to write, and you must help me.'

Then I opened my heart to him, and told him my plan, and the imagined tribulation it had given me in the last ten minutes.

'There are too many writers already, Helen,' he said; 'every man who cannot see his way clear through life—every woman who fancies herself misunderstood and unappreciated, worries out a book or poem or a set of essays, to picture their individual wrongs and sufferings, and bores every publisher of every magazine and paper of which they have ever heard, till he is tormented into printing, or dies of manuscript on the brain. I tell you, Helen, we do our share in aggravating the people we meet daily, without tormenting an innocent man, 'who never did us any harm;' and I for one, don't want an extra sin on my conscience. Moreover, I am afraid it would spoil you, should you happen to succeed. Have you forgotten your old friend Angelina Hobbs? One article ruined her for life. Until that poem got into print and was favorably noticed, she was as sensible as ordinary girls, and never imagined herself a genius. Since then, there is not an 'ism' in America that she has not taken up and run into the ground; I have met her in every stage, from the coat and pantaloons of the Bloomer ten years ago to the hoopless old maid I saw yesterday going into Dodworth's Hall with the last spiritual paper and a spirit photograph in her hand. Not a literary man or woman do I know, who has not some crotchet in his or her brain, and who does not in some way violate the harmonies of life at least once an hour. Be content as you are: be satisfied to live without seeing yourself in The Continental Monthly, or any other monthly under the sun!'

'John,' I said, 'I am surprised, I am astonished at the view you take of the case. I don't desire that publishers should be tormented into their graves; and if they are all as fat and rosy as the two we met the other day, I think you can dismiss all fears on that score. Moreover, I believe the world to be better for every book that is written, however insignificant it may be. The days of the corsairs and giaours, romantic robbers, and devout murderers, are over: our young ladies and our servant girls see no fascination in the pages of 'Fatherless Fanny,' 'The Foundling,' or 'The Mysteries of Slabtown.' Arthur's stories and ten thousand others of the same class have taken their place, and commonplace as they may often be, have brought a healthier influence into action. No book written with an honest heart is lost; no poem or essay, however poor, fails to reach some mark. The printed page that to you or me looks so barren and poor, may carry to some soul a message of healing; may to some eyes have the light of heaven about it. And to how many aimless lives, writing has given a purpose which otherwise never might have entered it! John, I believe in writing, and this baby shall be taught to put his ideas into shape as soon as he is taught anything! I never wish him to settle down in the belief that he is a genius and can live on the fact; but he shall write if he can, and publish too, if any one will do it for him. If not, we will have a private printing press of our own, and get up an original library for our descendants.'