Various - The Atlantic Monthly, Volume 13, No. 80, June, 1864

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The Atlantic Monthly, Volume 13, No. 80, June, 1864: краткое содержание, описание и аннотация

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She ushered us next into my lord's parlor, which nearly adjoined the gallery. This room was hung with arras, retained a few articles of ancient furniture, had one or two pictures hanging on its walls, and presented, altogether, a more habitable look than any other portion of the castle. Our little maid had got on well with her description of this room, had pointed out the portrait of Prince Arthur, once a resident at the hall, had introduced that of Will Somers, my lord's jester, as glibly as if Will were a playmate of her own, had deciphered for us the excellent moral precept carved in old English beneath the royal arms, "Drede God and honour the King," and was proceeding rapidly with an array of measurements and dates, when I unluckily interrupted her,—I think it was to ask some question about the tapestry. She looked at me reproachfully, indignantly,—just as a child reciting the multiplication-table before the School-Committee would look, if tripped up between the numbers, or as a boy, taken advantage of in play, might cry, "No fair!" She did not condescend to answer me, perhaps she could not, but paused a moment, reflected, went deliberately back in her recital, repeated the last few dates and phrases by way of gaining an impetus, and then went on without faltering to the end of her prescribed narration.

Poor child! She had my sympathy, and has still. What a grudge she must owe us tourists, even the tamest and most submissive of us, for whom she is thus compelled to tax her unwilling memory!

But if her spirits were damped, her good-humor threatened, it was for a minute only. Upon completing our rapid survey of my lord's parlor, and looking round for the guide who should conduct us farther, she had become invisible. So we moved on without her, and commenced exploring a narrow passage with a certain sense of bewilderment at its loneliness, and the doubt whither it might lead, when, suddenly, we were startled by a merry laugh, which seemed to ring through the air directly above our heads. Was it a mocking spirit that haunted the place? or one of the old figures on the tapestry, started into life? We looked up, and there, on a rough platform of pine boards, projecting from the wall, stood our Fenella. She was leaning over the shoulder of an artist-boy, who, seated at his easel, was copying one of the Gorgon-heads that stood out on the faded tapestry. She had dismissed us wholly from her thoughts, and, giving play to her native fun and coquetry, was taunting the youth with the slowness of his labors and the little progress he had made since she last inspected his work. No wonder that she laughed at the taste of the boy or his employer. Graver heads than hers might question the motive which had set the painter such a model. Imagination suggested that some elfin godmother must have prescribed the task as a condition of her future favor. At all events, the malicious sprite now acting as overseer felt a sense of triumph in this captive boy, perched against the wall, and condemned, like herself, to reproduce the past and bring out in fresh colors the staring eyes and mummied cheeks which would otherwise soon be lost to memory. She certainly made the most of her opportunity to taunt and tease him, for there was time for a laugh and a word of raillery only, to which he seemed too shamefaced to respond, before she was at our side again, gravely announcing, "My lady's chamber!"—and as we looked around the apartment, whose furniture and decorations imparted to it a superior air of neatness and refinement to that observable elsewhere, she pointed out to us a private doorway, conducting to a flight of steps, and affording an exit by which "my lady" had easy access to the court-yard, and thence to the chapel where she performed her devotions.

"And what are the rooms opposite?" we asked, pointing to a long row of windows on the second floor, on the opposite side of the quadrangle to that of which we had now completed the inspection.

"Those rooms are never shown," was the mysterious answer.

"But you will show them to us " (spoken coaxingly).

She shook her head, and sealed her lips, with an expression of determination.

"What is in them?"

"Oh, nothing in particular."

"Then we might see them."

No encouragement, but, on the contrary, a resolute negative.

A bribe was held out,—for, by this time, the child's air of mystery and reserve had suggested a closet like that of Bluebeard, a chamber of torture, or, at least, the proofs of some family-secret.

We might as well have offered a two-shilling bribe to the Iron Duke himself. The miniature castle-keeper was so firm and so non-committal that she disarmed us of all our ingenuity, defeated all our tactics, and we gave up the point. I have since learned that this quarter of the mansion consists of a labyrinth of rooms, shut up because devoid of interest, and containing only some old lumber. To have conducted us through them would have been to disobey orders, and, worse still, establish a precedent, from which the child might well shrink. It would have doubled her arduous round of duty. It was policy, no less than loyalty, which had inspired her.

So, too, when we came to inspect the chapel. She mounted an old oak chest in the rear of the little sanctuary, just beneath the solitary window, whose quaint patterns in stained glass pointed to centuries long past. Seated comfortably on this elevation, she rehearsed the history and described the architecture of the most primitive place of worship I ever saw,—or, if she left her post to point out some minuter detail, she returned to it as jealously as a watch-dog to some spot which he is specially appointed to guard. When our curiosity was otherwise satisfied,—when we had even ascended to the rude confessional, which was a mere excavation in the soft stone of the wall,—when we had put our hands in the hollow, not unlike a swallow's nest in a mud-bank, once the receptacle for holy water,—when we had descended the stony pathway, for it was so worn as scarcely to merit the name of staircase,—when, standing once more on the chapel-pavement, with minds excited by the thought of those monkish days when priestcraft ruled the land,—our eyes naturally fell on the old oak chest. What further revelation might not this disclose! What sacred relics, what curious church-plate, what vellum manuscript, might not be hidden beneath this heavy lid! Would she rise and let us see?

No,—she maintained her seat and her reserve with as much rigidity as on the former occasion. Unconvinced by this experience, our imaginations still ran riot. They shadowed forth every possible beauty and horror which such a giant chest might contain. The story even of "The Bride of the Mistletoe-Bough" might be verified, if we could but get a peep. At last we prevailed. The child was persuaded to dismount, we lifted the cover, and the chest was empty,—literally empty.

Once more the plain fact of the present had swept away the cobwebs of the past, the real had banished the ideal. While the child of to-day sought only a comfortable rest from weariness, we had been seeking myths. She looked on as indignant as a dethroned queen. We turned away a little mortified, and a good deal disappointed.

But the Fenella of the castle was not so very tired, after all. True, she was tired of the old manor-house, tired of us, tired of her own dull routine of duty; but there was a well-spring of freshness in her yet. She moved languidly, to be sure, as she now led the way to the tower, the only portion of the castle yet unvisited. Following her, we ascended, first, to a bare upper room, a sort of anteroom, from which the ascent to the tower commenced. It presented a solid inclosure of stone, except on the western side, where it was dimly lighted through one or two slits in the masonry. Turning my eyes in this direction, I saw our little guide leaning against the stone framework of one of these chinks in the wall. The beams of western sunlight came slanting in at precisely the angle of her figure as she leaned back in infantile repose; her white ribbons, her snowy apron, her golden hair caught and held the sunshine, and the ray of light which relieved the gloom of the gray old vault seemed to emanate from the child.

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