Various - The Knickerbocker, or New-York Monthly Magazine, April 1844

Let us then pass on to that venerable mansion which having witnessed many of the incidents of his life may still be considered the lasting memorial of his virtues. Before us rises a building irregular in its design, but presenting an extensive line of front, in which square towers and pointed gables, connected by walls of unequal height, succeed each other with that sort of caprice which is common in mansions of the same age. Entering through a spacious gate-way, we cross a quadrangular court, and gain access by an unfurnished passage to the great hall, which formed the distinguishing feature of the feudal homestead. In the vast extent of this apartment we perceive an image of the pride which gloried more in the number of its retainers than in the luxury or refinement of its accommodations. Oaken tables, and benches of the same homely material, stretched from side to side, show that our ancestors required but rude accessories to recommend to them the substantial enjoyments of their mighty repasts. Through lofty windows strengthened by mullions and decorated with intricate carvings, the light streams softened by neither blind nor curtain. The middle of the hall is occupied by a spacious hearth, around which gathered the friends and followers of the noble house; and the fire-utensils which still remain, and which seem destined for the consumption of entire forests, intimate that the household gods which presided here dealt in no stinted or penurious economy. There was scarcely need of flue or chimney, for the smoke curling up among the interlacing rafters of the roof, might long gather in its ample cavity without threatening those below with serious inconvenience. It is curious to observe that when at length so obvious a contrivance as the chimney grew into more general use, its introduction was opposed by much the same sort of arguments as have in other ages resisted the encroachments of change and novelty. A moralist of the times has left us his recorded opinion, that nothing but agues and catarrhs had followed the abandonment of that old and genial practice which planted the fire in the middle of the room and left the smoke to spread its sable canopy aloft. Another peculiarity in this picture of ancient manners was the slightly-raised platform called the daïs, at the farther extremity of the hall, which reminds us of the distinction that was preserved even in the hours of convivial relaxation, between the family of the lord and its dependents. Nor was this distinction in general one of place alone: in most of the wealthy and noble houses of the period, it portended a corresponding distinction in the quality of the food. Hence in the homely times in which Ben Jonson has apostrophized Penshurst, it is mentioned as an honorable instance of the hospitality of its owner, that

‘A strange topic of praise,’ remarks Gifford, ‘to those who are unacquainted with the practice of those times; but in fact the liberal mode of hospitality here recorded was almost peculiar to this noble person. The great dined at long tables, (they had no other in their vast halls,) and permitted many guests to sit down with them; but the gradations of rank and fortune were rigidly maintained, and the dishes grew visibly coarser as they receded from the head of the table.’ To sit below the salt, is a phrase with which the romances of Scott have made us familiar, and which originated, it seems, in the custom of placing a large salt-cellar near the middle of the table, not more for convenience than with reference to the distribution of the guests.

The same spirit which presided over the appointments of this stately hall extended itself to the other apartments and remoter details of the household. Every where there is the same reference to the power and even the supervision of the lord, manifested in the long suites of rooms which open upon each other, (the hall just mentioned is commanded by a small window opening from a superior and adjacent apartment,) as if to give the master at one glance a view of the number and a knowledge of the pursuits of the inmates. The ideas of the architects of that age seem to have been limited in their object, to realizing an image of the great feudal principle of preëminence and protection on the one side, submissiveness and reliance on the other. Hence designs and arrangements so little consistent with the privacy and personal independence which we regard at present as indispensable to every scheme of domestic accommodation. But these artists were not limited alone by a defective conception of the objects of their art; they were also embarrassed in its execution by the unequal manner in which the different branches of it had been cultivated and improved. It is doubtless a remark which will admit of very general application, that the arts which may be made subservient to embellishment and magnificence, have always far outstripped those which only conduce to comfort and convenience. The savage paints his body with gorgeous colors, who wants a blanket to protect him from the cold; and nations have heaped up pyramids to enhance their sense of importance, who have dwelt contentedly in dens and caves of the earth. Something of the same incongruity may be remarked at Penshurst, and other English mansions of the same age and order; where we sometimes ascend to galleries of inestimable paintings over steps roughly hewn with the axe, and look upon ceilings of the most exquisite and elaborate carving suspended over floors which have never had the benefit of the joiner’s plane.

In the tastes, too, and personal habits of that elder period, contrasts of a not less striking nature might be easily pointed out. We may doubt, for instance, whether beauty will ever array itself in apparel of more cost and profusion than that in which the high-born dames of Wresill and Penshurst swept through their stately apartments. Grandeur will never make its presence felt by a greater weight of ceremony, nor ever extend a more watchful and provident care to all the equipage of rank and ostentation. Flattery, we may safely assert, will never offer its incense in a more seductive form, than when it borrowed the pencil of Holbein and the lyre of Spenser. Yet these persons were the same who trode upon floors strewn with rushes, and deemed it a point of nicety and refinement if these were changed sufficiently often to prevent the soiling of their clothes. They are the same who dined without forks, and thought pewter dishes too great a luxury to be used in common by the highest nobility; who transported their ladies on pillions for want of coaches, and themselves struggled through mire for want of pavements; who, with a knowledge of the manufacture of glass, and possessed beyond ourselves of an exquisite skill in coloring it, were yet too frugal or careless to use it freely in lighting their houses. It was an age when the sick were plied with such delicate restoratives as ‘mummy and the flesh of hedge-hogs,’ and tables loaded with such dainties as cranes, lapwings, sea-gulls, bitterns and curlews. Such is the unequal progress which is often maintained in habits of undistinguishing luxury and habits of genuine refinement; so great the difference between a state of society which aims at the gratification of pride, and one which contents itself with diffusing comfort and promoting security.

It would be easy, no doubt, to draw from this sketch of ancient manners many reflections consoling to our own sense of superior comfort and discernment. But the subject is susceptible of being viewed under aspects not so flattering yet more instructive. Who is there gross enough to pride himself on superior wisdom because Kepler believed that the earth was a vast animal which breathed and reasoned, or to claim the palm of comparative merit because Sir Thomas More listened to the babbling of a pretended prophetess, and Luther waged what he considered no visionary but actual combats with the powers of darkness. If then we have dwelt on the defects of an age when civilization was still struggling with the remains of barbarism, it is to foster no spirit of vain exultation: it is rather to turn with increased pleasure from those stains which disfigure the picture, to the contemplation of the more prominent and brilliant figures which occupy the fore-ground. We remember that upon times thus backward in many of the refinements of life, and scarcely yet freed from the dregs of medi-œval darkness, genius and virtue have thrown a lustre by their presence, not merely sufficient to retrieve them from our scorn, but to make them in some respects the object of our admiration and even envy. Perhaps, if it were submitted to our choice to take our places at will in any circle which genius and merit have ever dignified and adorned, none could justly claim our preference over that of Penshurst, at the time when Sir Philip Sydney sate there in the same group with his lovely sister, the Countess of Pembroke, and with Edmund Spenser, the poet of ‘the Faërie Queen.’ Of the first of these eminent persons, it is enough to say, that his own age conceded to him the style of ‘the Incomparable,’ and that posterity has amply ratified the title. The second is known to us by that affectionate tribute of her brother’s love, which has identified the name of the Countess of Pembroke with his principal work; nor will the latest readers of English literature be forgetful of one whose memory Jonson has embalmed in the sweetest inscription that ever flowed from a poet’s pen. Of Spenser, the last but not least illustrious of the honored group, it is only necessary to say, that as he shared the hospitality, so he has not left unsung the praises of Penshurst. Where is the circle which shall again combine so many claims to our admiration and respect? What age shall presume to vaunt itself for genius or for virtue above the age of Sydney and of Spenser?