Various - The Atlantic Monthly, Volume 17, No. 102, April, 1866

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The Atlantic Monthly, Volume 17, No. 102, April, 1866: краткое содержание, описание и аннотация

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This friendship was fully reciprocated by Lady Blessington, who, in her letters to Landor, refers no less than three times to those "calm nights on the terrace of the Casa Pelosi." "I send you," she writes, "the engraving, and have only to wish that it may sometimes remind you of the original.... Five fleeting years have gone by since our delicious evenings on the lovely Arno,—evenings never to be forgotten, and the recollections of which ought to cement the friendships then formed." Again, in her books of travel,—the "Idler in France" and "Idler in Italy,"—Lady Blessington pays the very highest tribute to Landor's heart, as well as intellect, and declares his real conversations to be quite as delightful as his imaginary ones. She who will live long in history as the friend of great men now lies "beneath the chestnut shade of Saint Germain"; and Landor, with the indignation of one who loved her, has turned to D'Orsay, asking

"Who was it squandered all her wealth,
And swept away the bloom of health?"

Although a Latinist, Landor did not approve of making those who have passed away doubly dead to a majority of the living by Latin eulogy. In an interesting conversation he gives the following opinion: "Although I have written at various times a great number of such inscriptions" (Latin), "as parts of literature, yet I think nothing is so absurd, if you only inscribe them on a tomb. Why should extremely few persons, the least capable, perhaps, of sympathy, be invited to sympathize, while thousands are excluded from it by the iron grate of a dead language? Those who read a Latin inscription are the most likely to know already the character of the defunct, and no new feelings are to be excited in them; but the language of the country tells the ignorant who he was that lies under the turf before them; and, if he was a stranger, it naturalizes him among them; it gives him friends and relations; it brings to him and detains about him some who may imitate, many who will lament him. We have no right to deprive any one of a tender sentiment, by talking in an unknown tongue to him, when his heart would listen and answer to his own; we have no right to turn a chapel into a library, locking it with a key which the lawful proprietors cannot turn."

I once asked Landor to describe Wordsworth's personal appearance. He laughed and replied: "The best description I can give you of Wordsworth is the one that Hazlitt gave me . Hazlitt's voice was very deep and gruff, and he peppered his sentences very bountifully with 'sirs.' In speaking to me of Wordsworth, he said: 'Well, sir, did you ever see a horse, sir?' 'Yes.' 'Then, sir, you have seen Wordsworth, sir! He looks exactly like a horse, sir, and a very long-faced horse at that, sir!' And he did look like a horse," added Landor.

Those who have seen good likenesses of Wordsworth will readily remark this resemblance. A greater length of ear would liken the Lake poet to an animal of less dignity.

Continuing the conversation thus begun, Landor said: "I saw a great deal of Hazlitt when he was in Florence. He called upon me frequently, and a funny fellow he was. He used to say to me: 'Mr. Landor, I like you, sir,—I like you very much, sir,—you're an honest man, sir; but I don't approve, sir, of a great deal that you have written, sir. You must reform some of your opinions, sir.'" And again Landor laughed with great good-will.

"I regret that I saw Charles Lamb but once," replied Landor, in answer to many questions asked concerning this delightful man and writer. "Lamb sent word by Southey" (I think it was Southey) "that he would be very happy to see me, whereupon we made him a visit. He had then retired from the India House, and lived at Enfield. He was most charming in conversation, and his smile impressed me as being particularly genial. His sister also was a very agreeable person. During my visit, Lamb rose, went to a table in the centre of the room, and took up a book, out of which he read aloud. Soon shutting it, he turned to me, saying: 'Is not what I have been reading exceedingly good?' 'Very good,' I replied. Thereupon Lamb burst out laughing, and exclaimed: 'Did one ever know so conceited a man as Mr. Landor? He has actually praised his own ideas!' It was now my turn to laugh, as I had not the slightest remembrance of having written what Lamb had read."

Are there many to whom the following lines will not be better than new?

"Once, and only once, have I seen thy face,
Elia! once only has thy tripping tongue
Run o'er my breast, yet never has been left
Impression on it stronger or more sweet.
Cordial old man! what youth was in thy years,
What wisdom in thy levity! what truth
In every utterance of that purest soul!
Few are the spirits of the glorified
I'd spring to earlier at the gate of Heaven."

Being asked if he had met Byron, Landor replied: "I never saw Byron but once, and then accidentally. I went into a perfumery shop in London to purchase a pot of the ottar of roses, which at that time was very rare and expensive. As I entered the shop a handsome young man, with a slight limp in his walk, passed me and went out. The shopkeeper directed my attention to him, saying: 'Do you know who that is, sir?' 'No,' I answered. 'That is the young Lord Byron.' He had been purchasing some fancy soaps, and at that time was the fashion. I never desired to meet him."

As all the world knows, there was little love lost between these two great writers; but it was the man, not the poet, that Landor so cordially disliked.

MY ANNUAL

FOR THE "BOYS OF '29."

How long will this harp which you once loved to hear
Cheat your lips of a smile or your eyes of a tear?
How long stir the echoes it wakened of old,
While its strings were unbroken, untarnished its gold?

Dear friends of my boyhood, my words do you wrong;
The heart, the heart only, shall throb in my song;
It reads the kind answer that looks from your eyes,—
"We will bid our old harper play on till he dies."

Though Youth, the fair angel that looked o'er the strings,
Has lost the bright glory that gleamed on his wings,
Though the freshness of morning has passed from its tone,
It is still the old harp that was always your own.

I claim not its music,—each note it affords
I strike from your heart-strings, that lend me its chords;
I know you will listen and love to the last,
For it trembles and thrills with the voice of your past.

Ah, brothers! dear brothers! the harp that I hold
No craftsman could string and no artisan mould;
He shaped it, He strung it, who fashioned the lyres
That ring with the hymns of the seraphim choirs.

Not mine are the visions of beauty it brings,
Not mine the faint fragrance around it that clings;
Those shapes are the phantoms of years that have fled,
Those sweets breathe from roses your summers have shed.

Each hour of the past lends its tribute to this,
Till it blooms like a bower in the Garden of Bliss;
The thorn and the thistle may grow as they will,
Where Friendship unfolds there is Paradise still.

The bird wanders careless while Summer is green,
The leaf-hidden cradle that rocked him unseen;
When Autumn's rude fingers the woods have undressed,
The boughs may look bare, but they show him his nest.

Too precious these moments! the lustre they fling
Is the light of our year, is the gem in its ring,
So brimming with sunshine, we almost forget
The rays it has lost, and its border of jet.

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