Various - The Arena. Volume 4, No. 23, October, 1891

When Longfellow had reached his sixtieth year, James Russell Lowell, then in his splendid prime, sent him those lines as a birthday greeting. Lowell, since then, received in his turn many similar tributes of affection, but none that seemed to speak so promptly from the heart as those touching words of love to an old friend. To himself they might well have been applied in all truthfulness and sincerity. Of the famous group of New England singers, that gave strength and reality to American letters, but three names survived until the other day, when, perhaps the greatest of them all passed away. Whittier and Holmes remain, but Lowell, the younger of the three, and from whom so much was still expected, is no more to gladden, to delight, to enrich, and to instruct the age in which he occupied so eminent a place. Bryant was the first to go, and then Longfellow was called. Emerson followed soon after, and now it is Lowell’s hand which has dropped forever the pen. At first his illness did not cause much uneasiness, but those near him soon began to observe indications of the great change that was going on. At the last, dissolution was not slow in coming, and death relieved the patient of his sufferings in the early hours of Wednesday, August 12th. Practically, however, it was conceded that his life-work had been completed a few months ago, when his publishers presented the reading world with his writings in ten sumptuous volumes, six containing the prose works, and the other four the poems and satires. He was, with the single exception of Matthew Arnold, the foremost critic of his time. Everything he said was well said. The jewels abounded on all sides. His adroitness, his fancy, his insight, his perfect good-humor, and his rare scholarship and delicate art, emphasize themselves on every page of his books. His political and literary addresses were models of what those things should be. They were often graceful and epigrammatic, but always sterling in their value and full of thought. Long ago he established his claim to the title of poet, and as the years went by, his muse grew stronger, richer, fresher, and more original. As an English critic, writing pleasantly of him and his work, in the London Spectator said lately: “His books are delightful reading, with no monotony except a monotony of brilliance which an occasional lapse into dulness would almost diversify.”

James Russell Lowell was descended from a notable ancestry. His father was a clergyman, the pastor of the West Church in Boston. His mother was a woman of fine mind, a great lover of poetry, and mistress of several languages. From her, undoubtedly, the gifted son inherited his taste for belles-lettres and foreign tongues. He was born at Cambridge, Mass., on the 22d of February, 1819, and named after his father’s maternal grandfather, Judge James Russell. After spending a few years at the town school, under Mr. William Wells, a famous teacher in his day, he entered Harvard University, and in 1838 was graduated. He wrote the class poem of the year, and took up the study of law. But the latter he soon relinquished for letters. His first book was a small collection of verse entitled “A Year’s Life.” It gave indication of what followed. There were traces of real poetry in the volume, and none who read it doubted the poet’s future success in his courtship of the muse. In 1843 he tried magazine publishing, his partner in the venture being Robert Carter. Three numbers only of The Pioneer , a Literary and Critical Magazine , were published, and though it contained contributions by Hawthorne, Lowell, Poe, Dwight, Neal, Mrs. Browning, and Parsons, it failed to make its way, and the young editor prudently withdrew it. In the next year he published the “Legend of Brittany, Miscellaneous Poems and Sonnets.” A marked advance in his art was immediately noticed. His lyrical strength, his passion, his terse vocabulary, his exquisite fancy and tenderness illumed every page, giving it dignity and color. The legend reminded the reader of an Old World poem, and “Prometheus” too, might have been written abroad. “Rhœcus” was cast in the Greek mold, and told the story, very beautifully and very artistically, of the wood-nymph and the bee. But there were other poems in the collection, such as “To Perdita Singing,” “The Heritage,” and “The Forlorn,” which at once caught the ear of lovers of true melody. A volume of prose essays succeeded this book. It was entitled “Conversations on some of the Old Poets,” and when Mr. Lowell became Mr. Longfellow’s successor in the chair of modern languages and belles-lettres at Harvard, much of this material was used in his lectures to the students. But later on, we will concern ourselves more directly with the author’s prose.

In December, 1844, Mr. Lowell espoused Miss Maria White, of Watertown. She was a lady of gentle character, and a poet of singular grace. The marriage was a most happy one, and it was to her that many of the love poems of Lowell were inscribed. Once he wrote:—

She died on the 27th of October, 1853, the day that a child was born to Mr. Longfellow. The latter’s touching and perfect poem, “The Two Angels,” refers to this death and birth:—

A privately printed volume of Mrs. Lowell’s poems appeared a year or two after her death. Mr. Lowell’s second wife was Miss Frances Dunlap, of Portland, Maine, whom he married in September, 1857. She died in February, 1885.

Mr. Lowell was ever pronounced in his hatred of wrong, and naturally enough he was found on the side of Garrison, Wendell Phillips, and Whittier, in their great battle against that huge blot on civilization, slavery in America. He spoke and wrote in behalf of the abolitionists at a time when the anti-slavery men were openly despised as heartily in the North as they were feared and detested in the South. He wrote with a pen which never faltered, and satire, irony, and fierce invective accomplished their work with a will, and moved many a heart, almost despairing, to renewed energy.

“The Vision of Sir Launfal” was published in 1848, and it will be read as long as men and women admire tales of chivalry and the stirring stories of King Arthur’s court. Tennyson’s “Idyls” will keep his fame alive, and Lowell’s Sir Launfal, which tells of the search for the Holy Grail, the cup from which Christ drank when he partook of the last supper with his disciples, will also have a place among the best of the Arthurian legends. It is said that Mr. Lowell wrote this strong poem in forty-eight hours, during which he hardly slept or ate. Stedman calls it “a landscape poem,” a term amply justified. It contains many quotable extracts, such as, “And what is so rare as a day in June,” “Down swept the chill wind from the mountain peak, from the snow five thousand summers old,” and “Earth gets its price for what earth gives us.” We are constantly meeting these in the magazines and in the newspapers. The vision did much to bring about a larger recognition of the author’s powers as a poet of the first order. He had to wait some time to gain this, and in that respect he resembled Robert Browning, at first so obscure, at last compelling approval from all.