Various - The Atlantic Monthly, Volume 18, No. 107, September, 1866

"Come into the house and take something," said Uncle Elkins, for he began to be alarmed.

"Was Janet here?" asked the doctor, as if he had not heard the invitation.

"We had to send for her. Nancy was calling for her all the time," said Farmer Elkins, as if he doubted how far this story ought to be continued, for he did not understand the man before him. He only knew that once he had fallen down on his door-step, and lain helpless beneath his roof hard on to two months; and he watched him now as if he anticipated some renewal of that old attack,—and there was no Nancy now to nurse, and watch, and slave herself to death for him; for that was the way folk in the house were talking about Nancy and her husband in these days.

"Did she get here in time? Who went after her?"

"The minister went. We had 'em here a fortnight,—well on to 't."

"What, the minister, too?"

"No, I mean the young woman who come from Charlestown with Jenny. Her name was—" He paused long, endeavoring to recall that name. It trembled on the doctor's lips, but he did not utter it. At last said Farmer Elkins, "There! it was Miss Amey,—Amey? Yes. She took the little girl back hum with her. It was right in there, in the room where you had that spell of fever of yourn. She got you well through that! Ef anything could 'a' brought her through that turn, your letter would. It came across my mind once that, as she'd saved your life, may be you was going to save hern by that are letter! And she was so determined to get to your hospital!"

"Thank God she got the letter, any way!" exclaimed the doctor.

At that the old man walked into the house to set its best cheer before Nancy's husband, who looked so much like a mourner as he stood there under the trees, with the bitter recollections of the past overwhelming every other thought and feeling of the present.

Because it seemed to him that he could not sleep under old Elkins's roof that night, he remained there and slept there,—in the room where his fever ran its course,—in the room where Nancy died.

Because this story of the last months of her life was as gall and wormwood to him, he refused it not, but went over it with his wife's relations, and helped them spread a decent pall, according to the custom of mourners; over what had been.

Was he endeavoring to deceive himself and others into the belief that he was a mourning man? He was but accepting the varied humiliations of death; for they do not all pertain to the surrendering life. He was not thinking at all of his loss through her, nor of his gain by her. He was thinking, as he stood above the grave of fifteen years, how high Disgrace and Misery had heaped the mound. So bitterly he was thinking of the past, it was without desire that he at last arose and faced the future.

When he went to Charlestown—for a man on furlough had no time to lose—and saw his Janet in the Colonel's house,—Miss Ames took Janet home with her after that death and funeral,—when he saw how fair and beautiful a promise of girlhood was budding on the poor neglected branch, he said to his assistant, "Will you keep this child with you until the war is over? I am afraid to touch her, or interfere with her destiny. It has been so easy for me to mar, so hard to mend."

Miss Ames kept the child; the war ended. The surgeon then, like other men, returned home; his regiments were disbanded, and now, one duty, to mankind and the ages, well discharged, another, less conspicuous, but as urgent, claimed him. There was Janet, and Janet's mother,—she who had risen, not from the grave indeed, but from the midst of dangers, sacredly to guard and guide the child.

On his way to them he asked himself this question, "How many times must a man be born before he is fit to live?"

He did not answer that question; neither can I.

He informed his assistant of the court's decision in reference to the plea of "incompatibility," and she said that the justice of the sentence was not to be controverted with success by any counsellor on earth; but the reader may smile, and say that it was not difficult to come to this decision under the circumstances.

We will not argue that point. I had only the story to tell, and have told it.

Sir Bedivere's heart misgave him twice ere he could obey the dying commands of King Arthur, and fling away so precious a relic. The lonely maiden's industry has been equalled by many of her mortal sisters, sitting, not indeed "upon the hidden bases of the hills," but in all the varied human habitations built above them since the days of King Arthur.

The richness, beauty, and skill displayed in the needle-work of the Middle Ages demonstrate the perfection that art had attained; while church inventories, wills, and costumes represented in the miniatures of illuminated manuscripts and elsewhere, amaze us by the quantity as well as the quality of this department of woman's work. Though regal robes and heavy church vestments were sometimes wrought by monks, yet to woman's taste and skill the greater share of the result must be attributed, the professional hands being those of nuns and their pupils in convents. The life of woman in those days was extremely monotonous. For the mass of the people, there hardly existed any means of locomotion, the swampy state of the land in England and on the Continent allowing few roads to be made, except such as were traversed by pack-horses. Ladies of rank who wished to journey were borne on litters carried upon men's shoulders, and, until the fourteenth and fifteenth centuries, few representations of carriages appear. Such a conveyance is depicted in an illustration of the Romance of the Rose, where Venus, attired in the fashionable costume of the fifteenth century, is seated in a chare , by courtesy a chariot, but in fact a clumsy covered wagon without springs. Six doves are perched upon the shafts, and fastened by mediæval harness. The goddess of course possessed superhuman powers for guiding this extraordinary equipage, but to mere mortals it must have been a slow coach, and a horribly uncomfortable conveyance even when horses were substituted for doves. An ordinance of Philip le Bel, in 1294, forbids any wheel carriages to be used by the wives of citizens, as too great a luxury. As the date of the coach which Venus guides is two hundred years later, it is difficult to imagine what style of equipage belonged to those ladies over whom Philip le Bel tyrannized.

With so little means of going about, our sisters of the Middle Ages were perforce domestic; no wonder they excelled in needle-work. To women of any culture it was almost the only tangible form of creative art they could command, and the love of the beautiful implanted in their souls must find some expression. The great pattern-book of nature, filled with graceful forms, in ever-varied arrangement, and illuminated by delicate tints or gorgeous hues, suggested the beauty they endeavored to represent. Whether religious devotion, human affection, or a taste for dress prompted them, the needle was the instrument to effect their purpose. The monogram of the blessed Mary's name, intertwined with pure white lilies on the deep blue ground, was designed and embroidered with holy reverence, and laid on the altar of the Lady-chapel by the trembling hand of one whose sorrows had there found solace, or by another in token of gratitude for joys which were heightened by a conviction of celestial sympathy. The pennon of the knight—a silken streamer affixed to the top of the lance—bore his crest, or an emblematic allusion to some event in his career, embroidered, it was supposed, by the hand of his lady-love. A yet more sacred gift was the scarf worn across the shoulder, an indispensable appendage to a knight fully equipped. The emotions of the human soul send an electric current through the ages, and women who during four years of war toiled to aid our soldiers in the great struggle of the nineteenth century felt their hearts beat in unison with hers who gave, with tears and prayers, pennon and scarf to the knightly and beloved hero seven hundred years ago.