Danielle Steel - Bungalow 2

“I hope this is the one that changes your mind,” he said, as he stood up, too. He was very tall, and thin. There was barely a smile between them. He had left her his UK cell number, and his home number was on the papers. She thanked him then for coming from England to see her. It was a slightly crazy thing to do, but he said he was glad he had, even if she didn't do the script. They shook hands then, and he left.

He got in his rented car and drove away, and she drove home, and put the folder on her desk. She didn't know when she'd get to it, but she knew she would at some point. And two hours later her kids were home, and the house came alive again. It was so good to have them home, she forgot all about his folder until after the Thanksgiving weekend. She saw it on her desk and sighed. She didn't want to read it, but had said she would. She felt she owed him at least that.

She read it on Sunday night after the kids left, and finished it at midnight. It was eight in the morning in England for him. He was making breakfast for his children when she called him. She wanted to hate him for it, but she couldn't. She knew this was one screenplay she had to write, and this would be the last one. But it was a piece of work she was suddenly longing to do. She had made copious notes as she read it, and already had a million ideas. The story he had outlined was brilliant. Clean, clear, pure, simple, powerful, and at the same time complex and fascinatingly intricate. She had to write it.

“I'll do it,” she said, as she could hear children's voices in the background. There was all the noise and chatter that happened over breakfast with children. They were the sounds she missed so much. It would be nice to have them stay with her, even if only for a few days, or however long it took him to find a place. She could hardly wait to start work on the script.

“I'm sorry … what did you say?” Rupert had shouted at the dog just as she had spoken. And now it was barking again. “I didn't hear you. I've got a noisy lot here.” She smiled as she listened.

“I said I'd do it.” She spoke softly, but this time he heard her. There was a long silence while the dog barked and the kids were squealing.

“Shit. Do you mean it?”

“Yes, I do. And I swear this will be my last one. But I think it's going to be a beautiful movie. I fell in love with your idea. The outline made me cry.”

“I wrote it for my wife,” he explained. “She was an interesting woman. She was a physician.”

“I suspected it was about her,” in some altered form, since she had died in a riding accident, and not of AIDS. “I'll start working on it now. I was going to start a novel, but it can wait. I'll fax you what I've got, as soon as it starts to make sense.”

“Tanya,” he said in a choked voice, “thank you.”

“Thank you,” she said. And the two people who hadn't smiled enough in a long time were both suddenly beaming. There was no doubt in her mind. It was going to be a very, very good picture. And hopefully, a terrific script. She was going to give it her all.

She started working on it the day after Thanksgiving. It took her three weeks to get a handle on it as she sketched out scenes, and laid out the flow of the picture. It was Christmas week before she faxed some material to him. He read it in one night, and called her in his morning. It was midnight for her, and she was sitting at her desk, working on it, when he called her.

“I love what you did,” he said, sounding jubilant. “It's absolutely perfect.” It was even better than he had hoped. She was making his dream come true.

“I like it, too,” she said, smiling, as she looked out the window into the darkness. “I think it works.” She had cried several times as she wrote it, which was always a good sign. And so had he when he read it.

“I think it's brilliant!” he said to her.

They talked for nearly an hour, as she discussed some problems with him. There were rough spots in the material, things she hadn't figured out how to handle yet. It was all still in its early stages. But together they batted ideas back and forth and solved the problems one by one. She was surprised to find afterward that they had talked for two hours.

He was still coming on the tenth of January. He wanted to hire local actors. He knew a cameraman in San Francisco he said was very good, a South African he had gone to school with. Phillip was going to be making his movie on a shoestring. He had offered Tanya all he could to write the screenplay. She thought about it and called him back afterward. She told him she'd take a percentage at the back end. She didn't want anything from him up front. She thought the project was worth investing in. She was more interested in making it with him than in making money.

She started to get a real grip on it shortly before Christmas, and the screenplay was almost writing itself. It felt like destiny at work. She was writing everything he had felt, and he was thrilled with what she wrote.

Her kids came home, and they had a wonderful Christmas vacation. Jason went skiing with friends. Megan had a new boyfriend at UCSB, and Molly was talking about going to Florence to study for junior year. Tanya told them all about the independent movie she had started to work on. They were intrigued by what she told them. She told them little about Phillip Cornwall, because he was the least of it. What had gripped her was the story. She had been working on it since Thanksgiving and was haunted by it. Phillip had been the catalyst, but by now she loved the story itself. It had a life of its own, as all good stories did.

Phillip arrived on schedule on the tenth of January, with Isabelle and Rupert. He had already started putting out feelers for an apartment, and promised not to stay with her for too long. She put him in Molly's room, and the children in Megan's. She put a roll-away bed in the room, so they could be close together. The children were adorable, and totally, incredibly English. Rupert was nine, and Isabelle was seven. They were extremely polite and well behaved, and looked like children in a movie. They were beautiful and sweet, with big blue eyes and blond hair. Phillip said they were the image of their mother. And as they walked into the house with him, they looked up at her with their huge eyes, as he stood over them proudly. She could see in the first five minutes that he was a very good father, and they adored him, and he them. They were a tightly woven loving unit.

It was British teatime when they came in, exhausted from the long flight. She had made little sandwiches for them, hot chocolate with whipped cream. And she'd gone to the English grocery store to buy scones and clotted cream. She had sliced strawberries and jam to go with it, and both children screamed when they saw what she had prepared. They loved the scones, and Isabelle dove in so vigorously that she got clotted cream on her nose. Phillip laughed as he wiped it off.

“You're a little piggy, Miss Izzy. We'll have to throw you in the bath.”

It was wonderful hearing the sound of children's voices again. Tanya could hear them laughing in their room, talking to their father. And she heard him reading a bedtime story to them when she walked by their room that night. It was at least an hour later when he came downstairs to the kitchen. She was working on the screenplay, and he said they were sound asleep.

“They're nackered from the trip,” he said, and she looked up and smiled.

“You must be, too.” The deep brown eyes looked tired, but happy. He was dying to get to work.

“Not really.” He smiled at her. “I'm excited to be here.” He was planning to enroll them in school the next day, and then wanted to meet with his cameraman later that week. They had a million plans and things to talk about. In some ways, it was easier to have him right in the house, so they could work. They talked for hours, over several cups of tea, and finally the jet lag got him and he went to bed.