Danielle Steel - Bungalow 2

Tanya's first book had been a series of essays, mostly about women's issues. It had been published by a small publisher in Marin in the late 1980s, and reviewed mostly by obscure feminist reviewers, who approved of her theories, topics, and ideas. Her book hadn't been rabidly feminist, but was aware and independent, and the sort of thing one would expect a young woman to write. Her second book, published on her fortieth birthday, two years earlier, and eighteen years after her first book, had been an anthology of short stories, published by a major publisher, and had had an exceptionally good review in The New York Times Book Review. She had been thrilled.

In between, she had been frequently published in literary magazines, and often in The New Yorker. She had published essays, articles, and short stories in a variety of magazines over the years. Her volume of work was consistent and prolific. When necessary, she slept little, and some nights not at all. Judging by the sales of her recent book of short stories, she had a loyal following both among average readers who enjoyed her work and among the literary elite. Several well-known and highly respected writers had written her letters of warm praise, and had commented favorably about her book in the press. As she was in all else, Tanya was meticulously conscientious about her work. She had managed to have a family, and still keep abreast of her work. For twenty years, she had set time aside every day to write. She was diligent and highly disciplined and the only time she took days off from her writing mornings was during school vacations, or when the children were home sick from school. In that case, they came first. Otherwise, nothing kept her from her work. In her hours away from Peter and the children, she was fanatical about her work. She let the phone go to voice mail, turned off her cell phone, and sat down to write every morning after her second cup of tea, once the kids had gone off to school.

She also enjoyed writing in a more commercial vein, which was the profitable side of it for them, something Peter respected as well. She did occasional articles for the local Marin papers, now and then for the Chronicle , on an editorial basis. She liked writing funny pieces, and had a knack with comedic work, in a wry, witty tone, and now and then she wrote pure slapstick when describing the life of a housewife and mother, and scenes with her kids. Peter thought it was what she did best, and she enjoyed doing it. She liked writing funny stuff.

The real money she'd made, compared to what she made on her articles and essays, was writing occasional scripts for soap operas on national TV. She had done quite a number of them over the years. They weren't high literary endeavors, and she had no pretensions about what she did. But they paid extremely well, and the shows she wrote for liked her work, and called her often. It wasn't work she was proud of, but she liked the money she made, and so did Peter. She usually wrote a dozen or so scripts a year. They had paid for her new Mercedes station wagon and a house they rented for a month at Lake Tahoe every year. Peter was always grateful for her help with tuition for their children. She had saved a nice little nest egg from her commercial writing work. She had cowritten a few miniseries, too, mostly before the market for miniseries and television movies had been impacted by reality TV. These days no one wanted miniseries or TV movies, and the only regular work she got for TV was on her soaps. Her agent called her about a script for a soap at least once a month, and sometimes more often. She knocked them out in a few days, working late at night while the rest of the family slept. Tanya was lucky that she needed very little sleep, much to her agent's delight. She had never made gigantic money for her work, but she had produced steadily for many years. She was in effect a housewife and writer with stamina and talent. It was a combination that worked well.

Over the years Tanya's freelance writing had been a steady, satisfying, and lucrative career, and as the kids got older, she had plans to write more. The only dream she had that hadn't been fulfilled yet was to write the screenplay for a feature film. She had persisted in pushing her agent about it, but to some extent her work in TV made her ineligible. There was very little, if any, crossover between television and feature films. It irritated her because she knew she had the skills to do movies, but so far nothing in that vein had come her way, and she was no longer sure it ever would. It was an opportunity she'd been waiting for, for twenty years. In the meantime, she was happy with the writing she did. And the system and schedule she juggled so successfully worked well for all of them. She'd had a steady flow of work during her entire career. It was something she did with her left hand, while she tended to her family with her right and met all their needs. Peter always said that she was an amazing woman, and a wonderful mother and wife. That meant far more to her than favorable literary reviews. Her family had been her first priority during all her years of marriage and motherhood. And as far as Tanya was concerned, she had done the right thing, even if it meant turning down an assignment now and then, although that was rare for her. Most of the time, she found a way to fit it in, and was proud of having done that for twenty years. She had never let Peter or her kids down, nor her work, or the people who paid her to do it.

She had just sat down at her computer with a cup of tea, and was looking over the draft for a short story she'd started the day before, when the phone rang, and she heard the answering machine pick it up. Jason had spent the night in San Francisco, the girls were out with friends, and Peter had long since left for work. He was preparing for a trial the following week. So she had a nice, peaceful morning to work, which was rare when the kids were out of school. She wrote far less in the summer than she did in the winter months. It was too distracting trying to write when the children were home on vacation, and around all the time. But she'd had an idea for a new short story that had been bugging her for days. She was wrestling with it, when she heard her agent leave a message on the phone, and strode rapidly across the kitchen to pick it up. She knew that all the soaps she wrote for were on hiatus, so it wasn't likely to be a request for a script for a soap. Maybe an article for a magazine, or a request from The New Yorker.

She answered the phone just before her agent hung up. The message he'd left was a request for her to call him. He was a longestablished literary agent in New York, who had represented her for the past fifteen years. The agency also had an office in Hollywood, where they generated a very respectable amount of work for her, as much as in New York, sometimes more. She loved all the different aspects of her work, and had been dogged and persistent about pursuing her career through all the kids' years of growing up. They were proud of her, and once in a while watched her soaps, although they teased her a lot, and told her how “cheesy” they were. But they bragged about her to their friends. It was immensely important to her that Peter and her children respected what she did. And she liked knowing she did it well, without sacrificing her time with them. There was a sign on her office wall that said “What hath night to do with sleep?”

“I thought you might be writing,” her agent said as she picked up. His name was Walter Drucker, and he went by Walt.

“I was,” she said, hopping onto a high stool near the phone. The kitchen was the nerve center of the house, and she used it as an office. Her computer was set up in the corner, next to two file cabinets bulging with her work. “What's up? I'm working on a new short story. I think it may turn out to be part of a trilogy when it grows up.” He admired her, and the fact that she was unfailingly professional and conscientious about everything she did. He knew how important her children were to her, but she still stayed on track with everything she wrote. She was very serious about her work, and everything she touched. It was a pleasure to deal with her. He never had to apologize for her missing a deadline, forgetting a story, going into rehab, or blowing a script. She was a writer to her core, and a good one. Tanya was a true professional. She had talent, energy, and drive. He liked her work, although usually he wasn't a short-story fan, but hers were good. They always had an interesting twist, a surprise. There was something very quirky and unusual about her work. Just when the reader expected it least, she came up with a stunning twist, turn, or ending. And he liked her funny stuff best. Sometimes she made him laugh till he cried.