Danielle Steel: The Cottage

For the last ten, he'd been reduced to minor character parts, and cameo appearances, for which he was paid very little. And for the most part, no matter what the movie or the role or the costume, Cooper always seemed to play the dashing, charming, fabulously handsome Casanova, and more recently the irresistible aging roué. But no matter how irresistible he still was on screen, there were fewer and fewer parts for him to play. In fact, as Abe rang the front door bell and waited for someone to answer, Coop hadn't had any part at all in just over two years. But he claimed he met with directors and producers about their new movies every day. Abe had come to talk turkey with him about that, and about cutting back his expenses radically in the near future. He had been living in debt and on promises for the past five years. And Abe didn't care if he made commercials for his neighborhood butcher, but Coop was going to have to get out and work—and soon. There were a lot of changes he was going to have to make. He had to cut back dramatically, reduce his staff, sell some of his cars, stop buying clothes and staying at the most expensive hotels around the world. Either that, or sell the house, which Abe would have preferred.

He wore a dour expression as he stood in his gray summer suit, white shirt, and black and gray tie, as a butler in a morning coat opened the front door. He recognized the accountant immediately and nodded a silent greeting. Livermore knew from experience that whenever the accountant came to visit, it put his employer in a dreadful mood. It sometimes required an entire bottle of Cristal champagne to restore him to his usual good spirits, sometimes an entire tin of caviar too. He had put both on ice the moment Liz Sullivan, Coop's secretary, had warned Livermore that the accountant would be arriving at noon.

She had been waiting for Abe in the paneled library, and crossed the front hall with a smile as soon as she heard the bell. She had been there since ten that morning, going over some papers to prepare for the meeting, and she'd had a knot in her stomach since the night before. She had tried to warn Coop what the meeting was about, but he'd been too busy to listen the previous day. He was going to a black-tie party, and wanted to be sure to get a haircut, a massage, and a nap before he went out. And she hadn't seen him that morning. He was out at a breakfast at the Beverly Hills Hotel when she arrived, with a producer who had called him about a movie with a possible part in it for him. It was hard to pin Coop down, particularly if it involved bad news or something unpleasant. He had an instinctive sense, a kind of finely tuned supersonic radar that warned him almost psychically about things he didn't want to hear. Like incoming Scud missiles, he managed to dodge them with ease. But she knew he had to listen this time, and he had promised to be back by noon. With Coop, that meant closer to two.

“Hello, Abe, it's nice to see you,” Liz said warmly. She was wearing khaki slacks, a white sweater, and a string of pearls, none of which flattered her figure, which had expanded considerably in the twenty-two years she'd worked for Coop. But she had a lovely face, and naturally blonde hair. She had been truly beautiful when Coop hired her, she had looked like an advertisement for Breck shampoo.

It had been love at first sight between them, not literally, or at least not from Coop's side. He thought she was terrific, and valued her flawless efficiency, and the motherly way she had taken care of him from the first. When he hired her she had been thirty years old, and he was forty-eight. She had worshipped him, and had a secret crush on him for years. She had given her life's blood to the impeccable running of Cooper Winslow's life, working fourteen hours a day, sometimes seven days a week, if he needed her, and in the process, she had forgotten to get married or have kids. It was a sacrifice she had willingly made for him. She still thought he was worth it. And at times she was worried sick about him, particularly in recent years. Reality was not important to Cooper Winslow. He considered it a minor inconvenience, like a mosquito buzzing around his head, and he avoided it all costs. Successfully, from his perspective at least, most of the time. Nearly always in fact. Coop only heard what he wanted to hear, i.e., only good news. The rest he filtered out long before it reached either his brain or his ears. And so far, he had gotten away with it. Abe had come that morning to deliver reality to him, whether Coop liked it or not.

“Hello, Liz. Is he here?” Abe asked, looking stern. He hated dealing with Coop. They were opposites in every way.

“Not yet,” she said with a friendly smile, as she led him back to the library, where she'd been waiting for both of them. “But he'll be back any minute. He had a meeting about a lead part.”

“In what? A cartoon?” Liz very diplomatically did not respond. She hated it when people said rude things about Coop. But she also knew how irritated the accountant had been with him.

Coop had followed absolutely none of his advice, and his precarious financial situation had become even more so, disastrously so in fact, in the past two years. And Abe's last words to Liz on the phone the day before had been “This has to stop.” He had come on a Saturday morning to deliver the message, and it annoyed him no end that as usual, Coop was late. He always was. And because of who he was, and how endearing he could be when he chose to, people always waited for him. Even Abe.

“Would you like a drink?” Liz asked, playing hostess, as Livermore stood by stone-faced. He had a single expression he used in every situation, none. It seemed to suit his part. Although rumor had it that once or twice, when Cooper teased him mercilessly about something, he had actually smiled. But no one had actually seen him do it, so it was more legend than fact. But Coop swore he did.

“No, thanks,” Abe said, looking almost equally expressionless as the butler, although Liz could see that irritation was creeping in at a rapid speed.

“Iced tea?” There was still an ingenue quality about her as she tried to put him at ease.

“That would be fine. How late do you think he'll be?” It was twelve-oh-five. And they both knew that Coop would think nothing of being an hour or two late. But he would come armed with a plausible excuse, and a dazzling smile, which made women go weak at the knees, but not Abe.

“Hopefully, it won't be long. It's just a preliminary meeting. They were going to give him a script to read.”

“Why?”

His more recent parts had been walk-ons, or showed him walking in or out of a premiere, or at a bar draped over some girl. Almost every part he played was in black tie. And he was as charming on the set as he was in real life. So much so that even now, the perks in his contracts were legendary. He somehow always got to keep his costumes, and negotiated his wardrobe, custom made at all his favorite tailors in Paris, London, and Milan. In addition to which, much to Abe's chagrin, he continued to buy more, wherever he went, along with antiques, crystal, linens, and staggeringly expensive art for his house. The bills were stacked up on Abe's desk, along with the bill for his most recent Rolls. Rumor had it he currently had his eye on a limited-edition, turbo-powered convertible Bentley Azure for half a million dollars. It would be a handsome addition to the two Rolls, a convertible and a sedan, and the custom-built Bentley limousine he had in the garage. Coop viewed the cars and wardrobe not as luxuries, but as the necessities of life. Those were the basics, the rest was cream.

A houseman appeared from the kitchen with two glasses of iced tea on a silver tray. Livermore had disappeared. The young man hadn't even left the room when Abe looked over at Liz with a frown.

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